Larry Clark Catalogue
Larry Clark
Selected Catalogues
Naked Since 1950 (Black and White Photograph).  C & M Arts. 1970.
Dirty Data: The Collection of Wilhelm Schurmann.  Ludwig Forum fur internationale Kunst. Aachen, Germany. 1992.
Small Medium Large Life Size.  Musseo d'Arte Contemporanea. Prato, Spain. 1992, catalogue no. 14. p.61. 
Laus, Anne.  Masterpieces of Photography: the 60's.  April/May, 1992, pp. 32, 37, 39, 135. 
Unfair 92.  Alternative Art Fair. Kunsthalle Lucern Galerie. Koln, Germany. November, 1992.
The Nightshade Family.  Museum Fridericianum. Kassel, Germany. 1993.
Real Sex.  Salzburger Kunstverein. Salzburg, Austria. October/December, 1993.
Smells Like Teen Spirit.  Galleri Nicolai Wallner. Copenhagen, Denmark. 1994.
Nobuyoshi Araki, Larry Clark.  Sala Parpallo. Valencia, Spain. 1994.
After Art: Rethinking 150 Years of Photography (Selections from the Joseph and Elaine Monsen Collection).  Henry Art Gallery, University of Washington. Seattle, Washington. 1994.
Object Choice.  Hallwalls. Buffalo, New York. 1995.
Public Information: Desire, Disaster, Document.  San Francisco Museum of Modern Art. San Francisco, California. 1995.
Kearns, Jerry.  Imperfect.  Herter Art Gallery, University of Massachusetts. Amherst, Massachusetts. 1995.
Nickas, Robert.  Pictures of the Real World (In Real Time).  Temps réel. Dijon, France. 1995.
Tonkonow, Leslie.  Multiple Exposure: The Group Portrait in Photography.  1995.
Decter, Joshua.  a/drift: Scenes from the Penetrable Culture.  The Center for Curatorial Studies, Bard College. Annadale-on-Hudson, New York. 1996.
Visser, Hripsime.  100 X Photo: 100 Photographs from the Collection of the Stedelijk Museum Amsterdam.  THOTH Publishers. Amsterdam, The Netherlands. 1996.
Absolute Landscape - Between Illusion and Reality.  Yokohama Museum of Art. Yokahama, Japan. 1997.
Remix: Images Photographiques.  Musee Des Beaux-Arts. Nantes, France. 1998.
Larry Clark: Retrospective.  Groninger Museum. Groningen, The Netherlands. 1999.
Bernadac, Marie-Laure and Stéphanie Moisdo (curators).  Presumed Innocent: Contemporary Art and Childhood.  Musee d'Art Contemporain. Bordeaux, France. 2000.
Roth, Matthew W.  Rearview Mirror: Automobile Images and American Identities.  UCR/California Museum of Photography, University of California. Riverside, California. 2000.
Save the Day!.  Museum fur Moderne Kunst. Frankfurt am Main, Germany. 2000.
Photography.  University of California. Riverside, California. 2000.
Television.  Kunst Sieht Fern, Kunsthalle. Vienna, Austria. 2001.
Naked Since 1950 (black and white photographs).  C&M Arts. New York, New York. 2001.
Wechsel-Strom.  Sammlung Hauser Und Wirth/Teil 2 in the Locomotive St. Gallen. 2001.
Short Stories on Photography: The Joseph and Elaine Monsen Collection at the Henry Art Gallery (p. 58).  Faye G. Allen Center for the Visual Arts. 2002.
Smith, Elizabeth A. T., Alison Pearlman and Julie Rodrigues.  Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection.  Distributed Art Pub Inc. Museum of Contemporary Art. Chicago, Illinois. 2002, pp. 136-7. 
Anderson, Maxwell L.  American Visionaries: Selections from the Whitney Museum of American Art.  Harry N. Abrams, Inc/Whitney publication. New York, New York. 2002, p. 73. 
Wolf, Sylvia.  Visions From America: Photographs From the Whitney Museum of American Art, 1940-2001.  Prestel and Whitney Museum of American Art. New York, New York. 2002.
Mondadori, Bruno.  FotoGrafia Primo Festival Internationale di Roma.  2002, pp. 106-7. 
Rule, Amy, ed.  Original Sources: Art and Archives at the Center for Creative Photography.  Center for Creative Photography. 2002, p. 284. 
The Photographs' Gallery: Great 41.  April/May, 2002.
Schorr, Collier.  Over Night to Many Cities: Tourism and Travel at Home and Away.  The Photgrapher's Gallery. London, United Kingdom. April 12-June 4, 2002.
Klasse und Krasse Bilder: Larry Clark und William Eggleton bei Pfefferle.  Go - Munchener, Kunst Sieht Fern. Kunsthalle Vienna, Austria. 2002.
A Clear Vision - Photographische Werke aus der Sammlung F.C. Gundlach.  2003, pp. 87-9. 
Avant.  7e Biennale d'Art Contemporain de Lyon, Les Presses Du Reel/Fage Editions. 2003, pp. 42-5. 
Aliaga Vincente, Juan, Maria De Corral and Jose Miguel Cortes.  Micro Politicas: Arte en Contidianida 2001-1968 (Art and Everyday Life 2001 - 1968).  EACC ESPAI d'Art Contemporani de Castello, pp. 84-89. 2003, pp. 84-9. 
Bonami, Francesco and Raf Simons.  The Forth Sex: Adolescent Extremes.  Fondazione Pitti Immagine Discovery. 2003, pp. 290-1. 
Beautiful Losers: Contemporary Art and Street Culture.  Iconoclast and D.A.P./Distributed Art Publishers, Inc. 2004, pp. 36, 164, 249. 
Speaking With Hands: Photographs from The Buhl Collection.  Guggenheim Museum Publications. 2004, p. 49, 208. 
Real Pictures: Photographs from the Collection of Claudia Beck and Andrew Gruft.  Vancouver Gallery. 2005, p. 75. 
Yes, Yes, Yes.  Museum Morsbroich, Leverkusen, Germany. 2005.
Scott, Kitty and Jonathan Shaughnessy.  Art Metropole: The Top 100.  National Gallery of Canada. Ottawa, Canada. 2006.
Larry Clark: Los Angeles 2003-2006.  Luhring Augustine and Simon Lee Gallery. 2007.
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