Joan Mitchell Catalogue
Joan Mitchell
Selected Articles
Holliday, Betty.  "Reviews and Previews,"  Artnews,  Vol.52, January, 1952. p.46. 
Fitzsimmons, James.  "Art,"  Art and Architecture,  Vol.70, May, 1953. pp.8-9. 
O'Hara, Frank.  "Reviews and Previews: Ernest Briggs, Dugmore, Joan Mitchell,"  Artnews,  Vol.54, September, 1955. pp.51-52. 
Rosenblum, Robert.  "Month in Review: Dugmore, Briggs, Mitchell,"  Arts Digest,  Vol.29, August, 1955. p.28. 
Butler, Barbara.  "In the Galleries: Brach, Goldberg, Goodnough, Mitchell,"  Arts,  Vol.30, June, 1956. pp.48-49. 
Finkelstein, Louis.  "New Look: Abstract-Impressionism,"  Artnews,  March, 1956. pp.36-39, 66-68. 
Hess, Thomas B.  "US Painting: Some Recent Directions,"  Artnews Annual,  Vol.25, 1956. p.82. 
Ashton, Dore.  "Art,"  Arts and Architecture,  Vol.74, May, 1957. pp.10-11. 
Sandler, Irving.  "Women Artists in Ascendence,"  Life,  Vol.42, May 13, 1957. pp.74-77. 
Ashton, Dore.  "La Signature Americaine,"  XXe Siecle,  Vol.20, March, 1958. pp.62-64. 
Ashton, Dore.  "Art,"  Arts and Architecture,  Vol.75, May, 1958. pp.5, 28-29. 
Sandler, Irving.  "Reviews and Previews,"  Artnews,  Vol.57, April, 1958. p.12. 
Rosenberg, Harold.  "Tenth Street: A Geography of Modern Art,"  Artnews Annual,  Vol.28, 1959. pp.120-143, 184. 
Fischer, K.J.  "Die Neue Kunst in Mailand,"  Das Kunstwerk,  Vol.13, July, 1959. pp.38-39. 
Read, Sir Herbert.  "Dialogueron Modern U.S. Painting,"  Artnews,  Vol.59, May, 1960. pp.31-36. 
Schneider, Pierre.  "Art News from Paris: Left Bank,"  Artnews,  Vol.59, Summer, 1960. p.50. 
Schneider, Pierre.  "Au Salon de Mai,"  L'Oeil,  June, 1960. pp.46-53, 78-80. 
Schneider, Pierre.  "The Vocal Girls,"  Time,  Vol.75, May 2, 1960. pp.74-76. 
Rubin, William.  "Younger American Painters,"  Art International,  Vol.4, No.1, 1960. pp.25-26. 
Tono, Yoshiaki.  "New Adventures in American Art,"  Mizue,  No.659, March, 1960. pp.29-32. 
"Art,"  Arts and Architecture,  Vol.78, June, 1961. pp.4-5. 
Freilicher, Jane.  "Editor's Letters,"  Artnews,  Vol.60, December, 1961. p.6. 
Munro, Eleanor C.  "The Found Generation,"  Artnews,  Vol.60, November, 1961. pp.38-39, 75-76. 
Nordland, Gerald.  "Variety and Expansion,"  Arts,  Vol.36, pp.48-50, November, 1961.
Tillim, Sidney.  "Month in Review,"  Arts,  December, 1961. pp.42-46. 
Ashton, Dore.  "Art USA 1962,"  Studio,  Vol.163, March, 1962. pp.84-96. 
Schneider, Pierre.  "Artnews from Paris: Emergence into Classicism,"  Artnews,  Vol.61, Summer, 1962. p.43. 
Johnson, Ellen H.  "Is Beauty Dead?,"  Allen Memorial Art Museum Bulletin,  Vol.20, Winter, 1963. pp.56-66. 
A., J..  "Original Works of Art Now Popular as Christmas Gifts,"  New York Herald Tribune,  December 18, 1963. p.5. 
Ashberry, John.  "An Expressionist in Paris,"  Artnews,  Vol.64, April, 1964. pp.44-45, 63-64. 
Ashton, Dore.  "Kelly's Unique Spatial Experiences/New York Commentary,"  Studio International,  Vol.170, July, 1965. pp.42-43. 
Rose, Barbara.  "The Second Generation: Academy and Breakthrough,"  Artforum,  September, 1965. pp.53-63. 
