|
Belag, Andrea.
Selected Drawings: An Exhibition of Works by Sixteen Contemporary Artists.
Jersey City Museum. Jersey City, New Jersey, USA, 1983.
|
 |
|
Oliva, Achila Bonito.
New Territories in Art: Europe/America.
Nuova Prearo Editore. Milan, Italy, 1987.
|
 |
|
Fairbrother, Trevor.
The Bi-national: American Art of the Late 80s.
Institute of Contemporary Art and Museum of Fine Arts. Boston, Massachusetts, USA, 1988.
|
 |
|
Maginnis, Kevin.
Information as Ornament.
Feature Gallery and Rezac Gallery. Chicago, Illinois, USA, 1988.
|
 |
|
The Light from the Other Side.
Monika Spruth Galerie. Cologne, Germany, 1988.
|
 |
|
Indiana, Gary.
Robert Gober and Christopher Wool: A Project.
303 Gallery. New York, New York, USA, 1988.
|
 |
|
SmithKline & French Research & Development Art Collection.
SmithKline & French Laboratories, Inc. 1988.
|
 |
|
Ferguson, Bruce.
Abstraction in Question.
The John and Mable Ringling Museum of Art. Sarasota, Florida, USA, 1989.
|
 |
|
Caldwell, John.
Christopher Wool: New Work.
San Francisco Museum of Modern Art. San Francisco, California, USA, 1989.
|
 |
|
Forg, Iglesias, Spalletti, Vercruysse, West, Wool.
Joost Declercg. Ghent, Belgium, 1989.
|
 |
|
Brunskill, Ian.
Georg Herold, Albert Oehlen, Christopher Wool.
The Renaissance Society at The University of Chicago. Chicago, Illinois, USA, 1989.
|
 |
|
Felix, Zdenek.
Gober, Halley, Kessler, Wool: Four Artists from New York.
Kunstverein Munchen. Munich, Germany, 1989.
|
 |
|
Cameron, Dan.
Horn of Plenty: Sixteen Artists frmo NYC.
Stedelijk Museum. Amsterdam, The Netherlands, 1989.
|
 |
|
Prospect 89: eine internationale Ausstellung aktueller Kunst.
Frankfurter Kunstverein. Frankfurt (SEE FRANKFURT AM MAIN), Germany, 1989.
|
 |
|
Yau, John.
Repetition.
Hirschl and Adler Modern. New York, New York, USA, 1989.
|
 |
|
Armstrong, Richard.
Whitney Biennial.
Whitney Museum of American Art. New York, New York, USA, 1989.
|
 |
|
Christopher Wool: Works on Paper.
Luhring Augustine Gallery. New York, New York, USA, 1990.
|
 |
|
Donald Baechler, Gunther Forg,...Christopher Wool.
Galerie Max Hetzler. Cologne, Germany, 1990.
|
 |
|
Cooke, Lynne.
Michael Craig-Martin, Gary Hume, Christopher Wool: A Paintings Show.
Karsten Schubert Ltd. London, United Kingdom, 1990.
|
 |
|
Caldwell, John.
New Work: A New Generation.
San Francisco Museum of Modern Art. San Francisco, California, USA, 1990.
|
 |
|
Cooke, Lynn.
Carnegie International 1991.
The Carnegie Museum of Art. Pittsburgh, Pennsylvania, USA, 1991.
|
 |
|
Herbert Brandl, Albert Oehlen, Christopher Wool.
Galerie Peter Pakesch. Vienna, Austria, 1991.
|
 |
|
Loock, Ulrich.
Jahresbericht des Vereins Kunsthalle Bern.
Kunsthalle Bern. Bern, Switzerland, 1991.
|
 |
|
Deitch, Jeffrey.
Strange Abstraction.
The Touko Museum of Contemporary Art. Tokyo, Japan, 1991.
|
 |
|
Rose, Bernice.
Allegories of Modernism: Contemporary Drawings.
The Museum of Modern Art. New York, New York, USA, 1992.
|
 |
|
Dickhoff, Wilfried.
