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Calas, Nicholas.
Joan Mitchell.
The New Gallery. New York, New York, USA, 1952.
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Arnason, H. Harvard.
Vanguard 1955.
Walker Art Center. Minneapolis, Minnesota, USA, 1955.
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Bauer, John I.H.
Nature in Abstraction.
Whitney Museum of American Art. New York, New York, USA, 1958.
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Hess, Thomas.
Action Painting.
Dallas Museum for Contemporary Art. Dallas, Texas, USA, 1958.
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Atkinson, Tracy.
Contemporary American Painting.
Columbus Gallery of Fine Arts. Columbus, Ohio, USA, 1960.
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Atkinson, Tracy.
Neue Malerei.
Stadtische Galerie im Lenbachpalais. Munich, Germany, 1960.
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Arnason, H. Harvard.
American Abstract Expressionists and Imagists.
Solomon R. Guggenheim Museum. New York, New York, USA, 1961.
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Arnason, H. Harvard.
Sixty American Painters, 1960: Abstract Expressionist Painting of the 1950s.
Walker Art Center. Minneapolis, Minnesota, USA, 1961.
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Goodrich, Lloyd.
Forty Artists under Forty, from the Collection of the Whitney Museum of American Art.
Whitney Museum of American Art. New York, New York, USA, 1962.
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Hunter, Sam.
American Art since 1950.
Seattle World's Fair. Seattle, Washington, USA, 1962.
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Nordness, Lee.
Paintings by Joan Mitchell.
The New Gallery, Hayden Library, Massachusetts Insitute of Technology. Cambridge, Massachusetts, USA, 1962.
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Sandler, Irving.
Two Decades of American Painting.
Museum of Modern Art. New York, New York, USA, 1966.
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Arkus, Leon Anthony.
Fresh Air School, Exhibition of Paintings: Sam Francis, Joan Mitchell, Walasse Ting.
Museum of Art, Carnegie Institute. Pittsburgh, Pennsylvania, USA, 1972.
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Harithas, James.
Joan Mitchell: My Five Years in the Country.
Everson Museum of Art. Syracuse, New York, USA, 1972.
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Lippard, Lucy.
Women Choose Women.
New York Cultural Center. New York, New York, USA, 1973.
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Plous, Phyllis.
Five American Painters: Recent Work.
The Art Galleries, University of California. Santa Barbara, California, USA, 1974.
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Tucker, Marcia.
Joan Mitchell.
Whitney Museum of American Art. New York, New York, USA, 1974.
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Tucker, Marcia.
Joan Mitchell: New Paintings.
Xavier Fourcade. New York, New York, USA, 1976.
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Livingston, Jane.
The 27th Biennial Exhibition.
Whitney Museum of American Art. New York, New York, USA, 1981.
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Armstrong, Tom.
Amerikanische Malerei 1930-1980.
Haus der Kunst. Munich, Germany, 1981.
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Pleynet, Marcelin.
Joan Mitchell: Choix de peintures (1970-1982).
Musee d'Art Moderne de la Ville de Paris. Paris, France, 1982.
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Michaud, Yves.
Joan Mitchell: La Grande Vallee.
Galerie Jean Fournier. Paris, France, 1984.
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Schimmel, Paul.
Action/Precision: The New Direction in New York, 1955-60.
Newport Harbor Art Museum. Newport Beach, California, USA, 1984.
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Rand, Harry.
The Matha Jackson Memorial Collection.
National Museum of American Art, Smithsonian Institution. Washington, DC, USA, 1985.
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Rand, Harry.
Joan Mitchell The Sixties.
Xavier Fourcade. New York, New York, USA, 1985.
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Rand, Harry.
A Guide to the Collections.
Smith College Museum of Art. Northampton, Massachusetts, USA, 1986.
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Michaud, Yves.
Joan Mitchel New Paintings.
Xavier Fourcade. New York, New York, USA, 1986.
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Michaud, Yves.
Joan Mitchell: River, Lille, Chord.
Galerie Jean Fournier. Paris, France, 1987.
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Michaud, Yves.
Art Against AIDS.
American Foundation for AIDS Research. New York, New York, USA, 1987.
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Bernstock, Judith E.
