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Naked Since 1950 (Black and White Photograph).
C & M Arts. 1970.
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Dirty Data: The Collection of Wilhelm Schurmann.
Ludwig Forum fur internationale Kunst. Aachen, Germany. 1992.
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Small Medium Large Life Size.
Musseo d'Arte Contemporanea. Prato, Spain. 1992, catalogue no. 14. p.61.
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Laus, Anne.
Masterpieces of Photography: the 60's.
April/May, 1992, pp. 32, 37, 39, 135.
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Unfair 92.
Alternative Art Fair. Kunsthalle Lucern Galerie. Koln, Germany. November, 1992.
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The Nightshade Family.
Museum Fridericianum. Kassel, Germany. 1993.
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Real Sex.
Salzburger Kunstverein. Salzburg, Austria. October/December, 1993.
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Smells Like Teen Spirit.
Galleri Nicolai Wallner. Copenhagen, Denmark. 1994.
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Nobuyoshi Araki, Larry Clark.
Sala Parpallo. Valencia, Spain. 1994.
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After Art: Rethinking 150 Years of Photography (Selections from the Joseph and Elaine Monsen Collection).
Henry Art Gallery, University of Washington. Seattle, Washington. 1994.
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Object Choice.
Hallwalls. Buffalo, New York. 1995.
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Public Information: Desire, Disaster, Document.
San Francisco Museum of Modern Art. San Francisco, California. 1995.
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Kearns, Jerry.
Imperfect.
Herter Art Gallery, University of Massachusetts. Amherst, Massachusetts. 1995.
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Nickas, Robert.
Pictures of the Real World (In Real Time).
Temps réel. Dijon, France. 1995.
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Tonkonow, Leslie.
Multiple Exposure: The Group Portrait in Photography.
1995.
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Decter, Joshua.
a/drift: Scenes from the Penetrable Culture.
The Center for Curatorial Studies, Bard College. Annadale-on-Hudson, New York. 1996.
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Visser, Hripsime.
100 X Photo: 100 Photographs from the Collection of the Stedelijk Museum Amsterdam.
THOTH Publishers. Amsterdam, The Netherlands. 1996.
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Absolute Landscape - Between Illusion and Reality.
Yokohama Museum of Art. Yokahama, Japan. 1997.
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Remix: Images Photographiques.
Musee Des Beaux-Arts. Nantes, France. 1998.
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Larry Clark: Retrospective.
Groninger Museum. Groningen, The Netherlands. 1999.
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Bernadac, Marie-Laure and Stéphanie Moisdo (curators).
Presumed Innocent: Contemporary Art and Childhood.
Musee d'Art Contemporain. Bordeaux, France. 2000.
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Roth, Matthew W.
Rearview Mirror: Automobile Images and American Identities.
UCR/California Museum of Photography, University of California. Riverside, California. 2000.
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Save the Day!.
Museum fur Moderne Kunst. Frankfurt am Main, Germany. 2000.
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Photography.
University of California. Riverside, California. 2000.
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Television.
Kunst Sieht Fern, Kunsthalle. Vienna, Austria. 2001.
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Naked Since 1950 (black and white photographs).
C&M Arts. New York, New York. 2001.
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Wechsel-Strom.
Sammlung Hauser Und Wirth/Teil 2 in the Locomotive St. Gallen. 2001.
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Short Stories on Photography: The Joseph and Elaine Monsen Collection at the Henry Art Gallery (p. 58).
Faye G. Allen Center for the Visual Arts. 2002.
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Smith, Elizabeth A. T., Alison Pearlman and Julie Rodrigues.
Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection.
Distributed Art Pub Inc. Museum of Contemporary Art. Chicago, Illinois. 2002, pp. 136-7.
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Anderson, Maxwell L.
American Visionaries: Selections from the Whitney Museum of American Art.
Harry N. Abrams, Inc/Whitney publication. New York, New York. 2002, p. 73.
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Wolf, Sylvia.
Visions From America: Photographs From the Whitney Museum of American Art, 1940-2001.
Prestel and Whitney Museum of American Art. New York, New York. 2002.
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Mondadori, Bruno.
FotoGrafia Primo Festival Internationale di Roma.
2002, pp. 106-7.
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Rule, Amy, ed.
Original Sources: Art and Archives at the Center for Creative Photography.
Center for Creative Photography. 2002, p. 284.
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The Photographs' Gallery: Great 41.
April/May, 2002.
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Schorr, Collier.
Over Night to Many Cities: Tourism and Travel at Home and Away.
The Photgrapher's Gallery. London, United Kingdom. April 12-June 4, 2002.
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Klasse und Krasse Bilder: Larry Clark und William Eggleton bei Pfefferle.
Go - Munchener, Kunst Sieht Fern. Kunsthalle Vienna, Austria. 2002.
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A Clear Vision - Photographische Werke aus der Sammlung F.C. Gundlach.
2003, pp. 87-9.
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Avant.
7e Biennale d'Art Contemporain de Lyon, Les Presses Du Reel/Fage Editions. 2003, pp. 42-5.
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Aliaga Vincente, Juan, Maria De Corral and Jose Miguel Cortes.
Micro Politicas: Arte en Contidianida 2001-1968 (Art and Everyday Life 2001 - 1968).
EACC ESPAI d'Art Contemporani de Castello, pp. 84-89. 2003, pp. 84-9.
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Bonami, Francesco and Raf Simons.
The Forth Sex: Adolescent Extremes.
Fondazione Pitti Immagine Discovery. 2003, pp. 290-1.
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Beautiful Losers: Contemporary Art and Street Culture.
Iconoclast and D.A.P./Distributed Art Publishers, Inc. 2004, pp. 36, 164, 249.
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Speaking With Hands: Photographs from The Buhl Collection.
Guggenheim Museum Publications. 2004, p. 49, 208.
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Real Pictures: Photographs from the Collection of Claudia Beck and Andrew Gruft.
Vancouver Gallery. 2005, p. 75.
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Yes, Yes, Yes.
Museum Morsbroich, Leverkusen, Germany. 2005.
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Scott, Kitty and Jonathan Shaughnessy.
Art Metropole: The Top 100.
National Gallery of Canada. Ottawa, Canada. 2006.
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Larry Clark: Los Angeles 2003-2006.
Luhring Augustine and Simon Lee Gallery. 2007.
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