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Wylie, Liz.
Another Fiction.
Glendon Gallery. Toronto, Canada. 1987.
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Jenkner, Ingrid.
Tabl'eau.
Macdonald Stewart Art Centre. Guelph, Canada. 1988.
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Marand, Celine.
Scripta Manent.
La Gallerie des Arts Lavalin. Montreal, Canada. 1988.
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Traer, Patrick.
Chronicle and Symbol.
Memorial University Art Gallery. St. John's, Canada. 1988.
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Lemecha, Vera.
Dualisms: Janet Cardiff and William MacDonnell.
Glenbow Museum. Calgary, Canada. 1989.
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Oldman River Expedition.
Odyssey Art Expeditions. 1990.
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Scott, Kitty.
To Touch, an Installation by Janet Cardiff.
The Edmonton Art Gallery. Edmonton, Canada. 1993.
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Woodcock, Laurel.
Janet Cardiff.
The Southern Alberta Art Gallery. Alberta, Canada. 1994.
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Crowstone, Catherine.
The Dark Pool.
Walter Phillips Gallery. Banff, Canada. 1995.
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Scott, Kitty.
Résidence 1982-1993.
"Walk-On Parts". La Chambre Blanche. (pp. 274-8). 1995.
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NowHere Louisiana.
Museum Louisiana for Modern Kunst. Humlebaek, Denmark. 1996.
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Bussmann, König, Matzner.
Sculpture. Projects in Muenster.
Westfälisches Landesmuseum. Muenster, Germany. 1997.
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Sawchuck, Kim.
Auricle Interchange.
Muttart Public Art Gallery. Calgary, Canada. 1997.
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Warland, Betsy.
Whisper in my ear, Jane Williams, Annie Martin, Janet Cardiff.
AKA. Saskatoon, Canada. 1997.
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Weber, John.
Present Tense, Nine Artists in the Nineties.
San Francisco Museum of Modern Art. San Francisco, California. 1997.
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Bosse, Laurence, Hans Ulrich Obrist, and Carolyn Christov-Bakargiev.
La Ville, le Jardin, la Mémoire.
Académie de France à Rome Villa Medici. Rome, Italy. 1998.
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La Ville, le Jardin, la Mémoire.
"Journeys Through Memory Gardens and Other Impossible Homecomings". Essay by Sylvie Fortin. Académie de France à Rome Villa Medici. Rome, Italy. 1998.
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Mesquita, Ivo.
Antropofagia: art history as a ready-made-in-waiting.
Roteiros, XXIV Bienal de Sao Paulo. Sao Paolo, Brazil. 1998.
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Phillips, Chistopher.
Voices.
Witte de With Rotterdam, Netherlands and the Miro Foundation, Barcelona, Spain. 1998.
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Wachtmeister, Marika and C-G.
Wanas 1998.
The Wanas Foundation. Knislinge, Sweden. 1998.
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Places In Gothenburg.
Gothenburg Cultural Board. Gothenburg, Sweden. 1998.
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The Carnegie International.
The Carnegie Museum of Art. Pittsburg, Pennsylvania. 1999.
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McShine, Kynaston.
The Museum as Muse; Artists Reflect.
Museum of Modern Art. New York, New York. 1999.
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Meyer-Büser, Susanne and Bernhart Schwenk.
Talk Show.
Von der Heydt- Museum. Wuppertal, Germany. 1999.
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Garneau, David, Paulo Columbo and N. Fulya Erdemci.
The Passion and the Wave.
6th interna tional Biennial. (pp. 58-61). 1999.
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Van der Sande, Bridgitte.
Divine Comedie.
Fort Asperen. Beesd, Netherlands. 1999.
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Talk Show.
Von der Heydt Museum, Wuppertal, and Haus der Kunst. Munich, Germany. 2000.
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Wonderland.
St. Louis Art Museum, D.A.P. (Distributed Art Publishers). St. Louis, Missouri. 2000, pp. 48-53.