Joan Mitchell.
Hudson Hills Press. Herbert F. Johnson Museum of Art, Cornell University. Ithaca, New York, USA, 1988.
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Krane, Susan.
The Painting and Sculpture Collection: Acquisitions Since 1972.
Hudson Hills Press. Albright-Knox Gallery. Buffalo, New York, USA, 1988.
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Stein, Donna.
Joan Mitchell- Select Paintings Spanning Thirty Years.
Manny Silverman Gallery. Los Angeles, California, USA, 1988.
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Beckett, Wendy.
Art in the Residence of the American Ambassador in the Peoples Republic of China.
International Program of the Museum of Modern Art. Beijing, China, 1988.
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Michaud, Yves.
Des Americains A Paris. 1950/1965.
Chateu de Jau/L'oeil et demi Fondation du chateau de Jau. Pyrenees, France. 1988.
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Collischan, Judy.
Made in America.
Virginia Beach Center for the Arts. Virginia Beach, Virginia, USA, 1989.
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Armstrong, Tom.
Art in Place Fifteen Years of Acquisitions.
Whitney Museum of American Art. New York, New York, USA, 1989.
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Armstrong, Tom.
The Linear Image, American MasterWorks on Paper.
Marisa del Re Gallery. New York, New York, USA, 1989.
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Armstrong, Tom.
Joan Mitchell.
Robert Miller Gallery. New York, New York, USA, 1989.
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Armstrong, Tom.
Polyptyques et Paravents Un Sièclede Création 1890-1990.
Galerie Bellier. Paris, France, 1990.
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Petzinger, Renate.
Kunstlerinnen des 20. Jahrhunderts.
Museum Wiesbaden. Wiesbaden, Germany, 1990.
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Topping, Brett.
Four Centuries of Women's Art.
The National Museum of Women's Art. Washington, DC, USA, 1990.
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Topping, Brett.
Drawing Conclusions.
Molica Guidarte. New York, New York, USA, 1991.
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Armstrong, Richard.
1991 Biennial Exhibition.
W.W. Norton & Company. Whitney Museum of American Art. New York, New York, USA, 1991.
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Beaud, Marie-Claude.
Too French.
Cartier Foundation. Paris, France, 1991.
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Beneza, Neal.
From America's Studio. The Studio School of the Art Institute of Chicago. Two Exhibitions of Works by Alumni 125th Anniversary Celebration.
Art Institute of Chicago. Chicago, Illinois, USA, 1992.
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Porter, Katherine.
Painting Self-Evident; Evolutions in Abstraction.
Piccolo Spoleto. Gibbes Museum of Art. Charleston, South Carolina, USA, 1992.
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Messinger, Lisa M.
The Metropolitan Museum of Art Bulletin Fall 1992.
Metropolitan Museum of Art. New York, New York, USA, 1992.
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Hoog, Michel.
Les Nymphéas avant et après.
Musée de l'Orangerie. Paris, France, 1992.
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Kertess, Klaus.
Joan Mitchell Pastel.
Robert Miller Gallery. New York, New York, USA, 1992.
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Cheim, John.
Joan Mitchell 1992.
Robert Miller Gallery. New York, New York, USA, 1993.
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Schwartz, Constance.
Intimates and Confidants in Art: Husbands, Wives, Lovers and Friends.
Nassau County Museum of Art. Roslyn, New York, USA, 1993.
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Cheim, John.
Drawing the Line Aginst AIDS.
Rozzoli International. AMFAR International. New York, New York, USA, 1993.
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Chandes, Hervé.
Azur.
Fondation Cartier. Jouy-en-Josas, France. 1993.
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Pardee, Hearne.
Joan Mitchell.
Maier Museum of Art, Randolph-Macon Woman's College. Lynchburg, Virginia, USA, 1993.
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Erpf, Rosemary Cohane.
The Brushstroke and Its Guises.
New York Studio School. New York, New York, USA, 1993.
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Kertess, Klaus.
The Shaman as Artist/The Artist as Shaman.
The Aspen Art Museum. Aspen, Colorado, USA, 1993.
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Kraskin, Sandra.
Reclaiming Artists of The New York School.
