Christopher Wool Catalogue

Selected Articles

Cohen, Ronnie. "Group Show: Delahunty," Art News, September, 1983.

Glueck, Grace. "Reviews: Big American Figure Drawings," The New York Times, March 18, 1983.

Smith, Roberta. "Around Town," The Village Voice, September 4, 1984.

Indiana, Gary. "The Age of Silver," The Village Voice, December 17, 1985. p.107.

Gardner, Colin. "The Art Galleries," Los Angeles Times, August 7, 1987. part VI, p.16.

Indiana, Gary. "Chronicle in Black and White," The Village Voice, March 31, 1987. p.89.

Knight, Christopher. Los Angeles Herald, July 31, 1987.

Smith, Roberta. "Where to see the Newest of the New American Art," The New York Times, May 1, 1987.

Journal of Contemporary Art, vol. 1, 2, November, 1988. pp.7-15.

Evans, Steven. "Robert Gober and Christopher Wool," Artscribe International, no.72, November/December, 1988. p.80.

Robbins, David. "Information as Ornament," Feature, July, 1988.

Parkett, no.22, December, 1989. insert, pp.112-128.

The Print Collector's Newsletter, no.5, vol. XX, November/December, 1989.

Artner, Alan G. "Renaissance show a challenging trilogy," Chicago Tribune, April 7, 1989. sec.7, p.48.

Baker, Kenneth. "S.F. Museum Show Toys with 'Art'," San Francisco Chronicle, February 22, 1989. p.C3.

Cotter, Holland. "A Bland Biennial," Art in America, September, 1989. p.87.

Smith, Roberta. "More Women and Unknowns in the Whitney Biennial," The New York Times, April 28, 1989. p.C32.

Solnit, Rebecca. "One-Liner Invitations to Theory," Artweek 20, August 26, 1989. p.7.

Van Nieuwenhuyzen, Martijn. "Horn of Plenty," Flash Art, March/April, 1989. p.102.

Von Kunstadt, Theodor. "The 1989 Whitney Biennial," Flash Art, Summer, 1989. p.139.

Paparoni, Demetrio. "Matissiana," Tema Celeste, May/July, 199. pp.56-71.

Faust, Wolfgang Max. "Wenn Worter Sich Zu Bildern Fugen," Art, November, 1990. pp.80-95.

Jan, Alferd. "Audience Response to 'New Work: A New Generation'," Visions, Summer, 1990. pp.24-26.

Koether, Jutta. "A Conversation with Jutta Koether, Karen Marta and Christopher Wool," NOEMA, May/June, 1990. pp.35-38.

Raynor, Vivien. "Medium and Message Blend in 'Language and Art' Aldrich," The New York Times, November 4, 1990. p.C26.

Dubrow, Norman. "The Neo Tendencies of the Late 1980s," Drawing, March/April, 1991. p.124.

Ferguson, Bruce W. "Patterns of Intent," Artforum, September, 1991. pp. 95-98.

Johnson, Ken. "Vogue Arts," Vogue, August, 1991. pp.142-150, 222.

Larson, Kay. "The Subplot Thickens," New York Magazine, May 27, 1991. pp.67-68.

New Art Examiner, January, 1992. Cover.

"Prints & Photographs Published," Print Collector's Newsletter, no.6, January/February, 1992. p. 215.

Diederichsen, Diedrich. "Here Is Something You Can't Understand," Parkett, no.33, Fall, 1992. pp.108-115.

Fleck, Robert. "Spielholle: Asthetik und Gewalt," Rogue Magazine, no.16, December/January, 1992. pp.17-32.

Hixson, Kathryn. "Dirty Data: Irreverent Wunderkammer," Flash Art, vol.XXV. no.166, October, 1992. p.95.

Kunz, Martin. "USA- Blickpunkt Eastcoast. Neue Leitsterne- neue Wertungen," Kunstforum International, no.119, 1992. pp.170-171.

Lewis, Jim. "Cave Canem," Parkett, no.33, Fall, 1992. pp.78-85.

Morgan, Stuart. "Documenta IX: Three Perspectives Body Language," Frieze, issue 6, September/October, 1992. pp.28-34.