Ars Pro Domo: Contemporary Art from Cologne Private Collections.
Museum Ludwig. Cologne, Germany, 1992.
|
 |
|
Cirincione, Janine.
Dark Decor.
Independent Curators Incorporated. 1992.
|
 |
|
Dunning, Jeanne.
Dirty Data: Collection of Wilhelm Schurmann.
Ludwig Forum fur internationale Kunst. Aachen, Germany, 1992.
|
 |
|
De Baere, Bart.
Documenta IX.
Edition Cantz. Stuttgart, Germany, 1992.
|
 |
|
Drawing In The Nineties.
Independent Curators Incorporated. New York, New York, USA, 1992.
|
 |
|
Georg Herold, Albert Oehlen, Christopher Wool: Works on Paper.
Jack Hanley Gallery. San Francisco, California, USA, 1992.
|
 |
|
Oh! Cet Echo.
Centre Culturel Suisse. Paris, France, 1992.
|
 |
|
Faust, Wolfgang Max.
On Kawara: Again and Against.
Portikus. Frankfurt (SEE FRANKFURT AM MAIN), Germany, 1992.
|
 |
|
Ammann, Jean-Christopher.
Robert Gober, On Kawara,...Christopher Wool.
Max Hetzler/Thomas Borgmann. Cologne, Germany, 1992.
|
 |
|
Kachur, Lewis.
Word-Image in Contemporary Art.
The James Howe Gallery, Kean College of New Jersey. Union City, New Jersey. 1992.
|
 |
|
van Caldenborgh, Yvette.
A Collection Made In The USA.
Caldic Collection. Rotterdam, The Netherlands, 1993.
|
 |
|
Danto, Arthur C.
New York Painters.
Sammlung Goetz. Munich, Germany, 1993.
|
 |
|
Louis, Eleonora.
Die Sprache der Kunst.
Cantz. Stuttgart, Germany, 1993.
|
 |
|
Zeitsprunge: Collection of Rudolf & Ute Scharpff.
Wilhelm-Hack-Museum. Ludwigshafen am Rhein, Germany, 1993.
|
 |
|
Sevcik, Jana.
Herbert Brandl, Albert Oehlen, Christopher Wool.
National Gallery Prague. Prague, Czech Republic, 1994.
|
 |
|
Violence/Business- Gewalt/Geschafte.
Neue Gesellschaft fur Bildende Kunst. Berlin, Germany, 1994.
|
 |
|
Rapmund, Jacqueline.
Collection Modern Art Museum Boymans-Van Beuningen Museum Rotterdam.
Museum Boymans-Van Beuningen. Rotterdam, The Netherlands, 1995.
|
 |
|
Weibel, Peter.
Pittura Immedia: Malerei in den 90er Jahren.
Graz Neue Galerie am Landesmuseum Joanneum and Kunstlerhaus Graz. Graz, Austria, 1995.
|
 |
|
Roos Bleckner, Peter Cain,...Christopher Wool.
Galleri K. Oslo, Norway, 1995.
|
 |
|
Sobel, Dean.
25 Americans: Painting in the 90s.
Milwaukee Art Museum. Milwaukee, Wisconsin, USA, 1995.
|
 |
|
Smith, Stephanie.
Wallpaper Works.
Contemporary Arts Museum. Houston, Texas, USA, 1995.
|
 |
|
Everything That's Interesting Is New: The Dakis Joannou Collection.
DESTE Foundation for Contemporary Art. Ostfildern, Germany. 1996.
|
 |
|
Chahroudi, Martha.
New Art o Paper, 2.
Philadelphia Museum of Art. Philadelphia, Pennsylvania, USA, 1996.
|
 |
|
The Sense of Order.
Museum of Modern Art. Ljubljana, Slovenia, 1996.
|
 |
|
Wyw, Deborah.
Thinking Print: Books to Billboards, 1980-95.
Museum of Modern Art. New York, New York, USA, June 20- September 10, 1996.
|
 |
|
Westreich, Thea.
This Is About Who We Are: The Collected Writings of John Caldwell.
