Rachel Whiteread Catalogue
Rachel Whiteread
Selected Articles
Gillick, Liam.  "The British Art Show,"  Art Monthly,  No.134, March, 1990. pp.14-6. 
Renton, Andrew.  "Birth of the Cool,"  Bitz Magazine,  June, 1990. pp.54-5. 
Bush, Kate.  "The British Art Show,"  Artscribe,  May, 1990. p.71. 
Hall, James.  "Ghost,"  Sunday Correspondent,  June 24, 1990. p.11. 
Feaver, William.  "Ghost/British Art Show,"  The Observer,  July 1, 1990.
Graham-Dixon, Andrew.  "Ghost,"  The Independent,  July 3, 1990. p.11. 
Cork, Richard.  "The British Art Show,"  The Listener,  July 5, 1990. p.42. 
Kent, Sarah.  "Ghost,"  Time Out,  July 11, 1990.
Auty, Giles.  "The British Art Show,"  Art Line,  Summer, 1990. pp.12-3. 
Renton, Andrew.  "Ghost,"  Flash Art,  October, 1990. p.154. 
Tamashike, Sachiko.  "Ghost,"  Nikkei Art,  June, 1990. p.143. 
Feaver, William.  "View Down the Grant Aid Road,"  The Observer,  December 30, 1990.
Hall, James.  "Young British Artists,"  ARTnews,  Vol.91, No.6, Summer, 1991. p.147. 
Feaver, William.  "Stiff Upper Lip,"  The Observer,  March 3, 1991.
Searle, Adrian.  "Eleven Women Artists,"  Time Out,  No.1079, April 24, 1991. p.43. 
Feaver, William.  "Metropolis,"  The Observer,  April 28, 1991. p.57. 
Hohmeyer, Jurgen.  "Manie der Blauen Laube: Die Berliner Ausstellung Metropolis,"  Der Spiegel,  No.18, April 29, 1991.
Smith, Roberta.  "Metropolis,"  The New York Times,  May 5, 1991. p.H37. 
Francis, Mary Ann.  "Sculpture at Victoria Miro,"  Art Monthly,  No.146, May, 1991. p.21. 
Hall, James.  "Global Village: Metropolis in Berlin,"  The Independent,  May 16, 1991.
Nemeczek, Alfred.  "Metropolis,"  Art Kunstmagazin 6/91,  May, 1991. pp.54-62. 
Archer, Michael.  "Ghost Meat,"  Artscribe,  No.87, Summer, 1991. pp.35-38. 
Galloway, David.  "'Metropolis': Crossroads or Cul-de-Sac?,"  Art in America,  July, 1991. p.46. 
Livingstone, Marco.  "L'Heritage du Pop Art Anglais Leurres: Voir Double,"  Art Press,  No.160, July/August, 1991. p.18. 
Gale, Ian.  "Youth and Beauty? The 1991 Turner Prize,"  The Independent,  July 16, 1991. p.17. 
Dorment, Richard.  "A Prize Turnabout,"  The Daily Telegraph,  July 16, 1991. p.14. 
Lubbock, Tom.  "Shortlist Short on Ideas,"  The Independent,  July 21, 1991. p.20. 
Bernard, Bruce.  "Salvage from the Wreck,"  The Independent Magazine,  August 3, 1991. pp.36-38. 
Packer, William.  "The Diminishing Value of Novelty,"  Financial Times,  August 6, 1991. p.21. 
Sewell, Brian.  "Putting on the Zits,"  The Evening Standard,  August 8, 1991. p.21. 
Hall, Charles.  "Test of Raw Nerves,"  The Sunday Times,  August 11, 1991. p.11. 
Smith, Roberta.  "Preview of Upcoming Season,"  The New York Times,  September 8, 1991. p.H49. 
Morgan, Stuart.  "The Turner Prize,"  Frieze,  No.1, October, 1991. pp.5-6, 9-10. 
Watanabe, Kozue.  "Metaphors and Visions in British Contemporary Art,"  21st Century Prints,  October, 1991. p.131. 
Feaver, William.  "The Prize Fight,"  British Vogue,  November, 1991. p. 68. 
Cork, Richard.  "Young, Gifted and Rising Too Fast?,"  The Times,  November 8, 1991. p.14. 
Sewell, Brian.  "Mockerey Nook,"  The Evening Standard,  November 7, 1991. p.30. 
Kent, Sarah.  "Prize Fighters,"  Time Out,  No.1108, November 13-20, 1991. p.23. 
Hilton, Tim.  "Making Room for a Ghost,"  The Guardian,  January 9, 1991.
Blampied, Linda.  "Sculptures Provoke Strange Sensations,"  Keynsham Weekly Chronicle,  January 25, 1991.
Gale, Ian.  "Broken English,"  The Independent,  August 13, 1991. p.13. 
Collings, Matthew.  "New Contemporaries at the ICA and Broken English at the Serpentine Gallery,"  City Limits,  No.515, August 15-22, 1991. p.18. 
Kent, Sarah.  "Breaking Ground,"  Time Out,  No.1095, August 14-21, 1991. p.39. 
Hilton, Tim.  "Composition with Old Hat,"  The Guardian,  August 14, 1991. p.30. 
Collings, Matthew.  "The Turner Prize at the Tate Gallery and We've Lots ET but the Boy's Coming Back at karsten Schubert Ltd,"  City Limits,  No.529, November 21-28, 1991.
Auty, Giles.  "The Cringe Before the Binge,"  The Spectator,  November 16, 1991. pp.57-8. 
Allthorpe-Guyton, Marjorie.  "Made in Heaven: The 1991 Turner Prize,"  Artscribe,  No.89, November/December, 1991. p.15. 
Graham-Dixon, Andrew.  "Je M'accuse,"  The Independent,  November 26, 1991. p.16. 
Hilton, Tim.  "The 20,000 Pound Game of Charades,"  The Guardian,  November 26, 1991. p.34. 
Packer, William.  "The Changing Expectations of the Turner Prize,"  The Financial Times,  November 26, 1991. p.19. 
Rainbird, Sean.  "The Turner Prize 1991,"  Patrons New Art Newsletter,  No.14, Winter, 1991. p.2. 
Lister, David.  "Art Prize Launched into Illusory Space,"  The Independent,  November 27, 1991.