Mitchell, Joan.  "Jackson Pollack: An Artist's Symposium, Part 2,"  Artnews,  Vol.66, May, 1967. p.29. 
Finkelstein, Louis.  "Gotham News 1945-60,"  Artnews Annual,  Vol.34, 1968. pp.114-123. 
Krauss, Rosalind.  "Painting Becomes Cyclorama,"  Artforum,  June, 1968. pp.50-52. 
Lanes, Jerrold.  "Current and Forthcoming Exhibitions: Martha Jackson Gallery,"  Burlington Magazine,  Vol.110, May, 1968. pp.296, 299. 
Lubell, Ellen.  "Galleries,"  Arts,  Summer, 1968. p.60. 
Lubell, Ellen.  "Galleries,"  Arts,  September-October, 1968. pp.60-61. 
Schneider, Pierre.  "From Confession to Landscape,"  Artnews,  Vol.67, April, 1968. pp.42-43, 72-73. 
Kramer, Hilton.  "John Heliker: Under Close Scrutiny,"  The New York Times,  April 6, 1968. p.35. 
Ratcliff, Carter.  "New York Letter,"  Art International,  Vol.15, September 20, 1971. pp.68-71. 
Ratcliff, Carter.  "New York Letter,"  Art International,  Summer, 1972. p.75. 
Harithas, James.  "Weather Point,"  Artnews,  Vol.71, May, 1972. pp.40-43, 63. 
Davis, Douglas.  "Art without Limits,"  Newsweek,  Vol.82, December 24, 1973. pp.68-74. 
Davis, Douglas.  "The Painters' Painters,"  Newsweek,  May 13, 1974. p.108. 
Kingsley, April.  "New York Letter,"  Art International,  Vol.XVIII. No.6, Summer, 1974. p.43. 
Rose, Barbara.  "First-Rate Art by the Second Sex,"  New York,  Vol.7, No.14, April 8, 1974. pp.80-81. 
Rosenberg, Harold.  "The Art World,"  New Yorker,  April 29, 1974. p.71. 
Hess, Thomas.  "Sensations of Landscape,"  New York,  December 20, 1976. pp.76-78. 
Frankenstein, Alfred.  "A Trio of Contemporary New York Shows,"  The San Francisco Chronicle,  December 26, 1976. p.31. 
Matthiessen, L:ouis.  "The Genetics of Art (Part III),"  Quest 77,  July & August, 1977. p.42. 
Schipper, Merle.  "French Painting, American Style,"  Art Week,  April 15, 1978.
Gruen, John.  "Women Artists: Twenty-Five Best Investments,"  Working Woman,  July, 1980. pp.30-33. 
Ashbery, John.  "On Winter's Traces,"  New York,  March 24, 1980. p.59. 
Hackett, Regina.  "She Strives for 'Pure' Responses in Her Work,"  Seattle Post-Intelligencer,  May 11, 1980. p.G6. 
Maubert, Franck.  "Les lilacs de Vetheuil,"  L'Express,  May 24-30, 1980.
Dunoyer, Jean-Marie.  "Review,"  Le Monde,  May 26, 1980.
Gibson, Michael.  "Galleries in Paris,"  New York Herald Tribune,  June 1, 1980.
Butler, Hiram Carruthers.  "Downtown in the Fifties,"  Horizon,  June, 1981. pp.15, 24. 
Romano, Lois.  "Focus on Abstract Art at the Corcoran Gallery,"  The Washington Star,  1981.
Glueck, Grace.  "Critics' Choices: Art,"  The New York Times,  1981. p.3. 
Hall, Carla.  "Portraits of the Artists... and a Party for the Folks Who Put it All Together,"  The Washington Star,  February 19, February 19, 1981. pp.D1, 11. 
Richard, Paul.  "Abstract Audacity: The Corcoran's Provocative Biennial...,"  The Washington Post,  February 19, 1981. pp.D1, 7. 
Ostrow, Joanne.  "Corcoran, in Living Color,"  The Washington Post,  February 20, 1981.
Forgey, Benjamin.  "The Clarity of the Corcoran Biennial: Certitude adn Commitment,"  The Washington Star,  February 22, 1981.
Sakel, Sassona.  "Voyages of Shapes and Contents: The Many Visions of Landscape,"  Art/Speak,  February 26, 1981.
Cameron, Daniel.  "Biennial Cycle,"  Arts,  June, 1983. pp.64-68. 
