Galassi, Peter.
Pleasures and Terrors in Domestic Comfort.
Museum of Modern Art. New York, New York. 1991.
Butler, Cornelia H., intro.
Picturing Ritual.
Center for Photography at Woodstock. Woodstock, New York. Neuberger Museum of Art, The State University of New York at Purchase. Purchase, New York. 1994.
Gumpert, Lynn.
La Belle et La Bete: Un Choix De Jeunes Artistes Americains.
Musee Moderne de la Ville de Paris. Paris, France. 1995.
Stephenson, Kirsty.
Photography at Berkley Square.
The Citibank Private Bank. London, United Kingdom. 1995, p. 14.
Faculty Work on Paper.
The Yale School of Art. New Haven, Connecticut. 1995.
On the Face Of It: photography & facade.
City Art Centre. Edinburgh, Scotland. 1995, p. 108.
Shot: Una Visione Americana.
Valentina Moncada. Rome, Italy. 1996.
Dompierre, Louise.
Digital Gardens: a World in Mutation.
The Power Plant Contemporary Art Gallery. Toronto, Canada. 1996, pp. 74-82.
Surrealism.
Wexner Center for the Visual Arts. Columbus, Ohio. 1997.
A Thin Line.
Center for Curatorial Studies, Bard College. Annandale-on-Hudson, New York. 1997.
American Art Today: The Garden.
The Art Museum at Florida International University. Miami, Florida. 1997.
Pollution.
Claudia Gian Ferrari Arte Contemporanea. Milan, Italy. 1998.
Steinke, Darcey.
Gregory Crewdson Mise-en-Scene.
Rosenwald-Wolf Gallery, The University of the Arts. Philadelphia, Pennsylvania. 1998.
Antelo-Suarez, Sandra and Michael Mark Madore, eds.
Spectacular Optical.
Thread Waxing Space. New York, New York. 1998.
Full Exposure: Contemporary Photography.
New Jersey Center for Visual Arts. Summit, New Jersey. 1999, p. 5, 16.
Paini, Dominique and Guy Cogeval, ed.
Fatal Coincidences, Hitchcock and Art.
Montreal Museum of Fine Arts. Montreal, Canada. 2000.
Little Words.
Dunlop Art Gallery. Regina, Canada. 2001.
Bright Paradise: Exotic History and Sublime Artifice.
The 1st Auckland Triennial, Auckland Art Gallery Toi o Tamaki with Artspace, University of Auckland. Auckland, New Zealand. 2001, p. 51.
Settings & Players: Theatrical Ambiguity in American Photography.
White Cube Gallery. London, United Kingdom. 2001.
Modern Contemporary Art at MoMa Since 1980.
Museum of Modern Art. New York, New York. 2001, p. 216.
The Swamp: On the Edge of Eden.
Harn Museum of Art, University of Florida. Gainesville, Florida. 2001, p. 55.
Botanica: Contemporary Art and the World of Plants.
Tweed Museum, Art University of Minnesota-Duluth. Duluth, Minnesota. 2001.
Barthelme, Donald, Barbara Clausen and Carin Kuoni, essays.
Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures.
Independent Curators International. New York, New York. 2002, pp. 48-9.
Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art.
Samsung Museum of Modern Art. Seoul, Korea. 2002, pp. 144-5.
SAM Collects: Contemporary Art Project.
Seattle Art Museum. Seattle, Washington. 2002, p. 33-4.
Gregory Crewdson Early Work (1986-88).
Emilio Mazzoli Galleria D'arte Contemporanea. Modena, Italy. 2002.
Arte Contemporaneo Internacional.
Consejo Nacional para La Cultura y Las Artes, Instituto Nacional de Bellas Artes. 2002.
Vision From America: Photographs From the Whitney Museum of American Art, 1940-2001.
The Whitney Museum of American Art. New York, New York. 2002.
Form Follows Fiction.
Charta. Fondatione CRT Cassa di Risparmio, Contemporary Art Museum of the Castle of Rivoli. Rivoli Torino, Italy. 2002.
UnNaturally.
Independent Curators International. New York, New York. 2003, pp. 26-7.