Bruce, Rory Knight.  "Lashings of Champagne and Streams of Consciousness,"  The Evening Standard,  November 27, 1991. p.19. 
"The Returns on the Turner Prize,"  Art Monthly,  No.152, December/January, 1991. p.2. 
Norman, Geraldine.  "Art for Art's Sake Not for Youth's Sake,"  The Independent,  January 4, 1992. p.39. 
Larson, Kay.  "Of Dogs and Man,"  New York,  Vol.25, No.6, February 10, 1992. pp.54-55. 
Feaver, William.  "Once More with Feeling,"  The Observer,  February 23, 1992. p.57. 
Lyttelton, Celia.  "Young British Artists,"  Galeries Magazine,  April/May, 1992. p.123. 
Pendleton, Ian.  "Just When You Thought It Was Safe...,"  Esquire Magazine,  June, 1992. p.22. 
Miller, Charles.  "On the Road to Kassel,"  Artforum,  Summer, 1992. p.82. 
Graham-Dixon, Andrew.  "A Marathon of Mediocrity,"  The Independent,  June 16, 1992. p.16. 
Smith, Roberta.  "A Small Show Within An Enormous One,"  The New York Times,  June 22, 1992. p.C13. 
Heller, Robert.  "Report on the 1991-92 PNA Acquisitions Sub-Committee,"  Patrons New Art Newsletter,  No.15, Summer, 1992.
Saltz, Jerry.  "Lufthansa Was Half the Fun,"  Galeries,  No.49, August-September, 1992. pp.77-79, 88. 
Rugoff, Ralph.  "Documenta IX,"  Audio Arts,  Vol.12, No.2&3, September, 1992.
Rugoff, Ralph.  "Dark Art,"  Vogue,  No.159, September, 1992. pp.352-358. 
Madoff, Steven H.  "Documenta IX: More Is A Mess,"  ARTnews,  September, 1992. pp.129-131. 
Smith, Roberta.  "A Young Group from Britain,"  The New York Times,  October 16, 1992.
"Oh You Prety Things...The Loss of the Goldsmiths Touch,"  Casablanca,  Vol.1, No.1, October, 1992. pp.24-25. 
Schenk-Sorge, Jutta.  "Zwolf Junge Britische Kunstler: Stein Gladstone und Barbara Gladstone Gallery, New York,"  Kunstforum International,  Vol.120, November, 1992. pp.397-398. 
Kino, Carol.  "Young British Artists,"  Art & Antiques,  December, 1992. p.82. 
"Recent Acquisitions of Twentieth-Century Sculpture by British Museums,"  Burlington Magazine,  December, 1992. pp.842-846. 
Cameron, Dan.  "The Hassle in Kassel,"  Artforum,  September, 1992. p.86. 
Levin, Kim.  "Listings: Young British Artists,"  The Village Voice,  October 6, 1992. p.75. 
Moore, Susan.  "Around the Block: London: Young Brits Take Center Stage,"  Art & Auction,  October, 1992. pp.26-8. 
Schjeldhal, Peter.  "Twelve British Artists: Barbara Gladstone Gallery, NY,"  Frieze,  Issue 7, November, 1992. p.45. 
Adcock, Craig.  "Documenta IX,"  Tema Celeste,  Autumn, 1992. pp.84-6. 
Spector, Nancy.  "Art and Objecthood,"  Tema Celeste,  Autumn, 1992. pp.72-79. 
DiMichele, David.  "Report from London,"  Artspace,  December, 1992. pp.94-95. 
Helladsjo, Karin.  "In Site: New British Sculpture,"  Threshold,  No.9, January, 1993. pp.11-20. 
Cosemans, Catherine.  "Spookbeelden,"  De Witte Raaf,  No.41, January, 1993. p.11. 
Cosemans, Catherine.  "Pick of the Year,"  Arts Review Magazine,  Vol. XLV, January, 1993. pp.18-19. 
Krumpl, Doris.  "Totale Erinnerung,"  Der Standard,  January 8, 1993.
Niederle, Helmuth A.  "Kunstwerke Unterwegs,"  Die Furche,  January 14, 1993.
Van Giersbergen, Marieke.  "Het Spook Van de Herinnering,"  Archis,  February, 1993.
"Spatzunder: Doubletake- Austellung in Wien,"  Feuilleton,  February 19, 1993. p.31. 
Bijl, Herma.  "Britisk Skulptur I Tiden Ig Rommet,"  Vart Land,  February 3, 1993.
Muller, Hans-Joachim.  "Die Maus, Die Wacht,"  Die Zeit,  February 5, 1993. p.37. 
Morganstern, George.  "Titalende Utstilling Av Britisk Skulptur,"  Astenposten,  February 9, 1993.
Flor, Harald.  "Britisk Blanding,"  Dagblad,  February 11, 1993.
Serk, Peter.  "Materialenes Vesen,"  Klassenkampen,  March 18, 1993.
Kravagna, Christian.  "Doubletake, Collective Memory and Cuurent Art, Kunsthalle Vienna,"  Forum International,  No.17, March-April, 1993. p.127. 
Hansen, David.  "Territorial Pissings: The Biennale of Sydney,"  Art Monthly Australia,  March, 1993. pp.22-23. 
Poshyananda, Apinan.  "Guessing Game at Art Gala,"  Bankok Post,  Vol.XLVIII, No.35, February 4, 1993. Section 3. 
Lynn, Elwyn.  "Mind Over Mattresses,"  The Australian,  January 2-3, 1993.
Maloon, Terence.  "Art on the Boundary: An Interview with the Director of the Ninth Biennale of Sydney, Anthony Bond,"  Look Magazine,  December-January, 1993. pp.12-13. 
Wallace, Linda.  "Biennale: Beyond the Boundaries,"  Good Times,  December-February, 1993. pp.87-8. 
Buck, Louisa.  "Showing Off,"  GQ Magazine (UK),  June, 1993. p.46. 
Andras, Ban.  "A Szemet Szerkezetenek Liraja,"  Nepszava,  June 25, 1993.
Miklos, Losconi.  "Osi Idomok, Mai Jelek,"  Vasarnapi Hirek,  June 27, 1993.
P Sz J,  "Felejtheto es Felejhetetlen Dolgok,"  Nepzabadag,  June 30, 1993.
Acsay, Judit.  "Made Strange,"  Hungarian Daily News,  June 18-24, 1993.