Geldzahler, Henry.  "American Accents,"  Artmagazine,  Summer, 1983. pp.13-17. 
Glueck, Grace.  "Art: Show Honors de Kooning,"  The New York Times,  December 23, 1983. p.C22. 
Hapgood, Susan.  "Drawings: Xavier Fourcade,"  Flash Art,  November, 1983. p.68. 
Ratcliff, Carter.  "The Short Life of the Sincere Stroke,"  Art in America,  January, 1983. pp.73-79, 137. 
Russell, John.  "Why the Latest Whitney Biennial is More Satisfying,"  The New York Times,  March 25, 1983. p.C1. 
"American Accents: A Tribute to the Passion to Communicate,"  The Financial Post,  June 25, 1983.
Glueck, Grace.  "Art: Janis Presents American Women,"  The New York Times,  January 20, 1984.
Baker, Kenneth.  "Second Generation: Mannerism of Momentum?,"  Art in America,  June, 1985. pp.102-111. 
Carroll, Maurice.  "Vandal Slashes Wight Big Paintings at Albany Mall,"  The New York Times,  May 4, 1985. p.32. 
Glueck, Grace.  "Art: Gestural Approach, in Grey Gallery Show,"  The New York Times,  January 18, 1985. p.C22. 
Glueck, Grace.  "Action/Precision: 1980-1985,"  The New York Times,  January 18, 1985. p.C22. 
Godfrey, Tony.  "New York: The Whitney Biennial and Other Exhibitions,"  Burlington Magazine,  July, 1985. p.488. 
Woodville, Louisa.  "Three Painters, Three Decades,"  Arts,  Vol.59, No.5, January, 1985. p.19. 
Masters, Greg.  "Group Show,"  Arts,  April, 1986. pp.139-140. 
Newhall, Edith.  "Diff'rent Strokes,"  New York,  April 28, 1986. p.38. 
"Art: Internationalism at La Defense,"  The New York Times,  April 25, 1986. p.C24. 
Moorman, Margaret.  "New York Reviews,"  Artnews,  Vol.85, No.8, October, 1986. p.129. 
Hurlburt, Roger.  "Abstraction: A Reaction to Artifices of Realism,"  News/Sun-Sentinel,  January 25, 1987.
Faxon, Alicia.  "Harcus Gallery/Boston-Working Women,"  Art New England,  Vol.8, No.4, April, 1987.
Chalumeau, Jean Luc.  "Il Faut sentir quelque chose on ne peut expliquer...,"  Eighty,  No.23, May/June, 1988. pp.4-32. 
Contemporanea,  Vol.1, No.2, July/August, 1988. pp.36-37. 
Kimmelman, Michael.  "This American in Paris Kept True to New York,"  The New York Times,  April 17, 1988. p.43. 
Baker, Kenneth.  "The Colors of Concentration,"  San Francisco Sunday Chronicle & Examiner,  June 12, 1988. pp.12-13. 
Wilson, William.  "Abstracting on Abstract Expressionist,"  Los Angeles Times,  June 19, 1988. pp.93-95. 
Gaugh, Harry F.  "Dark Victories,"  Artnews,  Vol.87, No.6, Summer, 1988. pp.154-159. 
Pinctus, Robert L.  "La Jolla Retrospective Shows Artists Deserved A Closer Look,"  The San Diego Union,  December 22, 1988. p.E6. 
Dalkey, Victoria.  "The Poetry in the Land,"  The Sacramento Bee,  Juen 12, 1988. pp.3-4. 
Van Proyen, Mark.  "Atmosphere and Elan Vital,"  Art International,  Juen 25, 1988. p.1. 
Brenson, Michael.  "Three Who Were Warmed by the City of Light,"  The New York Times,  June 25, 1989. pp.H31-H32. 
I.W,  "Montaigne et l'art americain,"  Beaux Arts Magazine,  No.71, September, 1989.
Slivka, Rose C.S.  "From the Studio,"  The East Hampton Star,  November 9, 1989. pp.11-13. 
Gilbert, Ruth.  "Hot Line,"  New York,  November 6, 1989. p.40. 
Felver, Christopher.  "Renewing the Eighties,"  Art International,  Winter, 1989. p.44. 
Dobrzynski, Judith H.  "Your $20 Million May Stretch a Little Farther Now,"  Businessweek,  December 25-January 1, 1989. pp.150--151. 