San Francisco Museum of Modern Art. San Francisco, California, USA, 1996.
|
 |
|
Brighton, Andrew.
American Realities. Views from Abroad: European Perspectives on American Art 3.
Whitney Museum of American Art. New York, New York, USA, 1997.
|
 |
|
Curiger, Bice.
Birth of the Cool: American Painting from Georgia O'Keefe to Christopher Wool.
Kunsthaus Zurich. Zurich, Switzerland, 1997.
|
 |
|
Heinrich, Christopher.
Family Values: American Art in the Eighties and Nineties.
Hamburger Kunsthalle. Hamburg, Germany, 1997.
|
 |
|
The Hirshhorn Collects: Recent Acquisitions.
Hirshhorn Museum. Washington, DC, USA, 1997.
|
 |
|
Ideal Standard Life.
Spiral Garden. Tokyo, Japan, 1997.
|
 |
|
Storr, Robert.
On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection.
The Museum of Modern Art. New York, New York, USA, September 30-January 20, 1997.
|
 |
|
Crow, Thomas.
Christopher Wool.
Museum of Contemporary Art. Los Angeles, California, USA, 1998.
|
 |
|
Christopher Wool: Ophiuchus Collection.
The Hydra Workshop. Hyrdra, Greece. 1998.
|
 |
|
Perez, Pilar.
Double Trouble, The Patchettt Collection.
The Museum of Contemporary Art. San Diego, California, USA, June 28-September 5, 1998.
|
 |
|
Walther, Ingo F.
Art of the 20th Century.
Taschen. Cologne, Germany, 1998.
|
 |
|
Janus, Elizabeth.
Veronica's Revenge: Contemporary Perspectives on Photography.
LAC Switzerland and Scalo. Zurich, Switzerland, 1998.
|
 |
|
Phillips, Lisa.
The American Century: Art and Culture 1950-2000.
Whitney Museum of American Art. New York, New York, USA, 1999.
|
 |
|
Romano, Gianni.
Bloom: Contemporary Art Garden.
Milan, Italy, 1999.
|
 |
|
1999 Focus.
Centre d'Art Contemporain. Geneva, Switzerland, 1999.
|
 |
|
Mottahedan, Mohammed.
Once Upon A Time In America: The Mottahedan Collection.
Christie's Books, Ltd.. London, United Kingdom, 1999.
|
 |
|
Colombo, Paolo.
The Passion and the Waves: 6th International Istanbul Biennial.
Istanbul Foundation for Culture and Arts. Istanbul, Turkey, 1999.
|
 |
|
Riemschneider, Burkhard.
Art At The Turn Of The Millennium.
Taschen. Cologne, Germany, 1999.
|
 |
|
Art at Work. Forty Years of the JP Morgan Chase Collection.
The Chase Manhattan Corporation. New York, New York, USA, 2000.
|
 |
|
Kertess, Klaus.
00: Drawings 2000 at Barbara Gladstone Gallery.
Barbara Gladstone Gallery. New York, New York, USA, 2000.
|
 |
|
Food for the Mind: Die Sammlung Udo and Anette Brandhorst.
Staatsgalerie Moderner Kunst. Munich, Germany, 2000.
|
 |
|
Mixing Memory and Desire.
New Museum of Art Lucerne. Lucerne, Switzerland, 2000.
|
 |
|
Merritt, Raymond.
A Thousand Hounds.
Taschen. Cologne, Germany, 2000.
|
 |
|
Anderson, Maxwell.
American Visionaries: Selections From The Whitney Museum of American Art.
Whitney Museum of American Art. New York, New York, USA, 2001.
|
 |
|
Mythic Proportions. Painting in the 1980's.
Museum of Contemporary Art. Miami, Florida, USA, 2001.
|
 |
|
Patterns: Between Object and Arabesque.
Kunsthallen Brandts Klaedefabrik. Odense, Denmark, 2001.
|
 |
|
Trauma.
Hayward Gallery Publishing. London, United Kingdom, 2001.
|
 |
|
Simon, de Pury.
Ahead of the 21st Century- The Pisces Collection.