"British Sculpture Invades Budapest Galleries,"  The Hungarian Times,  July 5, 1993.
"Fuga es Gipszpadlo,"  Magyar Narancs,  July 8, 1993.
Vadas, Jozsef.  "Brit Antiszobraszat,"  Magyzr Hirlap,  July 9, 1993.
Kotai, Jozsef.  "Az 'Elsetalt' Lehetoseg,"  Magyr Nemzet,  July 18, 1993.
Art Das Kunstmagazin,  No.7, July, 1993. p.43. 
Alberge, Dalya.  "Still Flogging a Dead Cow?,"  The Independent,  July 13, 1993. p.15. 
Barnes, Rachel.  "Sharpening Knives Greet Turner Nominees,"  The Guardian,  July 21, 1993. p.18. 
Lister, David.  "Award Designed to Promote Art in Britain May Go Abroad,"  The Independent,  July 21, 1993. p.6. 
Herbert, Susannah.  "Prize Contest All Set for the Slanging,"  The Daily Telegraph,  July 22, 1993. p.15. 
Bernard, Kate.  "Which Way to Turner?,"  The Sunday Times,  July 25, 1993. p.13. 
"Plastiker & Objektkunstler,"  ART Magazine,  No.7, July, 1993. pp.40-47. 
Hall, James.  "British Art Now: The Revolution Continues,"  ARTnews,  September, 1993. pp.142-147. 
McEwen, John.  "The House that Rachel Unbuilt,"  The Sunday Telegraph,  October 24, 1993. p.6. 
Alberge, Dalya.  "House of Ghostly Memories,"  The Independent,  October 27, 1993. p.1. 
Kent, Sarah.  "Home Work,"  Time Out,  No.1210, October 27-November 3, 1993. pp.22-23. 
Postlethwaite, Jeff.  "Inside-out 'Art' Turned My Home into Freak Show,"  The Evening Standard,  October 28, 1993. p.18. 
"Opinion: Is It Art?,"  The Independent,  October 31, 1993. p.25. 
Feaver, William.  "Tired Turner Needs a Tonic,"  The Observer Magazine,  October 31, 1993. p.6. 
Milner, Catherine.  "Turn Off Turner,"  The Sunday Telegraph,  October 31, 1993. p.5. 
"In Site: Ny Britisk Skulptur,"  Terskel/Teshold,  November, 1993. pp.129-143. 
Morgan, Stuart.  "Fast Forward,"  ARTnews,  November, 1993. pp.122-133. 
"As a Work of Art There's Just One Thing That Spoils It For Me,"  Time Out,  November 3-10, Time Out, 1993. p.178. 
"Home is Where the Art is,"  Art Monthly,  No.171, November, 1993. p.32. 
"The Turner Prize,"  The Art Newspaper,  No.32, November, 1993. p.6. 
Cork, Richard.  "Monument to a Great Adventure,"  The Times,  November 5, 1993. p.33. 
Cook, William.  "Prize Opportunity to Learn a New Language,"  The Scotsman,  November 5, 1993. p.17. 
McEwen, John.  "Heed The Passing grandma,"  The Sunday Telegraph,  November 7, 1993. p.8. 
McCrystal, Cal.  "Is This Worth All the Sneers?,"  The Independent,  November 7, 1993. p.12. 
Button, Virginia.  "Right of Reply,"  The Independent,  November 11, 1993. p.27. 
Auty, Giles.  "Whiff of Paint,"  The Spectator Magazine,  November 13, 1993. p.41. 
Hunt, Robin.  "The House that Rachel Built,"  The Guardian,  November 17, 1993. p.9. 
Auty, Giles.  "Prized Apart,"  The Spectator Magazine,  November 20, 1993. pp.56-7. 
"House Fits the Neighborhood,"  The Independent,  November 20, 1993. p.19. 
Stringer, Robin.  "Sculptor is the Best and the Worst,"  The Evening Standard,  November 24, 1993. p.3. 
Cooper, Tim.  "My Mystery Tour with the Masked 'Terrorists' of Art,"  The Evening Standard,  November 24, 1993. p.3. 
Herbert, Susannah.  "Balaclava Bonus for Turner Winner,"  The Daily Telegraph,  November 24, 1993. p.1. 
Mouland, Bill.  "Disaster in Plaster,"  The Daily Mail,  November 24, 1993. p.7. 
Lister, David.  "Turner Prize Won by 'Worst' Artist,"  The Independent,  November 24, 1993. pp.1-3. 
Roberts, Alison.  "Turners Best Equals the Worst,"  The Times,  November 24, 1993. pp.1-3. 
Ellison, Mike.  "Cadillac Terrorists Carve Up Sculpture,"  The Guardian,  November 24, 1993. p.1. 
Graham-Dixon, Andrew.  "I Don't Know Much About Art, But I Know What I Hate,"  The Independent,  November 24, 1993. p.26. 
"Sculptor Wins Prize for Rooms of Concrete,"  San Francisco Chronicle,  November 24, 1993. p.E5. 
Cooper, Tim.  "The Turner Prize Winner and My Night With the Art Terrorist,"  The Evening Standard,  November 24, 1993. p.13. 
Sudjic, Deyan.  "From Bauhaus to that House,"  The Guardian,  November 25, 1993. p.27. 
Cooper, Tim.  "Who Failed the 1,600 Pounds Art Test?,"  The Evening Standard,  November 25, 1993.
Lister, David.  "Money to Burn in Eccentric Cause,"  The Independent,  November 24, 1993. p.3. 
Brookes, Peter.  "Cartoon,"  The Daily Telegraph,  November 26, 1993. p.20. 
Banx,  "Cartoon,"  The Financial Times,  November 25, 1993.
Garland,  "Cartoon,"  The Times,  November 25, 1993. p.16. 
Jak,  "Cartoon,"  The Evening Standard,  November 25, 1993.
Flounders, Eric.  "Time Table for Bow Sculpture,"  The Independent,  November 25, 1993. p.19. 
GT,  "Is es Kunst?,"  Frankfurter Allgemeine Zeitung,  November 26, 1993. p.33. 
Meschede, Friedrich.  "Die Bauform der Erinnerung,"  Die Tageszeitung,  November 27, 1993. p.19. 
Mills, David.  "A Conspiracy of Theorists,"  The Sunday Times,  November 28, 1993. pp.9-14. 