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Mixing Memory and Desire.
New Museum of Art Lucerne. Lucerne, Switzerland. 2000.
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Artcite, When Montreal Turns Into a Museum.
Musee d'Arte Contemporain. Montreal, Canada. October, 2001, p. 10.
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9e Biennale de l'Image en Mouvement 2001.
MAMCO, Centre pour l'image contemporaine Saint- Geneve. Geneva, Switzerland. 2001.
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Cardiff, Janet and George Bures Miller.
The Paradise Institute.
Canada XLIX Biennale Di Venezia. Canadian Pavilion. 2001.
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Christov-Bakargiev, Carolyn.
Janet Cardiff: A Survey of Works including Collaborations with George Bures Miller.
P.S. 1 Contemporary Art Center. New York, New York. 2001.
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Binstock, Jonathan.
The 47th Corcoran Biennal: Fantasy Underfoot.
The Corcoran Museum. Washington D.C (pp. 42-5). 2002.
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(The World May Be) Fantastic.
Biennale of Sydney. (pp. 60-4). 2002.
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Walk Ways.
Independent Curators International. New York, New York. (pp. 20-1, 52). 2002.
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Performative Installation.
Siemems Arts Program and Snoeck Publishing. 2003, pp. 36-7.
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Somewhere Better Than This Place: Alternative Social Experience in the Space of Contemporary Art.
Contemporary Arts Center. Cincinnati, Ohio. 2003, pp. 104-107.
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Janet Cardiff - George Bures Miller.
Astrup Fearnley Museet for Moderne Kunst. Oslo, Norway. 2003.
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Faces in the Crowd. Picturing Modern Life from Manet to Today.
Whitechapel Gallery and Skira Publishing. London, United Kingdom. 2004.
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Fast Forward, Media Art.
Sammlung Goets. Munich, Germany. 2004, pp. 112-7.
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La Gui Cas Madrid para el arte ahora mismo.
Obra Social. Madrid, Spain. 2004, p. 45.
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Turbukenz Portikus projekte 2001-2004.
Portikus Frankfurt am main und Autoren. Germany. 2004.
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The Future has A Sliver Lining. Genealogies of Glamour.
Migrosmuseum, JPR. Ringier Publishers. Zurich, Switzerland. 2004, pp.128-9, 235-326.
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Videodreams. Between the Cinematic and the Theatrical.
Kunsthaus Graz, Austria. 2004.
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Ecstasy: In and About Altered States.
The Museum of Contemporary Art. Los Angeles, California. 2005.
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Raonte-Moi / tell me.
Musée national des beaux-arts du Québec. Canada and Casino Luxerbourg Forum d'art contemporain Luxembourg. 2005.
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Guardami-Percezione del video.
Palazzo delle Papesse centro arte contemporanea. Siena, Italy. 2005, pp. 104-5.
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Goncharov, Kathleen.
The Forest: Politics, Poetics and Practice.
The Nasher Museum of Art at Duke University. Durham, North Carolina. 2005, pp. 40-1.
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Avance Rápido. fast forward. Media Art de la Colección Goetz.
Centro Cultural Conde Duque. Madrid, Spain. 2005.
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Janet Cardiff & George Bures Miller.
Louisiana Museum of Modern Art. Humlebaek, Denmark. June 23–September 17, 2006.
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The Forty Part Motet by Janet Cardiff.
Wanas. Alsheimer, Elisabeth. 2006.
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Tate Modern: The Handbook.
Tate Publishing. London, United Kingdom. 2006.
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Janet Cardiff & George Bures Miller: The Killing Machine and Other Stories 1995-2007.
Museu d'Art Contemporani de Barcelona. Barcelona, Spain. 2007.
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Noever, Peter.
HELD TOGETHER WITH WATER. Art from the Verbund Collection.
MAK Museum fuer angewandte Kunst. Vienna, Austria. May 9-September 16, 2007.
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