Cyphers, Peggy.  Arts,  Vol.64, No.5, January, 1990. p.96. 
Bass, Ruth.  Art-Talk,  January, 1990. p.33. 
Lerman, Ora.  "The Elusive Subject,"  Arts,  Vol.65, No.1, September, 1990. pp.42-46. 
"Some Seventies Works,"  The New Yorker,  July 16, 1990. p.13. 
"From Hannah Hoch to Rebecca Horn, Women's Art of the 20th Century,"  The Journal of Art,  October, 1990. p.14. 
Schjeldahl, Peter.  "Cutting Hedge,"  The Village Voice,  April 30, 1991. pp.93-94. 
Larson, Kay.  "A Shock to the System,"  New York,  April 20, 1991. p.86. 
Hess, Elizabeth.  "Upstairs, Downstairs,"  The Village Voice,  April 30, 1991. p.93. 
Russell, John.  "Paintings that Liberate the Viewer's Imagination,"  The New York Times,  April 12, 1991. p.C22. 
Larson, Kay.  "Mixed Messages,"  New York,  April 15, 1991. pp.68-69. 
Kimmelman, Michael.  "At the Whitney, a Biennial That's Eager to Please,"  The New York Times,  April 19, 1991. pp.C1, C24. 
Hillman, James.  "The Repression of Beauty,"  Tema Celeste,  May-June, 1991. pp.58-64. 
Hollander, Reineke.  "Whitney Biennial bepaalt welke lunstenaar in of uit is in Amerika,"  NRC Handelsblad,  May 11, 1991. p.7. 
Korall, Randall.  "People are Talking About,"  Vogue,  May, 1991. p.97. 
Perl, Jed.  "Tradition-conscious,"  The New Criterion,  Vol.9, No.9, May, 1991. pp.55-59. 
Jones, Baird.  "Kostabi and the Biennial,"  Manhattan Arts,  June-August, 1991. p.6. 
Moorman, Margaret.  "Painting, Galerie Lelong,"  Artnews,  Vol.90, No.9, November, 1991. p.134. 
Solomon, Deborah.  "In Monet's Light,"  The New York Times Magazine,  November 24, 1991. pp,44-50, 62-64. 
Lipson, Karin.  "A Wide Sweep of America's Terrain,"  New York Newsday,  November 15, 1991. p.96. 
Smith, Roberta.  "Richard Gerstl and Oskar Koskoschka,"  The New York Times,  April 10, 1992. p.C32. 
Smith, Roberta.  "From New York Painters, Work That Takes Time,"  The New York Times,  May 1, 1992. p.C31. 
De Ferrari, Gabriella.  "The Art of Discord,"  Mirabella,  May, 1992. pp.56-61. 
Hanson, Henry.  "Art/Works: Birthday Bash Brings Back Works by Star Alumni,"  Chicago,  Vol.41, No.5, May, 1992. p.20. 
Bell, David.  "Abstract Exhibit Transcends Style,"  Albuquerque Journal,  No.135, May 14, 1992. p.4. 
P, J.-L.  "Le Quete du Bonheur,"  Le Figaroscope,  June 10-18, 1992.
Dagen, Philippe.  "Fureur et mystere,"  Le Monde,  June 20, 1992. p.18. 
Gilbert, Ruth.  "Hot Line: The Tops in Town this Week,"  New York,  June 8, 1992. p.29. 
Strickland, Carol.  "Old Friend Films a Portrait of an Artist,"  The New York Times,  June 21, 1992. p.13. 
Adams, Brooks.  "New Pop Reflections,"  Art in America,  July, 1992. pp.88-91. 
Reed, Arden.  "On the Scene: Santa Fe,"  Artspace,  Vol.16, No.5, September/October, 1992. p.68. 
Breerette, Genevieve.  "La dame de Vetheuil,"  Le Monde,  November 1-2, 1992.
Hoffeld, Jeffrey.  "Museum and Dealer Catalogues,"  Drawing,  Vol.XIV, No.2, July-August, 1992. p.39. 
Johnson, Patricia C.  "A sensual thoughtful 'Summer',"  Houston Chronicle,  July 29, 1992. pp.1, 10. 
Chadwick, Susan.  "Summer images, abstract pieces shine at galleries,"  The Houston Post,  August 4, 1992. p.E1, E8. 