Exnr, Julian.  "Das Meisterwerk Wird Abgerissem,"  Tagespiegel,  November 28, 1993. p.17. 
Allthorpe-Guyton, Marjorie.  "Monumental Art,"  The Independent,  November 29, 1993. p.13. 
Smith, Roberta.  "The Best of Sculptors, the Worst of Sculptors,"  The New York Times,  November 30, 1993. p.C15-C16. 
Lingwood, James.  "Private Prejudice, Public Interest and Bow's 'House',"  The Independent,  November 30, 1993. p.17. 
Shone, Richard.  "Letter,"  The Independent,  November 30, 1993. p.17. 
Caro, Anthony.  "'House' Raises Questions of Art,"  The Independent,  December 1, 1993. p.32. 
Forster, Peter.  "Letter,"  The Independent,  December 1, 1993. p.32. 
Daley, Michael.  "Letter,"  The Independent,  December 1, 1993. p.32. 
"The Wad Couple,"  New Musical Express,  December 4, 1993. p.3. 
B, E.  "London Lockt,"  Kolner Stadtamzeiger,  December 4-5, 1993.
Barber, Lynn.  "House Calls,"  The Sunday Times,  December 5, 1993. p.2. 
Torode, John.  "'Streetfighter' Aims to Bring 'House' Down,"  The Independent,  December 5, 1993. p.5. 
Lester, Alfred.  "Letter,"  The Independent,  December 6, 1993. p.17. 
Herbert, Susannah.  "Wanted: 150 Absailing Window Cleaners,"  The Daily Telegraph,  December 6, 1993. p.13. 
Gale, Ian.  "The Most Hated Man in British Art,"  The Indepedent,  December 10, 1993. p.23. 
Serota, Nicholas.  "Pseuds Corner,"  Private Eye,  December, 1993.
"U-Turner Prize Brian R. Sewell,"  Private Eye,  Decemebr, 1993.
Hornblower, Margot.  "Wot for? Why Not?,"  Time International Magazine,  December 13, 1993. p.52. 
"I Know About Art and I Know What I Like,"  The Independent,  December 21, 1993. p.21. 
"Ghost Story,"  Il Giornale dell'Arte,  No.117, December, 1993.
Lister, David.  "The Choice is Yours,"  Modern Papers,  December, 1993. p.10. 
Pietsch, Hans.  "Im Versiegelten Sarkophag ruhen Die Errinerung,"  Art Magazine,  December, 1993. p.153. 
"Turner Prize 1993,"  Tate Magazine,  Vol.1, No.1, Winter, 1993. pp.48-51. 
Rainbird, Sean.  "Patrons of New Art: A Decade of Collecting,"  Tate Magazine,  Vol.1, No.1, Winter, 1993. pp.M6-M7. 
Jenkins, Simon.  "Art House in a Cul-de-Sac,"  Modern Painters,  Winter, 1993. p.11. 
Burn, Gordon.  "Why so Hard To Swallow?,"  The Independent,  November 10, 1993. p. 21. 
Cooper, Tim.  "Bizarre night as 60,000 pounds sculpture is best of worst,"  The Guardian,  November 24, 1993. p. 3. 
Wheleer, Colin.  "Cartoon,"  The Independent,  November 3, 1993. p. 1. 
Letts, Quentin.  "Art World: A Blue Language Period,"  The Daily Telegraph,  January 5, 1994. p.19. 
Kent, Sarah.  "Patron Saints,"  Time Out,  No.1220, January 5-12, 1994. p.40. 
"Burn This,"  New York Post,  January 6, 1994. p.6. 
"New Faces for the New Year,"  Newsweek,  January 10, 1994. pp.60-63. 
Postlewaite, Jeff.  "Coming Down, that Infamous Work of Art,"  The Evening Standard,  Janaury 11, 1994. p.17. 
Cartoon, Matt.  The Daily Telegraph,  Janaury 12, 1994. p.1. 
Fenton, Ben.  "Demolition Man Breaks Prize-Winner's Art,"  The Daily Telegraph,  January 12, 1994. p.8. 
Graham-Dixon, Andrew.  "Artkess Earthmover Finally Brings 'House' Down,"  The Independent,  January 12, 1994. p.8. 
Ellison, Mike.  "Digger's Quick Work Brings the House Down,"  The Guardian,  January 12, 1994. p.20. 
"The House that Rachel Built Comes Tumbling Down,"  Daily Express,  January 12, 1994. p.5. 
Roberts, Allison.  "Best and Worst of Art Bites the Dust,"  The Times,  January 12, 1994. p.5. 
Withers, Jane.  "La Casa Fossile,"  Casa Vogue,  No.258, Janaury, 1994. pp.118-119. 
Bonami, Francesco.  "Unfair-Art Cologne- Saatchi Collection,"  Flash Art,  No.174, January-February, 1994. p.51. 
Choon, Angela.  "Young British Artists,"  Art & Auction,  April, 1994. pp.56-63. 
Smith, Roberta.  "Space is Space for Women's Work at the Modern,"  The New York Times,  June 24, 1994. p.C26. 
Kastner, Jeffrey.  "Bad Housekeeping,"  ARTnews,  February, 1994. p.47. 
Bailey, Martin.  "Seriously Subversive Art: Real Banknotes,"  The Art Newspaper,  Vol.6, No.1, February, 1994. pp.10-11. 
Levin, Kim.  "Listings: Sense and Sensibility,"  The Village Voice,  July 5, 1994. p.67. 
MacSweeney, Eve.  "Watch This Space,"  British Vogue,  May, 1994. pp.57-58. 
Eshun, Ekow.  "Without Walls,"  The Face,  No.68, May, 1994. pp.57-72. 
Buck, Louisa.  "Casting About,"  Harper's Bazaar,  June, 1994. pp.57-58. 
Hess, Elizabeth.  "Minimal Women,"  The Village Voice,  July 5, 1994. p.91. 
Odling-Smee, James.  "Refreshing the Arts,"  Art Monthly,  No.178, July-August, 1994. pp.20-23. 
Green, Lynne.  "Editorial,"  Contemporary Art Magazine,  Vol.2, No.3, 1994. pp.3-4. 
Jones, Ronald.  "Sense and Sensibility: Women Artists and Minimalism in the 90's: The Museum of Modern Art, New York,"  Frieze,  Issue 18, September-October, 1994. pp.59-60. 
