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Galassi, Peter.
Pleasures and Terrors in Domestic Comfort.
Museum of Modern Art. New York, New York. 1991.
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Butler, Cornelia H., intro.
Picturing Ritual.
Center for Photography at Woodstock. Woodstock, New York. Neuberger Museum of Art, The State University of New York at Purchase. Purchase, New York. 1994.
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Gumpert, Lynn.
La Belle et La Bete: Un Choix De Jeunes Artistes Americains.
Musee Moderne de la Ville de Paris. Paris, France. 1995.
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Stephenson, Kirsty.
Photography at Berkley Square.
The Citibank Private Bank. London, United Kingdom. 1995, p. 14.
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Faculty Work on Paper.
The Yale School of Art. New Haven, Connecticut. 1995.
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On the Face Of It: photography & facade.
City Art Centre. Edinburgh, Scotland. 1995, p. 108.
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Shot: Una Visione Americana.
Valentina Moncada. Rome, Italy. 1996.
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Dompierre, Louise.
Digital Gardens: a World in Mutation.
The Power Plant Contemporary Art Gallery. Toronto, Canada. 1996, pp. 74-82.
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Surrealism.
Wexner Center for the Visual Arts. Columbus, Ohio. 1997.
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A Thin Line.
Center for Curatorial Studies, Bard College. Annandale-on-Hudson, New York. 1997.
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American Art Today: The Garden.
The Art Museum at Florida International University. Miami, Florida. 1997.
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Pollution.
Claudia Gian Ferrari Arte Contemporanea. Milan, Italy. 1998.
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Steinke, Darcey.
Gregory Crewdson Mise-en-Scene.
Rosenwald-Wolf Gallery, The University of the Arts. Philadelphia, Pennsylvania. 1998.
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Antelo-Suarez, Sandra and Michael Mark Madore, eds.
Spectacular Optical.
Thread Waxing Space. New York, New York. 1998.
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Full Exposure: Contemporary Photography.
New Jersey Center for Visual Arts. Summit, New Jersey. 1999, p. 5, 16.
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Paini, Dominique and Guy Cogeval, ed.
Fatal Coincidences, Hitchcock and Art.
Montreal Museum of Fine Arts. Montreal, Canada. 2000.
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Little Words.
Dunlop Art Gallery. Regina, Canada. 2001.
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Bright Paradise: Exotic History and Sublime Artifice.
The 1st Auckland Triennial, Auckland Art Gallery Toi o Tamaki with Artspace, University of Auckland. Auckland, New Zealand. 2001, p. 51.
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Settings & Players: Theatrical Ambiguity in American Photography.
White Cube Gallery. London, United Kingdom. 2001.
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Modern Contemporary Art at MoMa Since 1980.
Museum of Modern Art. New York, New York. 2001, p. 216.
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The Swamp: On the Edge of Eden.
Harn Museum of Art, University of Florida. Gainesville, Florida. 2001, p. 55.
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Botanica: Contemporary Art and the World of Plants.
Tweed Museum, Art University of Minnesota-Duluth. Duluth, Minnesota. 2001.
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Barthelme, Donald, Barbara Clausen and Carin Kuoni, essays.
Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures.
Independent Curators International. New York, New York. 2002, pp. 48-9.
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Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art.
Samsung Museum of Modern Art. Seoul, Korea. 2002, pp. 144-5.
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SAM Collects: Contemporary Art Project.
Seattle Art Museum. Seattle, Washington. 2002, p. 33-4.
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Gregory Crewdson Early Work (1986-88).
Emilio Mazzoli Galleria D'arte Contemporanea. Modena, Italy. 2002.
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Arte Contemporaneo Internacional.
Consejo Nacional para La Cultura y Las Artes, Instituto Nacional de Bellas Artes. 2002.
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Vision From America: Photographs From the Whitney Museum of American Art, 1940-2001.
The Whitney Museum of American Art. New York, New York. 2002.
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Form Follows Fiction.
Charta. Fondatione CRT Cassa di Risparmio, Contemporary Art Museum of the Castle of Rivoli. Rivoli Torino, Italy. 2002.
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UnNaturally.
Independent Curators International. New York, New York. 2003, pp. 26-7.