Art Loves Miami.
Art Basel. Ocean Drive Art Basel. Miami Beach, Florida. 2003, pp. 23-6.
Gallant, Aprile, Mimi Hellman and Linda Muehlig.
Undomesticated Interiors: photographing undomesticated interiors.
Smith College Museum of Art. Northampton, Massachusetts. 2003, pp. 92-3.
The Disembodied Spirit.
Bowdoin College Museum of Art. Brunswick, Maine, 2003, p. 61.
Passengers.
Lisboa Photo, Editions Asa. Lisbon, Portugal. 2003, pp. 168-71.
Constructed Realities: Contemporary Photographies.
Orlando Museum of Art. Orlando, Florida. 2003, pp. 10-1.
Thompson, Nato.
Fantastic!.
Massachusetts Museum of Contemporary Art. North Adams, Massaschusetts. 2003, pp. 14-7, 30.
Danoff, Michael.
Crosscurrents at the Century's End. Selections from the Neuberger Berman Art Collection.
Neuberger Berman Art Collection. New York, New York. 2003, p. 31.
Moody, Rick.
Twilight: Photographs by Gregory Crewdson.
Harry N. Abrams Inc. New York, New York. 2003.
Assmann, Peter, Hans Richard Brittnacher, and Susanne Heilingbrunner, et al.
Andererseits: Die Phantastik: Imaginare Welten in Kunst und Alltagskultur.
Bibliotek der Provinz. Weitra, Austria. 2003.
Grynsztejn, Madeleine.
Supernova: Art of the 1990s from the Logan Collection.
San Francisco Museum of Modern Art. San Francisco, California. 2003.
The Amazing & The Immutable.
Contemporary Art Museum, Institute of Research in Art, University of South Florida. Tampa, Florida. 2004, p. 38.
Outlook. International Art Exhibition Athens 2003. Cultural Olympiad.
Hellenic Culture Organization S.A. Athens, Greece. 2004, pp. 124-5.
The World is a Stage: Stories Behind Pictures.
Mori Art Museum. Tokyo, Japan. 2005, pp. 46-51.
Berg, Stephan and Martin Hentschel.
Gregory Crewdson: 1985-2005.
Hatje Cantz. Ostfildern, Germany. 2005.
Gregory Crewdson: Fireflies.
Skarstedt Fine Art and Luhring Augustine. New York, New York. 2006.
Grosfeld, Jan.
Dark.
Museum Boijmans van Beuningen. Rotterdam, The Netherlands. 2006.
Twilight: Photography in the Magic Hour.
Victoria and Albert Museum. London, United Kingdom. 2006.
Pauli, Lori ed.
Acting the Part: Photography as Theatre.
Merrell with National Gallery of Canada. London and New York. 2006.
I Love the Burbs.
Katonah Museum of Art. Katonah, New York. 2006, p. 14.
Lombino, Mary-Kay.
Utopian Mirage: Social Metaphors in Contemporary Photography and Film.
The Frances Lehman Loeb Art Center, Vassar College. Poughkeepsie, New York. 2007.
De Corral, Maria, and John R. Lane.
Forward: Contemporary Collections for the Dallas Museum of Art.
Yale University Press. New Haven, Connecticut. 2007.
Hiromoto, Nobuyuki.
Pop Art 1960's - 2000's: From Misumi Collection.
Yomiuri Shimbun. Tokyo, Japan. 2007, pp. 38-9, 111.
Dream & Trauma: Works from the Dakis Joannou Collection, Athens.
Hatje Cantz. Vienna, Austria. 2007.
Hillings, Valerie L.
Guggenheim Collection: 1940s to Now.
National Gallery of Victoria. Melbourne, Australia. 2007.
De Corral, Maria and John R. Lane, ed.
Fast Forward: Contemporary Collections for the Dallas Museum of Art.
Dallas Museum of Art. Dallas, Texas. Yale University Press. New Haven, Connecticut. p. 269, 305. 2007.
Blauvelt, Andrew.
Worlds Away: New Suburban Landscapes.
Walker Art Center. Minneapolis, Minnesota. 2008.
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