Avgikos, Jan.  "Focus: 'Sense and Sensibility', Museum of Modern Art, New York,"  Artforum,  October, 1994. pp.98-99. 
"Artist's Project,"  Parkett,  No.42, December 25, 1994. pp.112-113. 
Schmitz, Rudolf.  "The Curbed Monumentality of the Invisble,"  Parkett,  No.42, December, 1994. pp.96-103. 
Watney, Simon.  "About the HOUSE,"  Parkett,  No.42, December, 1994. pp.104-111. 
"Tate Galelry Biennial Report 1992-1994,"  Tate Gallery Publications,  1994. p.24. 
Joseph, Francis.  "Hostility House,"  The Evening Standard,  January, 1994.
Kimmelman, Michael.  "Turning Things Inside Out,"  The New York Times,  February 5, 1995. pp.1, 35. 
Colman, David.  "Art: Short Takes,"  Vogue,  February, 1995. p.154. 
Rice, Robin.  "Opposites Attract,"  Philadelphia City Paper,  February 10, 1995. p.19. 
Lemiere, Nicole.  "Two New Controversial Art Exhibits to Open ICA,"  The Daily Pennsylvanian,  February 3, 1995. pp.1-7. 
Saunder, Jennifer.  "Exhibtions Explore Darker Sides of Space & Humanity,"  The Compass,  February 10, 1995.
Sozanski, Edward.  "Artists at the ICA,"  The Philadelphia Inquirer,  February, 1995.
Morgan, Stuart.  "Ango-Saxon Attitudes,"  Frieze,  March-April, 1995. p.7. 
Picasso, Sydney.  "Scupltur de Temps,"  Vogue (Paris),  April, 1995. pp.60-61. 
Currah, Marc.  "Five Rooms at Anthony d'Offay,"  Time Out,  No.1288, April 26-May3, 1995. p.50. 
Graham-Dixon, Andrew.  "The British Art Buzz,"  Vogue,  June, 1995. pp.118-123. 
Silver, Joanne.  "Filling in the Blanks,"  The Boston Herald,  May 12, 1995. p.S22. 
"At the ICA, Rooms with a View- of the Soul,"  The Boston Globe,  May 12, 1995. p.62. 
Freierman, Shelly.  "Solidified Space,"  Metropolis,  May, 1995.
Schafran, Kirby.  "Breaking the Mold...by Making a New Mold,"  Interview,  June, 1995. p.36. 
Princenthal, Nancy.  "All that is Solid,"  Art in America,  July, 1995. pp.52-7. 
Jackson, Kevin.  "The Colours of Money,"  Arena,  Summer, 1995. pp.64-69. 
King, Carol.  "Not One Drop of British Reserve,"  The New York Times,  October 22, 1995. pp.45-46. 
Smith, Roberta.  "No Muss, No Fuss at 1995 Carnegie,"  The New York Times,  November 8, 1995. pp.C13, C15. 
Smith, Roberta.  "Some British Moderns Seeking to Shock,"  The New York Times,  November 23, 1995. pp.C11, C14. 
Tomkins, Calvin.  "London Calling,"  The New Yorker,  December 11, 1995. pp.115-117. 
Kastner, Jeffrey.  "Brilliant?,"  Art Monthly,  No.192, December-January, 1995. pp.10-15. 
Morrissey, Simon.  "Intangible Beauty of Negative Space,"  Building Design,  June 9, 1995.
Henri, Adrian.  "Art From a Young Star Defies the Trend Towards Anarchy,"  Daily Post,  September, 1996.
Newson, Felicity.  "Art of the Matter,"  Liverpool Echo,  September, 1996.
Vander Weyer, Martin.  "Monumental Pleasures,"  The Daily Telegraph,  September 13, 1996.
Cork, Richard.  "The Sculptures that Broke the Mould,"  The Times,  September 17, 1996.
Searle, Adrian.  "World Interiors,"  The Guardian,  September 17, 1996.
Garner, Lesley.  "The Well-hung Crowd-puller,"  Daily Express,  September 20, 1996.
Januszczak, Wademar.  "Watch These Spaces,"  The Sunday Times,  September 22, 1996.
Hilton, Tim.  "Of Innoncence and Experience,"  Independent on Sunday,  September 22, 1996.
Packer, William.  "The Ghosts of Lives Past,"  Financial Times,  September 24, 1996.
Dorment, Richard.  "Accentuating he Negative,"  Telegraph,  September 25, 1996.
Millard, Rosie.  "Casting Around for Ideas,"  Art Review,  October, 1996.
Graham-Dixon, Andrew.  "Conjuring Art Out of Thin Air,"  The Independent,  October 1, 1996.
Traynor, Ian.  "Vienna Unearths its Jewish Guilt,"  The Observer,  October 6, 1996.
Lambirth, Andrew.  "Solid Space,"  The Spectator,  October 12, 1996.
Thistlewood, David.  "Losing Details, Winning Monuments,"  The Times,  October 18, 1996.
Hensher, Philip.  "A Grand Parade of Lifeless Packaging,"  Mail on Sunday,  October 27, 1996.
Popham, Peter.  "An Artist Cast into Controversy,"  The Independent,  November 2, 1996.
Boseley, Sarah.  "Art World Rocked by 'Bloody Divorce',"  The Guardian,  November 5, 1996.
Leonard, Tom.  "Gallery Money at the Root of Artistic Divorce,"  The Daily Telegraph,  November 6, 1996.
Waddington, Leslie.  "Is There Genius On Our Doorstep?,"  The Daily Telegraph,  November 25, 1996.
Phillips, Patricia.  "Making Memories,"  Sculpture,  March, 1996. pp.22-27. 
Bradley, Jessica.  C International Contemporary Art,  Summer, 1996. p.32. 
Carrier, David.  "Carnegie International,"  Artforum International,  January, 1996. p.88. 
"New Miami MOCA,"  Art in America,  January, 1996.
"City Focus: Miami/South Florida,"  ARTnews,  January, 1996.
Dannatt, Adrian.  "Brilliant,"  Flash Art,  No.186, Janaury-February, 1996. pp.96-97. 
"Miami Defines the Nineties,"  Flash Art,  No.186, January-February, 1996.
Smith, Roberta.  "Handmade Readymades,"  The New York Times,  March 1, 1996. p.20. 