Hatje Cantz. Ostfildern-Ruit. Germany, 2002.
|
 |
|
Alexander, Brooke.
Imagine You Are Standing Here in Front of Me, The Caldic Collection.
Museum Boijmans van Beuningen. Rotterdam, The Netherlands, 2002.
|
 |
|
The Logan Collection: A Portrait of Our Time.
The Logan Collection. Vail, Colorado, USA, 2002.
|
 |
|
Burgi, Mendes.
Painting On The Move.
Kunstmuseum, Museum fur Gegenwartskunst, and Kunsthalle Basel. Basel, Switzerland, 2002.
|
 |
|
McShine, Kynaston.
To Be Looked At: Painting and Sculpture from the Museum of Modern Art.
The Museum of Modern Art. New York, New York, USA, 2002.
|
 |
|
W.
Musee des Beaux Arts. Dole, France, 2002.
|
 |
|
We Love Painting, The Contemporary American Art from Misumi Collection.
Museum of Contemporary Art. Tokyo, Japan, 2002.
|
 |
|
Berlin 1994-2003.
Galerie Max Hetzler. Berlin, Germany, 2003.
|
 |
|
Douroux, Xavier.
Crosstown Crosstown.
Dundee Contemporary Arts. Dundee, Scotland, 2003.
|
 |
|
Monroe, Dan L.
Family Ties: A Contemporary Perspective.
Peabody Essex Museum. Salem, Massachusetts, USA, 2003.
|
 |
|
Ice Hot- Recent Painting from the Scharpff Collection.
Hamburger Kunsthalle. Hamburg, Germany, 2003.
|
 |
|
Armstrong, Richard.
An International Legacy: Selections from the Carnegie Museum of Art.
American Federation of Arts. New York, New York, USA, 2003.
|
 |
|
Artists Builders 25 Years of MOCA 1979-2004.
The Museum of Contemporary Art. Los Angeles, California, USA, 2004.
|
 |
|
Christopher Wool.
Luhring Augustine Gallery. New York, New York, USA, 2004.
|
 |
|
Christopher Wool 2204 Camden Arts Centre.
Camden Arts Centre. London, United Kingdom, 2004.
|
 |
|
Malerei: Herbert Brandl, Helmut Dorner, Adrian Schiess, Christopher Wool.
ZKM. Karlsruhe, Germany, 2004.
|
 |
|
Deitch, Jeffrey.
Monument to Now.
DESTE Foundation for Contemporary Art. Athens, Greece, 2004.
|
 |
|
Taschen Collection.
Taschen. Cologne, Germany, 2004.
|
 |
|
Big Bang Destruction and Creation in the art of XXth Century.
Centre Pompidou. Paris, France, 2005.
|
 |
|
Contemporary Voices: Works From the UBS Art Collection.
Museum of Modern Art. New York, New York, USA, February 4- April 25, 2005.
|
 |
|
William de Konning.
BA-CA Kunstforum. Vienna, Austria, 2005.
|
 |
|
Work on Paper.
Galerie Max Hetzler. Berlin, Germany, 2005.
|
 |
|
Meschede, Friedrich.
Christopher Wool.
Galerie Max Hetzler. Berlin, Germany. 2007.
|
 |
|
Christopher Wool: Pattern Paintings, 1987-2000.
Skarstedt Gallery. New York, New York. 2007.
|
 |
|
Psychopts: Richard Hell, Christopher Wool.
John McWhinnie @ Glenn Horowitz Bookseller. New York, New York. 2008.
|
 |
|
For What You Are About to Receive.
Gagosian Gallery at the Red October Chocolate Factory. Moscow, Russia. 2008.
|
 |
|
Warhol Wool Newman: Painting Real.
Verlag der Buchhandlung Walther König. Cologne, Germany. Kunsthaus Graz. Graz, Austria. 2009.
|
 |
|
Gregory, Jarrett and Sarah Valdez, ed.
Skin Fruit: Selections from the Dakis Joannou Collection.
New Museum. New York, New York. 2010.
|
 |
[return to top]
|
| |
|