Gale, Ian.
"Broken English,"
The Independent,
August 13, 1991.
p.13.
Collings, Matthew.
"New Contemporaries at the ICA and Broken English at the Serpentine Gallery,"
City Limits,
No.515, August 15-22, 1991.
p.18.
Kent, Sarah.
"Breaking Ground,"
Time Out,
No.1095, August 14-21, 1991.
p.39.
Hilton, Tim.
"Composition with Old Hat,"
The Guardian,
August 14, 1991.
p.30.
Collings, Matthew.
"The Turner Prize at the Tate Gallery and We've Lots ET but the Boy's Coming Back at karsten Schubert Ltd,"
City Limits,
No.529, November 21-28, 1991.
Auty, Giles.
"The Cringe Before the Binge,"
The Spectator,
November 16, 1991.
pp.57-8.
Allthorpe-Guyton, Marjorie.
"Made in Heaven: The 1991 Turner Prize,"
Artscribe,
No.89, November/December, 1991.
p.15.
Graham-Dixon, Andrew.
"Je M'accuse,"
The Independent,
November 26, 1991.
p.16.
Hilton, Tim.
"The 20,000 Pound Game of Charades,"
The Guardian,
November 26, 1991.
p.34.
Packer, William.
"The Changing Expectations of the Turner Prize,"
The Financial Times,
November 26, 1991.
p.19.
Rainbird, Sean.
"The Turner Prize 1991,"
Patrons New Art Newsletter,
No.14, Winter, 1991.
p.2.
Lister, David.
"Art Prize Launched into Illusory Space,"
The Independent,
November 27, 1991.
Bruce, Rory Knight.
"Lashings of Champagne and Streams of Consciousness,"
The Evening Standard,
November 27, 1991.
p.19.
"The Returns on the Turner Prize,"
Art Monthly,
No.152, December/January, 1991.
p.2.
Norman, Geraldine.
"Art for Art's Sake Not for Youth's Sake,"
The Independent,
January 4, 1992.
p.39.
Larson, Kay.
"Of Dogs and Man,"
New York,
Vol.25, No.6, February 10, 1992.
pp.54-55.
Feaver, William.
"Once More with Feeling,"
The Observer,
February 23, 1992.
p.57.
Lyttelton, Celia.
"Young British Artists,"
Galeries Magazine,
April/May, 1992.
p.123.
Pendleton, Ian.
"Just When You Thought It Was Safe...,"
Esquire Magazine,
June, 1992.
p.22.
Miller, Charles.
"On the Road to Kassel,"
Artforum,
Summer, 1992.
p.82.
Graham-Dixon, Andrew.
"A Marathon of Mediocrity,"
The Independent,
June 16, 1992.
p.16.
Smith, Roberta.
"A Small Show Within An Enormous One,"
The New York Times,
June 22, 1992.
p.C13.
Heller, Robert.
"Report on the 1991-92 PNA Acquisitions Sub-Committee,"
Patrons New Art Newsletter,
No.15, Summer, 1992.
Saltz, Jerry.
"Lufthansa Was Half the Fun,"
Galeries,
No.49, August-September, 1992.
pp.77-79, 88.
Madoff, Steven H.
"Documenta IX: More Is A Mess,"
ARTnews,
September, 1992.
pp.129-131.
Smith, Roberta.
"A Young Group from Britain,"
The New York Times,
October 16, 1992.
"Oh You Prety Things...The Loss of the Goldsmiths Touch,"
Casablanca,
Vol.1, No.1, October, 1992.
pp.24-25.
Schenk-Sorge, Jutta.
"Zwolf Junge Britische Kunstler: Stein Gladstone und Barbara Gladstone Gallery, New York,"
Kunstforum International,
Vol.120, November, 1992.
pp.397-398.
Kino, Carol.
"Young British Artists,"
Art & Antiques,
December, 1992.
p.82.
"Recent Acquisitions of Twentieth-Century Sculpture by British Museums,"
Burlington Magazine,
December, 1992.
pp.842-846.
Cameron, Dan.
"The Hassle in Kassel,"
Artforum,
September, 1992.
p.86.
Levin, Kim.
"Listings: Young British Artists,"
The Village Voice,
October 6, 1992.
p.75.
Moore, Susan.
"Around the Block: London: Young Brits Take Center Stage,"
Art & Auction,
October, 1992.
pp.26-8.
Schjeldhal, Peter.
"Twelve British Artists: Barbara Gladstone Gallery, NY,"
Frieze,
Issue 7, November, 1992.
p.45.
Adcock, Craig.
"Documenta IX,"
Tema Celeste,
Autumn, 1992.
pp.84-6.
Spector, Nancy.
"Art and Objecthood,"
Tema Celeste,
Autumn, 1992.
pp.72-79.
DiMichele, David.
"Report from London,"
Artspace,
December, 1992.
pp.94-95.
Helladsjo, Karin.
"In Site: New British Sculpture,"
Threshold,
No.9, January, 1993.
pp.11-20.
Cosemans, Catherine.
"Spookbeelden,"
De Witte Raaf,
No.41, January, 1993.
p.11.
Cosemans, Catherine.
"Pick of the Year,"
Arts Review Magazine,
Vol. XLV, January, 1993.
pp.18-19.
Krumpl, Doris.
"Totale Erinnerung,"
Der Standard,
January 8, 1993.