Rimanelli, David.  "Art on the Beach,"  Elle,  March, 1996.
Jackson, Kevin.  "Brit Pop Art,"  Arena,  April, 1996. pp.60-66. 
Tait, Simon.  "Tailors of the Unexpected,"  The Times,  April 1, 1996. p.12. 
"Winner Takes All,"  Art Monthy,  April, 1996. p.19. 
"Blast, 90s Style,"  The Print Collector's Newsletter,  Vol.XXVVII, No.2, May-June, 1996. p.57. 
Phillips, Christopher.  "Front Page,"  Art in America,  March, 1996. p.29. 
Kimmelman, Michael.  "Art in Review,"  The New York Times,  May 17, 1996. p.C24. 
Schmerler, Sarah.  "Inner Space,"  Time Out New York,  No.35, May 22-29, 1996. p.29. 
Camhi, Leslie.  "House Wares,"  The Village Voice,  Vol.XLI, No.22, May 28, 1996. pp.91-92. 
"London Calling,"  New York Magazine,  May 13, 1996. p.47. 
Klawans, Stuart.  Daily News,  June 15, 1996. p.30. 
Long, Andrew.  "Review of One Person Exhibition,"  The New Yorker,  June 3, 1996. p.20. 
Anfam, David.  "Review of One Person Exhibition,"  Burlington Magazine,  August, 1996. pp.565-566. 
Liotta, Christine.  "Review of One Person Exhibition,"  Sculpture,  September, 1996. p.65. 
Anfam, David.  "New York Early Summer Exhibitions,"  Burlington Magazine,  August, 1996.
Kimmelman, Michael.  "How Public Art Turns Political,"  The New York Times,  October 28, 1996.
Barber, Lynn.  "In a Private World of Interiors,"  The Observer,  1996.
Gayer, John.  C International Contemporary Art,  Fall, 1996. p.38. 
Frankel, David.  "Shadows Cast,"  Artforum,  December, 1997. p.97. 
"Watch As the Work Goes on Around You,"  Daily Post,  September 6, 1997.
Jackson, Tina.  "Space Invader,"  Big Issue,  September 9-15, 1997.
Smith, Roberta.  "Another Venice Biennale Shuffles to Life,"  The New York Times,  June 16, 1997. pp.B1, B2. 
Knight, Christopher.  "Beguiled by 'Longing and Memory',"  Los Angles Times,  June 7, 1997. pp.F1, F14. 
Lister, David.  "When the Art World Painted the City of Dreams Bright Red,"  The Independent,  June 16, 1997. p.20. 
"News...In Brief,"  ARTnews,  September, 1997. p.60. 
Vetrocq, Marcia E.  "The 1997 Venice Biennale: A Space Odyssey,"  Art in America,  September, 1997. pp.66-77, 121. 
Saltz, Jerry.  "Merry-Go-Round,"  Flash Art,  October, 1997. pp.84-87. 
Darling, Michael.  "The Baggage of Time,"  LA Weekly,  June 20-26, 1997. p.57. 
McKenna, Kristine.  "The Contemporary Not Temporary at LACMA,"  Los Angeles Times,  June 7, 1997. p.F15. 
Slyce, John.  "Sensation,"  Flash Art,  vol.xxx, no.197, November/December, 1997. pp.106-107. 
"News Briefs,"  New Art Examiner,  Novemebr, 1997. p.14. 
Cotter, Holland.  "Ideas from the Air, Wrapped in Paper,"  The New York Times,  December 19, 1997. p.E39. 
Riding, Alan.  "No Sexism, Please; They're British,"  The New York Times,  December 29, 1997. p.E1, E10. 
Shone, Richard.  "Eyes on the Skies,"  Artforum,  January, 1998. p.34. 
Vogel, Carol.  "A Water Tower for Peace,"  The New York Times,  January 13, 1998. p.E34. 
C International Contemporary Art,  Issue #57, February-April, 1998. pp.10-11. 
Barrett, David.  Art/text Magazine,  February-April, 1998. pp.93-94. 
Kastner, Jeffrey.  "A Compromise for Vienna's Holocaust Memorial,"  ARTnews,  April, 1998. p.88. 
Loffler, Sigrid.  "Judenplatz,"  Die Zeit,  March 12, 1998. p.45. 
"Save the Date!,"  The Quarterly Newsletter of the Public Art Fund Inc,  Volume 6, #3, Spring, 1998. p.4. 
Ducci, Carlo.  "Inspiration Stories,"  Italian Vogue,  December, 1998. pp.294-299. 
Heartney, Eleanor.  "The Return of the Red-Brick Alternative,"  Art in America,  January, 1998. pp.57-66. 
MacSweeney, Eve.  "Watch this Space...,"  Harper's Bazaar,  May, 1998. p.22. 
Jones, Jonathan.  The Independent,  February 11, 1998.
Dault, Gary Michael.  "The Deafening Silence of the Past Given Voice in Art,"  The Globe and Mail,  April 18, 1998. p.C17. 
Cosper, David.  "Casting New York,"  Metropolis,  June, 1998. pp.98-100, 109. 
Viso, Olga.  "90's to the Nines,"  Art Papers,  May-June, 1998. p.16. 
Vogel, Carol.  "SoHo Site Specific: ON the Roof,"  The New York Times,  June 11, 1998. pp.1, 4. 
Carr, C.  "Going Up in Public,"  The Village Voice,  June 23, 1998. p.72. 
Glueck, Grace.  "For Art, Too, A Summer in the Sun,"  The New York Times,  August 21, 1998. pp.35-37. 
Smith, Roberta.  "Critic's Notebook: The Ghosts of SoHO,"  The New York Times,  August 27, 1998. pp.E1-E2. 
Lessard, Suzannah.  "People Are Talking About Art,"  Vogue,  September, 1998. pp.418, 424. 
Saltz, Jerry.  "An Ideal Syllabus,"  Frieze,  Issue 43, November-December, 1998.
Sumpter, Helen.  Evening Standard,  October 29, 1998.
Evening Standard,  October 29, 1998.
Homes, A.M.  "The Best of 1998,"  Artforum,  pp.104-105, Deecember, 1998.
Kino, Carol.  "Cutting Edge but Comfy,"  The Atlantic Monthly,  November, 1998. pp.125-131. 
Kino, Carol.  "Up on the Roof,"  Time Out New York,  June 4-11, 1998. pp.67-78. 