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Art Loves Miami.
Art Basel. Ocean Drive Art Basel. Miami Beach, Florida. 2003, pp. 23-6.
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Gallant, Aprile, Mimi Hellman and Linda Muehlig.
Undomesticated Interiors: photographing undomesticated interiors.
Smith College Museum of Art. Northampton, Massachusetts. 2003, pp. 92-3.
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The Disembodied Spirit.
Bowdoin College Museum of Art. Brunswick, Maine, 2003, p. 61.
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Passengers.
Lisboa Photo, Editions Asa. Lisbon, Portugal. 2003, pp. 168-71.
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Constructed Realities: Contemporary Photographies.
Orlando Museum of Art. Orlando, Florida. 2003, pp. 10-1.
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Thompson, Nato.
Fantastic!.
Massachusetts Museum of Contemporary Art. North Adams, Massaschusetts. 2003, pp. 14-7, 30.
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Danoff, Michael.
Crosscurrents at the Century's End. Selections from the Neuberger Berman Art Collection.
Neuberger Berman Art Collection. New York, New York. 2003, p. 31.
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Moody, Rick.
Twilight: Photographs by Gregory Crewdson.
Harry N. Abrams Inc. New York, New York. 2003.
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Assmann, Peter, Hans Richard Brittnacher, and Susanne Heilingbrunner, et al.
Andererseits: Die Phantastik: Imaginare Welten in Kunst und Alltagskultur.
Bibliotek der Provinz. Weitra, Austria. 2003.
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Grynsztejn, Madeleine.
Supernova: Art of the 1990s from the Logan Collection.
San Francisco Museum of Modern Art. San Francisco, California. 2003.
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The Amazing & The Immutable.
Contemporary Art Museum, Institute of Research in Art, University of South Florida. Tampa, Florida. 2004, p. 38.
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Outlook. International Art Exhibition Athens 2003. Cultural Olympiad.
Hellenic Culture Organization S.A. Athens, Greece. 2004, pp. 124-5.
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The World is a Stage: Stories Behind Pictures.
Mori Art Museum. Tokyo, Japan. 2005, pp. 46-51.
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Berg, Stephan and Martin Hentschel.
Gregory Crewdson: 1985-2005.
Hatje Cantz. Ostfildern, Germany. 2005.
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Gregory Crewdson: Fireflies.
Skarstedt Fine Art and Luhring Augustine. New York, New York. 2006.
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Grosfeld, Jan.
Dark.
Museum Boijmans van Beuningen. Rotterdam, The Netherlands. 2006.
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Twilight: Photography in the Magic Hour.
Victoria and Albert Museum. London, United Kingdom. 2006.
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Pauli, Lori ed.
Acting the Part: Photography as Theatre.
Merrell with National Gallery of Canada. London and New York. 2006.
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I Love the Burbs.
Katonah Museum of Art. Katonah, New York. 2006, p. 14.
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Lombino, Mary-Kay.
Utopian Mirage: Social Metaphors in Contemporary Photography and Film.
The Frances Lehman Loeb Art Center, Vassar College. Poughkeepsie, New York. 2007.
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De Corral, Maria, and John R. Lane.
Forward: Contemporary Collections for the Dallas Museum of Art.
Yale University Press. New Haven, Connecticut. 2007.
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Hiromoto, Nobuyuki.
Pop Art 1960's - 2000's: From Misumi Collection.
Yomiuri Shimbun. Tokyo, Japan. 2007, pp. 38-9, 111.
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Dream & Trauma: Works from the Dakis Joannou Collection, Athens.
Hatje Cantz. Vienna, Austria. 2007.
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Hillings, Valerie L.
Guggenheim Collection: 1940s to Now.
National Gallery of Victoria. Melbourne, Australia. 2007.
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De Corral, Maria and John R. Lane, ed.
Fast Forward: Contemporary Collections for the Dallas Museum of Art.
Dallas Museum of Art. Dallas, Texas. Yale University Press. New Haven, Connecticut. p. 269, 305. 2007.
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Blauvelt, Andrew.
Worlds Away: New Suburban Landscapes.
Walker Art Center. Minneapolis, Minnesota. 2008.
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