Perrone, Jeff. "In the Shadow of Painting," Parkett, no.33, Fall, 1992. pp.100-107.

Politi, Giancarlo. "Bonito Oliva, Documenta, and the Biennial," Flash Art, vol. XXV, no.166, October, 1992. pp.87-89.

Saltz, Jerry. "Lufthansa Was Half The Fun," Galeries, no.50, August/September, 1992. pp.77-79, 88.

Smith, Roberta. "From New York Painters, Work That Takes Time," The New York Times, May 1, 1992. p.C31.

Tully, Judd. "Impressionist, Modern and Contemporary Sales," Art & Auction, November, 1992. p.125.

"New of the Print World: People & Places," The Print Collector's Newsletter, no.2, vol. XXIV, May/June, 1993. p.58.

Myles, Eileen. "Prints of Woods," The Print Collector's Newsletter, vol. XXIV, no.4, September/October, 1993. pp.132-135.

Ribettes, Jean-Michel. "Collections: Untitled," Galleries Magazine, no.54, April/May, 1993. pp.90-97.

Smith, Roberta. "A Remembrance of Whitney Biennials Past," The New York Times, February 28, 1993. pp.1, 31.

Princenthal, Nancy. "Artist's Book Beat," The Print Collector's Newsletter, vol.XXV, no.4, October, 1994. pp.151-152.

Guequiere, Nathan. "Slavishly Hip, Strangely Satisfying," Shepherd Express, October 12, 1995.

Delfina, Vannucci. "Wallpaper As Wall Hanging," Public News, November 29, 1995. pp.12-13.

Temin, Christopher. "Thank you, PaineWebber," The Boston Globe, March 14, 1996.

Liebman, Lisa. "And Cool Off Here," Interview, June, 1997. p.68.

Smith, Roberta. "On the History of Cool, A Show is Hip to America," The New York Times, August 17, 1997. p.35.

Testino, Mario. "Chic," Visionaire, no.22, September, 1997.

Artnews, Summer, 1998. p.148.

Tribune-Review, December 20, 1998. p.E3.

Tribune-Review, December 31, 1998. p.13.

"Exploiting the Abstract," Flash Art, Summer, 1998. p.63.

"Traveling Exhibitions," Artforum, September, 1998.

"Summer Preview," Artforum, May, 1998. p.51.

Johnson, Ken. "Real Stories," The New York Times, February 13, 1998.

Knight, Christopher. "Misstep in Mid-Career MOCA Show," Los Angeles Times, July 23, 1998. pp.54-56.

Myers, Terry R. "The Hawk and the Dove," LA Weekly, August 21-27, 1998. p.59.

Shearing, Graham. "Drop Dead," Pittsburgh Tribune-Review, November 29, 1998.

Silva, Arturo. "Bless this mess of interconnections," The Japan Times, January 11, 1998. p.15.

Artforum, January, 1999. p.36.

Hogrefe, Jeffrey. "Who Played the Fool? Young, Art-Thirsty Storm Christie's," The New York Observer, June 7, 1999. p.25.

Mack, Gerhard. "Hommage an Dada und Pop Art," Art Das Kunstmagazin, April, 1999. p.98-99.

Perrella, Christina. "Istanbul, sull'onda dell passioni," Alias, September, 1999.

Rubin, Marilyn McDevitt. "Sunday Brunch with Friends and Sweets," Pittsburgh Post-Gazette, January 3, 1999. p.14.

Thomas, Mary. "Marvelous diversity on display in local art scene," Pittsburgh Post-Gazette, January 23, 1999. p.C7.

Vogel, Carol. "Records Set for 11 Artists in Contemporary Sale," The New York Times, May 20, 1999. p.B7.

Wakefield, Neville. "Paintings Marked by Confrontation and Restraint," Elle Decor, February/March, 1999. p.58.

"Marketplace," Art & Auction, April 15, 2000. p.49.

"Working Proof," Art on Paper, July/August, 2000. p.55.

Moron, Robert C. "Istanbul and the Biennial Paradigm," NYArts, 2000.

Zoo Magazine, March, 2001. pp.78-79.

"The Mood Across the Arts Spectrum," Chicago Tribune, November 4, 2001.