Shave, Stuart.  "The Rachel Papers,"  ID Magazine,  Decemebr, 1998.
Pollack, Barbara.  "Leaping off the Pedestal,"  ARTnews,  June, 1998. pp.106-110. 
Higgie, Jennifer.  "Vacant Lot,"  Frieze,  January/February, 1999. p.36. 
Godfrey, Tony.  Burlington Magazine,  January, 1999.
Cork, Richard.  "Cast Out of Sad Money,"  The Times,  January 5, 1999.
Storr, Robert.  "Remainds of the Day,"  Art in America,  April, 1999. pp.104-109, 154. 
Paparoni, Demetrio.  "In Evidenza,"  Tema Celeste,  March-April, 1999. p.79. 
Marella, Giovanni.  "Aste e Mercato; Christie's Vende Saatchi, Damien Hirst e Rachel Whiteread,"  Tema Celeste,  March-April, 1999. pp.106-107. 
Burton, Jane.  "Concrete Poetry,"  ARTnews,  May, 1999. pp.154-157. 
Kotik, Charlotta.  "Inside Out,"  ARTnews,  May, 1999. p.129. 
Sylvester, David.  "Carving Space,"  Tate Magazine,  Issue 17, Spring, 1999. pp.40-44. 
Hoge, Warren.  "Plinth Seeks Occupant. Nelson Will Be Neighbor.,"  The New York Times,  August 19, 1999.
Collings, Matthew.  "Rabble Rousing,"  Vogue,  October, 1999. pp.219, 224-225. 
Yablonsky, Linda.  "Shit Happens,"  Time Out New York,  October 14-21, 1999. p.65. 
Saltz, Jerry.  "Material Girl,"  The Village Voice,  November 16, 1999. p.79. 
Saltz, Jerry.  "Casting Call,"  Artnet.com,  November 15, 1999.
Johnson, Ken.  The New York Times,  Novembe 19, 1999. p.E41. 
Zinnew, Harriet.  "Kiki Smith and Rachel Whiteread,"  NY Arts,  Vol.4, No.12, 1999. p.27. 
Yu, San-San.  Art China,  December, 1999. pp.193-194. 
Bevan, Roger.  "Good Housekeeping?,"  Art & Auction,  November 30-December 13, 1999. pp.46-49. 
Wilkin, Karen.  "At the Galleries,"  Partisan Review,  No.1, Winter, 2000. pp.143-154. 
Sirmans, Franklin.  "Review: Untitled Sculpture,"  Time Out New York,  February 1-17, 2000. p.69. 
Weil, Rex.  "Review: Untitled Sculpture,"  ARTnews,  May, 2000. pp.229-230. 
Rubenstein, Rachel.  "Two Mexican Poems (after Manuel Rodrigez Lozano),"  Lacanian Ink 16: Body Politic,  Spring, 2000.
Vogel, Carol.  "Inside Art,"  The New York Times,  October 20, 2000.
Dormenr, Richard.  "A Brutal Fact of Life in the City of Dreams,"  The Daily Telegraph,  October 27, 2000. p.26. 
Kimmelman, Michael.  "Behind Sealed Doors, Opening Up the Past,"  The New York Times,  October 30, 2000. pp.E1-E5. 
Rietveld, Josef.  "Judenplatz: Ort der Erinnerung,"  Chronik Wien,  Sunday 26, 2000. p.9. 
"Judenplatz Mahnmal-Museum,"  Perspektiven,  July 6, 2000.
"Rachel Whiteread in Trafalgar Square,"  Tema Celeste,  No.82, October-December, 2000. p.123. 
"Open Ends,"  The New York Times,  October 27, 2000. p.E39. 
Liebman, Lisa.  "Best of 2001,"  Artforum,  December, 2001. pp.96-97. 
"Creative White Space,"  The Scotsman,  October 2, 2001. pp.8-9. 
Mahoney, Elisabeth.  "Obsessed by the Housework,"  Sunday Times,  September 30, 2001.
Morton, Brian.  "Top of the Form,"  Sunday Herald,  September 30, 2001.
Jeffrey, Moira.  "Artist at the Heart of the Matter,"  The Herald,  September 28, 2001.
McDermott, Leon.  "All that is Solid,"  The Big Issue Is Scotland,  September 27-October 3, 2001.
Rudden, Liam.  "Casting a Very Different Light on the World,"  Edinburgh News,  September 28, 2001.
Macmillan, Duncan.  "Copy Cast,"  Business A.M.,  Octoebr 5, 2001.
Monagha, Helen.  "Casting Agent,"  The List,  September 20-October 4, 2001.
Reardon, John.  "Someday, My Plinth Will Come,"  The Observer Magazine,  May 27, 2001.
Kennedy, Maev.  "Acclaim Greets Trafalgar Square Sculpture,"  The Guardian,  June 5, 2001.
Bishop, Claire.  "Cool Steps to Star Status,"  The Evening Standard,  June 26, 2001.
Smith, Roberta.  "Quick as a Shutter, Group Shows Shatter Conventional Wisdom,"  The New York Times,  July 6, 2001. p.E32. 
Bork, Gregory.  "Book Report,"  Artnet.com,  April 22, 2001.
Billetin. Scottish National Gallery of Modern Art,  2001. p. 8. 
Cvoros, Uros.  "The Present Body, The Absent Body, and The Formless,"  Art Journal,  Volume 61, No.4, Winter, 2002. pp.54-63. 
"The Art of Honoring the Dead,"  Newsweek,  September 11, 2002. p.60. 
Schaffner, Ingrid.  "The Unphotographable. Notes on Photography and Dust,"  Art on Paper,  March-April, 2002. pp.58-63. 
Halle, Howard.  "Gost in the Machine,"  Time Out New York,  March 21-28, 2002. pp.82-83. 
Ryesky, Helene.  "Photographic Concepts and Contemporary Art at ICA,"  Art Matters,  April, 2002.
Sozanski, Edward J.  "A Puzzle and Provocation,"  The Philadelphia Inquirer,  March 10, 2002.
Jinyang, Kim.  "Could Momuments Replace Past Memories?,"  Haute,  November, 2002. pp. 096-7. 
Craig, Patsy.  "Making Art Work,"  Trolley,  Fall, 2003. pp.48-49. 