Sidny Mishkin Gallery, Baruch College. New York, New York, USA, 1993.
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Storr, Robert.
Joan Mitchell.
Galerie National du Jeu de Paume. Paris, France, 1993.
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Arthur, John.
Against All Odds: The Healing Powers of Art.
Hakone Open-Air Museum. Kanagawa, Japan, 1993.
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Ballatore, Sandy.
Romantic Modernism, 100 Years.
Museum of Fine Arts, Museum of New Mexico. Santa Fe, New Mexico, USA, 1993.
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Binai, Paul.
American Abstraction: A New Decade.
Southern Alleghenies Museum of Art. Loretto, Pennsylvania, USA, 1993.
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Agee, William.
Paths of Abstraction: Painting in New York 1944-1981, Selections from the Ciba Art Collection.
The Bertha and karl Leubsdorf Art Gallery, Hunter College of The City University of New York. New York, New York, USA, 1993.
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Olesen, Jens.
22. Bienal Internacional Sao Paolo Salas Especials.
Fundacao Bienal de Sao Paulo. São Paulo, Brazil, 1993.
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Bahet, Kathleen.
Martha Jackson Gallery 1953 to 1979.
Associated American Artists. New York, New York, USA, 1993.
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Cheim, John.
Joan Mitchell '...My Black Paintings...' 1964.
Robert Miller Gallery. New York, New York, USA, 1994.
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Cheim, John.
XXV Years.
John Berggruen Gallery. San Francisco, California, USA, 1995.
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Cheim, John.
Contemporary American Artists.
Atr in Embassies Progam, U.S. Department of State. Manila, Philippines, 1995.
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Kumada, Tsukasa.
Selected Works from the Collection of Osaka City Museum of Modern Art.
Osaka City Museum of Modern Art. Osaka, Japan, 1995.
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Hoffeld, Jeffrey.
The Collection of Sue and Eugene Mercy Jr.
Sue and Eugene Mercy Jr. New York, New York, USA, 1995.
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Armstrong, Richard.
Carnegie International 1995.
The Carnegie Museum of Art. Pittsburgh, Pennsylvania, USA, 1995.
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Schneider, Pierre.
Joan Mitchell Tilleuls 1978.
Galerie Jean Fournier. Paris, France, 1995.
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Grigoteit, Ariane.
Tradition and Zeitgeist.
Deutsche Bank North America. New York, New York, USA, 1995.
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Morgan, Dahlia.
American Art Today: Images from Abroad.
The Art Museum at Florida International University. Miami, Florida, USA, 1995.
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Belnap, Gillian.
The Carnegie Museum of Art: Collection Highlights.
Carnegie Museum of Art. Pittsburgh, Pennsylvania, USA, 1995.
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Cheim, John.
Joan Mitchell: Paintings from 1956 to 1958.
Robert Miller Gallery. New York, New York, USA, 1996.
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Kernan, Nathan.
Joan Mitchell, The Presence of Absence.
Cheim & Read. New York, New York, USA, 2002.
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Livingston, Jane.
The Paintings of Joan Mitchell.
Whitney Museum of American Art. New York, New York, USA, 2002.
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Kertess, Klaus.
Joan Mitchell: Fremicourt Paintings 1960-62.
Cheim & Read. New York, New York, USA, 2005.
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Tuchman, Maurice.
Soutine and Modern Art.
Cheim & Read. New York, New York. June 22-September 9, 2006.
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Yau, John.
Joan Mitchell: Works on Paper 1956 - 1992.
Cheim & Read with Steidl. May 10 - June 16, 2007.
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Molesworth, Helen.
Joan Mitchell: Leaving America, New York to Paris, 1958 – 1964.
Hauser & Wirth. London, United Kingdom. 2007.
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Houston, Joe, M. Melissa Wolfe, Dominique H. Vasseur, Charles Stuckey and James Yood.
In Monet’s Garden: The Lure of Giverny.
Scala Publishers, Limited. New York, New York. 2007.
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Hickey, Dave.
Joan Mitchell: Sunflowers.
Steidl & Partners. London, United Kingdom. 2008.
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Action Painting.
Hatje Cantz Verlag. Ostfildern, Germany. 2008.
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