"Snapshots of Grieving Nation," The Associated Press, September 17, 2001.

Lehner, Adam. "Moving Pictures. Adam Lehner on the Art in the Aftermath," Artforum, November, 2001. pp.35-39.

McNatt, Glenn. "In a Word, Painting Proves Controversial," The Baltimore Sun, October 22, 2001.

Moreno, Gean. "Mythic Proportions," Flash Art, May/June, 2001. p.146.

Scarcella, Michael. "Sensitivity Led to Removal of 'Terrorist' Art, BMA Says," The Baltimore Sun, September 18, 2001.

Scarcella, Michael. "BMA Pulls Art Bearing work 'Terrorist'," The Baltimore Sun, September 19, 2001. sec.B, pp.1-14.

Thomas Devine, Kelly. "Aftershocks," Artnews, November, 2001. pp.150-155.

Wortech, Edward. "BMA Mistaken in Removing Artwork," The Baltimore Sun, October 1, 2001.

Zinnes, Harriet. "NY Arts," June, 2001. p.85.

Galanternick, Mery. "Brazil's Power Buyer," Artnews, October, 2002. p.78.

Griffin, Tim. "Time Warp Again: MoMA Queens location makes the past seem futuristic," Time Out New York, July 18-25, 2002. p.77.

Hirsch, Arthur. "Drawing a Reaction: A Word's Power Is Revealed When It, Alone, Becomes Art," The Baltimore Sun, January 28, 2002.

Sartwell, Emma. "Museum Shouldn't Apologize For it's Provocative Artwork," The Baltimore Sun, March 29, 2002.

"Hot Shots," Tate Arts and Culture, issue 7, September/October, 2003. pp.31-32.

Conti, Samantha. "G Spot," W Magazine, May, 2003. p.198.

Jeffrey, Moira. "Visions of mean streets," The Herald, April 4, 2003.

Williams, Gregory. "The Happy End of Kippenberger's Amerika," Artforum, February, 2003. p.101.

"The Artists' Artists," Artforum, December, 2004. p.76.

"Goings on About Town," The New Yorker, December 6, 2004. p.33.

Dannatt, Adrian. "Benedikt Taschen Reveals His Contemporary Art," The Art Newspaper, no.151, October, 2004. p.32.

Ebony, David. "Auction Houses in Full Bloom," Art in America, no.8, September, 2004. pp.37-39.

Good, Regan. "Framing the Future. Shared Passion," Robb Report Worth, vol.13, no.8, August, 2004. pp. 66-72.

Johnson, Ken. "Wandering the Night Away Along Baleful City Streets," The New York Times, July 2, 2004. p.E31.

Pollack, Barbara. "I am the Walrus," Time Out New York, no.457, July 1-8, 2004. p.54.

Rimanelli, David. "East Broadway Breakdown," Bookforum, issue 3, vol.11, October/November, 2004. p.50.

Saltz, Jerry. "Hard Attack," The Village Voice, December 8-14, 2004. p.78.

Searle, Adrian. "Northern Lights," The Guardian UK, February 5, 2004.

Smith, Roberta. "I am the Walrus," The New York Times, June 25, 2004. p.E33.

Yablonsky, Linda. "What's so Funny About Contemporary Art?," Artnews, vol.103, no.8, September, 2004. pp.114-117.

Kawachi, Taka. Studio Voice, vol.352, April, 2005. pp.40-41.

Samet, Jennifer Sachs. "Many Styles, Drawn Together," The New York Sun, February 17, 2005.

"In the Studio: Christopher Wool � Revealed in Reproduction," Tate Etc, no. 9, 2007. pp. 36-41.

Weissman, Benjamin. "Eloquent Obstacles � Christopher Wool�s Abstract, Humorous, Psychological, Wordy, Dramatic and Figurative Pictures," Frieze Magazine, no. 111, 2007. p. 132.

O�Brien, Glenn. "The Meeting of the Minds. Christopher Wool and Richard Hell: The Abstract Painter and the Rocking Writer Talk About their Wordy New Collaboration," Interview Magazine, May, 2008.

Flood, Richard. "Wool Gathering," Parkett Magazine, issue 83, 2008. pp. 138-149.

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