Niederle, Helmuth A.
"Kunstwerke Unterwegs,"
Die Furche,
January 14, 1993.
Van Giersbergen, Marieke.
"Het Spook Van de Herinnering,"
Archis,
February, 1993.
"Spatzunder: Doubletake- Austellung in Wien,"
Feuilleton,
February 19, 1993.
p.31.
Bijl, Herma.
"Britisk Skulptur I Tiden Ig Rommet,"
Vart Land,
February 3, 1993.
Muller, Hans-Joachim.
"Die Maus, Die Wacht,"
Die Zeit,
February 5, 1993.
p.37.
Morganstern, George.
"Titalende Utstilling Av Britisk Skulptur,"
Astenposten,
February 9, 1993.
Flor, Harald.
"Britisk Blanding,"
Dagblad,
February 11, 1993.
Serk, Peter.
"Materialenes Vesen,"
Klassenkampen,
March 18, 1993.
Kravagna, Christian.
"Doubletake, Collective Memory and Cuurent Art, Kunsthalle Vienna,"
Forum International,
No.17, March-April, 1993.
p.127.
Hansen, David.
"Territorial Pissings: The Biennale of Sydney,"
Art Monthly Australia,
March, 1993.
pp.22-23.
Poshyananda, Apinan.
"Guessing Game at Art Gala,"
Bankok Post,
Vol.XLVIII, No.35, February 4, 1993.
Section 3.
Lynn, Elwyn.
"Mind Over Mattresses,"
The Australian,
January 2-3, 1993.
Maloon, Terence.
"Art on the Boundary: An Interview with the Director of the Ninth Biennale of Sydney, Anthony Bond,"
Look Magazine,
December-January, 1993.
pp.12-13.
Wallace, Linda.
"Biennale: Beyond the Boundaries,"
Good Times,
December-February, 1993.
pp.87-8.
Hess, Elizabeth.
"Minimal Women,"
The Village Voice,
July 5, 1994.
p.91.
Odling-Smee, James.
"Refreshing the Arts,"
Art Monthly,
No.178, July-August, 1994.
pp.20-23.
Green, Lynne.
"Editorial,"
Contemporary Art Magazine,
Vol.2, No.3, 1994.
pp.3-4.
Jones, Ronald.
"Sense and Sensibility: Women Artists and Minimalism in the 90's: The Museum of Modern Art, New York,"
Frieze,
Issue 18, September-October, 1994.
pp.59-60.
Avgikos, Jan.
"Focus: 'Sense and Sensibility', Museum of Modern Art, New York,"
Artforum,
October, 1994.
pp.98-99.
"Artist's Project,"
Parkett,
No.42, December 25, 1994.
pp.112-113.
Schmitz, Rudolf.
"The Curbed Monumentality of the Invisble,"
Parkett,
No.42, December, 1994.
pp.96-103.
Watney, Simon.
"About the HOUSE,"
Parkett,
No.42, December, 1994.
pp.104-111.
Rosenbaum, Sarah.
"In situ: Water Tower de Rachel Whiteread,"
LES CAHIERS du Musée national d'art moderne 96, Centre Pompidou magazine,
2006.
pp. 30-55.
Self, Will.
"Art for fiction's sake,"
TATE ETC.,
Issue 8, Autumn, 2006.
p. 84.
Solomon, Deborah.
"Space Invader,"
The New York Times Style Magazine,
2006.
pp. 132-133, 152.
Ruiz, Christina.
"Revealed: where the Sensation art is now,"
The Art Newspaper,
October, 2006.
pp. 36-40.
"The Art of Chess at Gary Tatintsian Gallery, Inc.,"
Moscow: Tatintsian Gallery in co, 2006.
Akbar, Afrifa.
"Tate admits need to buy more work by women artists,"
The Independent,
March 26, 2007.
Macdam, Barbara A.
"Where the Great Women Artists Are Now,"
ArtNews,
Vol 106, No. 2, February, 2007.
p. 116.
"On the Town,"
Art Review,
Issue 09, March, 2007.
p. 156.
"Rachel Whiteread,"
NY Arts Magazine International,
Vol. 11, No. 11/12, 2007.
p. 224.
Hirsch, Annabelle, et al.
"States of Matter: Sculptural sublimations in a state of flux,"
Sleek Magazine,
Issue 14, Spring, 2007.
pp. 107-108.
Madoff, Steven Henry.
"No True North,"
Art & Auction,
September, 2007.
p. 96.
Pitcher, Cheri.
"Profile: Fine Arts. Rachel Whiteread,"
Creative Quarterly, Summer, 2007.
pp. 8-13.
Roberts, Bryony.
"Art About Architecture,"
artkrush.com,
Vol. 67, September, 2007.
Rosenblum, Charles.
"Rachel Whiteread, an Artist Whose Work Critiques the Built Environment, is Set to Lecture at the Carnegie,"
Pittsburgh City Paper,
November 1, 2007.
"Hirst, Hockney, Emin Join Petition Condemning British Council,"
Artforum,
January 14, 2008.
"Short List Revealed for Ebbsfleet's Public Art Commission,"
Artforum.com,
January 28, 2008.
Kugel, Seth.
"Curators Point the Way to Hidden Treasures,"
New York Times,
April 27, 2008.
 for the Esprit House.jpg)