Madoff, Steven Harry.  "The First 90 Years,"  Artnews,  November, 1992.
"Joan Mitchell & Nathan Kernan,"  Print Collector's Newsletter,  March/April, 1993.
Perl, Jed.  "After Monet,"  Modern Painters,  Vol.6, No.1, Spring, 1993. pp.30-34. 
Atkins, Robert.  "Scene & Heard: Female Gazing,"  The Village Voice,  April 7, 1993. p.84. 
Anderson, John.  "2 Views of Women in the Art World,"  New York Newsday,  April 14, 1993. pp.63, 82. 
Holden, Stephen.  "Cinematic Portrait of the LIfe of an Artist,"  The New York Times,  April 14, 1993. p.C14. 
Deacon, Kathy.  "Reel to Reel,"  The Village Voice,  April 20, 1993. p.58. 
Liebmann, Lisa.  "Art: Last Spring,"  The New Yorker,  April 26, 1993. p.16. 
Schjeldahl, Peter.  "Different Strokes,"  The Village Voice,  April 27, 1993. p.95. 
Sherman, Betsy.  "Films,"  Art New England,  April, 1993.
Solomon, Deborah.  "Frankenthaler's Prints,"  The Washington Post,  April 28, 1993.
Nesbitt, Lois.  "Women Artists Break Through,"  Diversion,  May, 1993. pp.111-115, 142. 
Perl, Jed.  "Art: What there was to see,"  The New Criterion,  June, 1993. pp.53-54. 
Kino, Carol.  "Times-A-Changin',"  Modern Painters,  Vol.6, No.2, Summer, 1993. pp.74-76. 
Wilkin, Karen.  "At the Galleries,"  Partisan Review,  Issue 3, Summer, 1993. pp.459-468. 
Zinnes, Harriet.  "Full and Magnetic,"  Caprice,  May 15, 1993. pp.57-59. 
"Maier Museum displays abstract painter's work,"  The New & Advance,  September 10, 1993. p.D3. 
Cotter, Holland.  "Art in Reviews: 'Works on Paper' 'Old Masters to Contemporary',"  The New York Times,  March 11, 1993. p.C30. 
Kuspit, Donald.  "Joan Mitchell,"  Artforum International,  October 1, 1993.
Somers, Marion.  "Creative Exit,"  Art Journal,  Vol.53, No.1, Spring, 1994. pp.76-78. 
Dagen, Philippe.  "Peintures sous tension,"  Connaissance des Arts,  No.508, July-August, 1994. pp.42-51. 
DAgen, Philippe.  "La danse au-dessus du vide,"  Le Monde,  June 26-27, 1994. p.13. 
Gassiot-Talabot, Gerlad.  "Odeur du Temps,"  Opus Inter-national,  Autumn, 1994.
"Un Jour, Je serai paysan,"  Dada Voltige,  September, 1994. pp.42, 44. 
"Portrait of an Expatriate Painter,"  Watertown Daily News,  September 10, 1994. pp.9-10. 
Cena, Olivier.  "La morsure de l'instant,"  Telerama,  N.2330, September 7, 1994. p.52. 
Malmberg, Carl-Johan.  "Ett konstnarkskaps blandande slutfas,"  Svenska Dagbladet,  September 3, 1994.
Ulmann, J.M.  "La polyphonie chromatique,"  Hebdo impact medecin,  September 2, 1994.
Dustin, Jo.  "Frenesie Chromatique,"  Soir,  August 31, 1994. p.7. 
Pierrard, Jean.  "La peinture a corps perdu,"  Le Point,  No.1145, August 27, 1994. p.67. 
August, Marilyn.  "Paris gallery stages major exhibit of expatriate's work,"  Sunday New Tribune,  July 31, 1994.
Miller, Donald.  "Show gives abstraction loving look,"  Pittsburgh Post-Gazette,  October 1, 1994.
Wat, Pierre.  "Jean Fournier ou la discretion a l'oeuvre,"  Beaux-Arts,  July-August, 1994. pp.42-43. 
Boulanger, Dorothee.  "Comme un poeme,"  Technikart,  No.14, 1994.
Tasset, Jean-Marie.  "La jardiniere de Vethuil,"  Le Figaro,  July 26, 1994.
Jacquemont, Francois.  "Les couleurs de l'exubererance,"  L'est Republican,  July 17, 1994. p.9. 