Menin, Samuele.  "Sculpture Forever,"  Flash Art,  May-June, 2003. p.129. 
Mar, Alex.  The New York Sun,  March 20, 2003. p.15. 
"Goings on About Town,"  The New Yorker,  March 17, 2003. p.42. 
Landi, Ann.  "Who Are the Great Women Artists?,"  ARTnews,  March, 2003. pp.94-97. 
E, B.  "Days like these: Tate triennal of contemporary British Art 2003, Tate Britain,"  The Art Newspaper,  No.133, February, 2003. p.13. 
Younge, Gary.  "Much Ado About Nothing,"  Art Paper,  January/February, 2003. pp.16-21. 
Kim, Jinyang.  "Could Monuments Replace Past Memories?,"  Haute,  November, 2003. pp.96-97. 
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Kyriacou, Sotiris.  "Previews,"  Contemporary,  Speacial Issue no. 47/48, 2003. p. 40. 
Vogel, Carol.  "Wandering Room Finds a Home,"  The New York Times,  October 15, 2004. p.E31. 
Chemokhud Doty, Olga.  "What is a House?,"  NY Arts Berliner Kunst,  July/August, 2004. p.82. 
Baker, Kenneth.  "Touching the void- empty spaces are artist's blank slate,"  The San Francisco Chronicle,  May 6, 2004. pp.E1, E12. 
Lyall, Sarah.  "Pangs of Loss to Arts World After Fire,"  The New York Times,  May 28, 2004. pp. E29, E32. 
Pollack, Barbara.  "Art Basel. Roland Augustine,"  Art & Auction,  June, 2004. p.72. 
Buck, Louisa.  "How The Shark Got Pickled,"  The Art Newspaper,  No.144, February, 2004. p.31. 
"Making Art Work: The Mike Smith Studio,"  Trolley,  Spring, 2004.
"Culture Club,"  Art & Auction,  February, 2004.
"The White Stuff,"  The New York Times,  February 29, 2004. pp.26-27. 
Cypriano, Fabio.  "Folha Illustrada,"  Folha de Sao Paolo,  March 17, 2004. p. E1. 
Cork, Richard.  "Breaking the Ice,"  Art Review (Special Supplement),  vol. LVII, October, 2005. pp. 4-7. 
Farley, Paul.  "A World Turned Inside Out,"  Art Review (Special Supplement),  vol. LVII, October, 2005. pp. 8-11. 
Christen, Michael.  "Die Greifbare Leere,"  Schweriner Volkszeitung,  November 11, 2005. p. 5. 
Christen, Michael.  "Schwieriges Terrain,"  Schweriner Volkszeitung,  October, 2005. p. 10. 
Erichsen, Karin.  "Die Luft jenseits der Dinge,"  Schweriner Volkzeitung,  Vol. 5, December 19, 2005. p. 7. 
"Luftraum der Dinge,"  Veranstaltungmagazin der SVZ,  September, 2005.
"Rachel Whiteread im Museum,"  Schweriner Express,  December 7, 2005. p. 11. 
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Whiteread, Rachel.  "Play Plax (Another Thing I Wanted to Say),"  Another Magazine,  Spring-Summer, 2006. p. 94. 
Bumpus, Judith.  "Rachel Whiteread reveals the songs that inspire her,"  THE ART NEWSPAPER,  No. 168, April, 2006. p. 42. 
Kuspit, Donald.  "Rachel Whiteread: Luhring Augustine,"  ARTFORUM,  May, 2006. p. 289. 
Charlesworth, J.J.  "The Game of Power,"  Art Review,  p. 62, November, 2006.
Guillemot, Michel.  "L'Art Moderne et Contemporain,"  Larousse,  2006. p. 260, 294. 
Jones, Jonathan.  "Into the White,"  The Guardian,  December 18, 2006.
Nochlin, Linda.  "Bathtub Reading,"  ArtNews,  Vol 105, No. 8, September, 2006. p. 110. 
Rosenbaum, Sarah.  "In situ: Water Tower de Rachel Whiteread,"  LES CAHIERS du Musée national d'art moderne 96, Centre Pompidou magazine,  2006. pp. 30-55. 
Self, Will.  "Art for fiction's sake,"  TATE ETC.,  Issue 8, Autumn, 2006. p. 84. 
Solomon, Deborah.  "Space Invader,"  The New York Times Style Magazine,  2006. pp. 132-133, 152. 
Ruiz, Christina.  "Revealed: where the Sensation art is now,"  The Art Newspaper,  October, 2006. pp. 36-40. 
"The Art of Chess at Gary Tatintsian Gallery, Inc.,"  Moscow: Tatintsian Gallery in co, 2006.
Akbar, Afrifa.  "Tate admits need to buy more work by women artists,"  The Independent,  March 26, 2007.
Macdam, Barbara A.  "Where the Great Women Artists Are Now,"  ArtNews,  Vol 106, No. 2, February, 2007. p. 116. 
"On the Town,"  Art Review,  Issue 09, March, 2007. p. 156. 
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Hirsch, Annabelle, et al.  "States of Matter: Sculptural sublimations in a state of flux,"  Sleek Magazine,  Issue 14, Spring, 2007. pp. 107-108. 
Madoff, Steven Henry.  "No True North,"  Art & Auction,  September, 2007. p. 96. 
Pitcher, Cheri.  "Profile: Fine Arts. Rachel Whiteread,"  Creative Quarterly, Summer, 2007. pp. 8-13. 
Roberts, Bryony.  "Art About Architecture,"  artkrush.com,  Vol. 67, September, 2007.
Whiteread, Rachel.  "Production Notes,"  Artforum,  Vol. XLVI, No. 2, October, 2007. p. 341. 
Rosenblum, Charles.  "Rachel Whiteread, an Artist Whose Work Critiques the Built Environment, is Set to Lecture at the Carnegie,"  Pittsburgh City Paper,  November 1, 2007.
"Hirst, Hockney, Emin Join Petition Condemning British Council,"  Artforum,  January 14, 2008.
"Short List Revealed for Ebbsfleet's Public Art Commission,"  Artforum.com,  January 28, 2008.
Kugel, Seth.  "Curators Point the Way to Hidden Treasures,"  New York Times,  April 27, 2008.
Sholis, Brian.  "Rachel Whiteread Drawings,"  Artforum,  XLVIII, no. 5, January, 2010.
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