|
Galassi, Peter.
Pleasures and Terrors in Domestic Comfort.
Museum of Modern Art. New York, New York, 1991.
|
 |
|
Picturing Ritual.
Neuberger Museum of Art, State University of New York Purchase. Purchase, New York, 1994.
|
|
|
Gumpert, Lynn.
La Belle et La Bete: Un Choix De Jeunes Artistes Americains.
Musee Moderne de la Ville de Paris. Paris, France, 1995.
|
|
|
Stephenson, Kirsty.
Photography at Berkley Square.
The Citibank Private Bank. London, United Kingdom, August, 1995, p. 14.
|
|
|
Faculty Work on Paper.
The Yale School of Art. New Haven, Connecticut, 1995.
|
|
|
On the Face Of It.
FOTOFEIS. Edinburgh, Scotland, 1995, p. 108.
|
|
|
Dompierre, Louise.
Digital Gardens: a World in Mutation.
The Power Plant Contemporary Art Gallery. Toronto, Error, Canada, September 27 - December 22, 1996, pp 74-82.
|
|
|
Surrealism.
Wexner Center for the Visual Arts. Columbus, Ohio, 1997.
|
|
|
A Thin Line.
Center for Curatorial Studies, Bard College. 1997.
|
|
|
American Art Today: The Garden.
The Art Museum at Florida International University. Miami, Florida, January 10 - February 15, 1997.
|
|
|
Pollution.
Claudia Gian Ferrari Arte Contemporanea. Milan, Italy. 1998.
|
|
|
Steinke, Darcey.
Gregory Crewdson Mise-en-Scene.
Rosenwald-Wolf Gallery, The University of the Arts. 1998.
|
|
|
Princenthal, Nancy.
Review of Spectacular Optical.
Thread Waxing Space. New York, New York, May 28 - July 18, 1998.
|
|
|
Full Exposure: Contemporary Photography.
New Jersey Center for Visual Arts. Summit, New Jersey, 1999, p. 5, 16.
|
|
|
Shot: Una Visione Americana.
Rome, Italy, 1999.
|
|
|
Bright Paradise: Exotic History and Sublime Artifice.
The 1st Auckland Triennial, Auckland Art Gallery Toi o Tamaki with Artspace, University of Auckland. 2001, p. 51.
|
|
|
Settings & Players: Theatrical Ambiguity in American Photography.
White Cube Gallery. 2001.
|
|
|
Modern Contemporary Art at MoMa Since 1980.
The Museum of Modern Art. New York, New York, September 2000 - January, 2001, p. 216.
|
|
|
The Swamp: On the Edge of Eden.
Harn Museum of Art, University of Florida. Gainesville, Florida, September 29, 2000-January 7, 2001, p. 55.
|
|
|
Botanica, Contemporary Art and the World of Plants.
Tweed Museum of Art University of Minnesota Duluth. July 1999 - December, 2001.
|
|
|
Little Words.
Dunlop Art Gallery. Dunlop Art Gallery. 2001.
|
|
|
Form Follows Fiction.
Charta. Castelo di Rivoli, Museo d'Arte Contemporanea, Fondatione CRT Cassa di Risparmio di Torino. 2002.
|
|
|
Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures.
Independent Curators International. Independent Curators International. New York, New York, January 30 - April 13, 2002, 2002, pp. 48-49.
|
|
|
Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art.
Samsung Museum of Modern Art. Seoul, Korea (South), 2002, pp. 144-145.
|
|
|
SAM Collects: Contemporary Art Project.
Seattle Art Museum. Seattle, Washington, 2002, p.33-34.
|
|
|
Gregory Crewdson Early Work (1986-88).
Emilio Mazzoli Galleria D'arte Contemporanea. Modena, Italy, October, 2002.
|
|
|
Arte Contemporaneo Internacional.
Consejo Nacional para La Cultura y Las Artes, Instituto Nacional de Bellas Artes. Museo de Arte Moderna. 2002.
|
|
|
Vision From America: Photographs From the Whitney Museum of American Art, 1940-2001.
The Whitney Museum of American Art. June 27 – September 22, 2002.
|
|
|
Boy.