Bolte, Emil.  "Kulturflut an der Seine,"  Westdeutsche Allegemeine,  July 16, 1994.
Piguet, Philippe.  "Paysages interieurs,"  La Croix,  July 16, 1994.
Fechner-Smarsly, Thomas.  "In unbestimmbarem Licht,"  Frankfurter Rundschau,  July 14, 1994.
Radaelli, Severo.  "Grandi Mostre,"  Arte,  June, 1994.
"Couleurs de l'ete,"  Figaroscope,  June 29-July 5, 1994.
"Paris, Nantes,"  Louvre,  June, 1994. p.3. 
Kimmelman, Michael.  "Looking for the Magic in Painting,"  The New York Times,  October 21, 1994. p.C1, C28. 
Guidet, Thierry.  "Un grand bain de lumiere,"  Ouest France,  June 24, 1994.
Carrier, David.  "New York: Abstract painting and Sculpture,"  Burlington Magazine,  January, 1995. pp.52-53. 
Gayford, Martiin.  "Not Much Like Home,"  Modenr Painters,  Winter, 1995.
Adams, Brooks.  "Expatriate Dreams,"  Art in America,  February, 1995. pp.60-69. 
Scott, Bill.  "In the Eye of the Tiger,"  Art in America,  March, 1995. pp.70-77. 
Karmel, Pepe.  "Critics' Choice,"  The New York Times,  April 28, 1995. p.C1. 
Zorpette, Glenn.  "All It Takes Is Commen Sense and a Staff of Two,"  Artnews,  Summer, 1995. pp.118-119. 
Cotter, Holland.  "100 Works by Women, Not Intended for Women Only,"  The New York Times,  July 21, 1995. p.C15. 
Smith, Roberta.  "No Muss, No Fuss at 1995 Carnegie,"  The New York Times,  November 8, 1995. pp.C13, C15. 
DeCarlo, Tessa.  "A Very Abstract Expressionist,"  The Wall Street Journal,  November 30, 1995.
Carrier, David.  "Reviews: Carnegie International,"  Artforum,  January, 1996. pp.88-89. 
Adams, Brooks.  "Domestic Globalism at the Carnegie,"  Art in America,  February, 1996. pp.32-37. 
Riding, Alan.  "French Ask: Is Art Still a Hobby?,"  The New York Times,  January 30, 1996. p.C11, C15. 
Turner, Elisa.  "The American artist abroad,"  The Herald,  February 25, 1996. pp.11, 61. 
Smith, Roberta.  "The Gallery Doors Open to the Long Denied,"  The New York Times,  May 26, 1996. p.29. 
Weingrod, Carmi.  "Larger than Life: The Intrigue of Giant Paintings,"  American Artist,  July, 1996. pp.14-19. 
Davis, Lydia.  "Joan Mitchell: Les Bluets,"  Artforum International,  January 1, 1996.
Abbe, Mary.  "Difficult Beauty,"  Star Tribune,  November 12, 1999.
Graw, Isabelle.  "Abstract Expressionism in America,"  Artforum International,  September 1, 2001.
Hustvedt, Siri.  "Remembering in Colour,"  Modern Painters,  Autumn, 2002.
Kimmelman, Michael.  "In Joyous Colors, a Hint of Joys Lost,"  The New York Times,  July 5, 2002.
Kalina, Richard.  "Expressing the Abstract,"  Art in America,  December, 2002.
Danto, Arthur C.  "Mitchell Paints a Picture,"  The Nation,  September 16, 2002.
"Abstractionist Joan Mitchell gets her due,"  United Press International,  September 5, 2002.
Tuchman, Phyllis.  "Joan of Art,"  Town & Country,  July 1, 2002.
"Jed Perl on Art,"  The New Republic,  July 8, 2002.
Schjeldahl, Peter.  "Tough Love: Resurrecting Joan Mitchell,"  The New Yorker,  2002.
Bloch-Champfort, Guy.  "La Permanence D'Une Peinture Vive,"  Citizen K,  Spring, 2003.
"Joan Mitchell Foundation,"  Art in America,  February 1, 2004.
"Artist Sharmistha Ray gets Joan Mitchel MFA award,"  India Abroad,  September 24, 2004.
Cash, Stephanie and David Ebony.  "Joan Mitchell Foundation,"  Art in America,  March 1, 2005.
Smyth, C.  "Joan Mitchell,"  Britannia Art Publications,  no. 308, 2007. p. 39. 
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