Expect: Art, The What to Expect Foundation. 2002.
|
|
|
Undomesticated Interiors.
Smith College of Art. April 27 - May 25, 2003, pp. 92-93.
|
|
|
UnNaturally.
Independent Curators International. Independent Curators International. New York, New York, 2003, pp.26-27.
|
|
|
Art Loves Miami.
Art Basel. Ocean Drive Art Basel. Miami Beach, Florida, December, 2003, pp.23-26.
|
|
|
The Disembodied Spirit.
Bowdoin College Museum of Art. Brunswick, Maine, 2003, p. 61.
|
|
|
Passengers.
Lisboa Photo, Editions Asa. Lisbon, Portugal, 2003, pp. 168-171.
|
|
|
Constructed Realities: Contemporary Photographies.
Orlando Museum of Art. Orlando, Florida, 2003, pp.10-11.
|
|
|
Danoff, Michael.
Crosscurrents at the Century's End. Selections from the Neuberger Berman Art Collection.
Neuberger Berman Art Collection. new York, New York. 2003, p. 31.
|
|
|
Twilight: Photographs by Gregory Crewdson.
Harry N. Abrams Inc., with essay by Rick Moody, New York, New York. 2003.
|
|
|
Fantastic! The Limited Edition Mass MoCA Exhibition Catalogue.
Mass MoCA. March 8, 2003 - April 1, 2004, pp. 14-17, p. 30.
|
|
|
Outlook. International Art Exhibition Athens 2003. Cultural Olympiad.
Hellenic Culture Organization S.A. Athens, Greece, October 23, 2003 - Jaunuary 25, 2004, pp. 124-125.
|
|
|
The Amazing & The Immutable.
Contemporary Art Museum, Institute of Research in Art, University of South Florida. Tampa, Florida, February 2 – March 13, 2004, p. 38.
|
|
|
Tampa Museum of Art. Tampa, Florida, January 25 - April 11, 2004, p. 31.
|
|
|
The World is a Stage. Stories Behind Pictures.
Mori Art Museum. Tokyo, Japan, March 29 - June 19, 2005, pp. 46-51.
|
|
|
Berg, Stephan and Martin Hentschel.
Gregory Crewdson: 1985-2005.
Hatje Cantz. 2005.
|
|
|
Gregory Crewdson: Fireflies.
Skarstedt Fine Art and Luhring Augustine. New York, New York. 2006.
|
|
|
Dark.
Museum Boijmans van Beuningen. Netherlands. February 18-April 16, 2006.
|
|
|
Twilight: Photography in the Magic Hour.
Victoria and Albert Museum. London, United Kingdom. 2006.
|
|
|
Pauli, Lori ed.
Acting the Part: Photography as Theatre.
Merrell with National Gallery of Canada. London and New York. 2006.
|
|
|
I Love the Burbs.
Katonah Museum of Art. Katonah, New York. 2006, p. 14.
|
|
|
Lombino, Mary-Kay.
Utopian Mirage: Social Metaphors in Contemporary Photography and Film.
The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York. 2007.
|
|
|
De Corral, Maria, and John R. Lane.
Forward: Contemporary Collections for the Dallas Museum of Art.
Yale University Press. New Haven, Connecticut. 2007.
|
|
|
Hiromoto, Nobuyuki.
Pop Art 1960's - 2000's: From Misumi Collection.
Yomiuri Shimbun. Tokyo, Japan. 2007, pp. 38-39, 111.
|
|
|
Dream & Trauma: Works from the Dakis Joannou Collection, Athens.
Hatje Cantz. Vienna, Austria. 2007.
|
|
|
Hillings, Valerie L.
Guggenheim Collection: 1940s to Now.
National Gallery of Victoria. Melbourne, Australia. 2007.
|
|
|
Blauvelt, Andrew.
Worlds Away: New Suburban Landscapes.
Walker Art Center. Minneapolis, Minnesota. 2008.
|
|
|
Banks, Russell and Gregory Crewdson.
Beneath the Roses.
Harry N. Abrams. New York, New York. 2008.
|
|
 [return to top]
|
| |
