|
Crimp, Douglas.
"Pictures,"
Arts Magazine,
December, 1977.
|
 |
|
Henry, Gerrit.
"Pictures,"
Art News,
January, 1978.
|
|
|
Lawson, Thomas.
"'Pictures' at Artists Space,"
Art in America,
January/February, 1978.
|
|
|
Lawson, Thomas.
"The Uses of Representation: Making Some Distinctions,"
Flash Art,
March/April, 1979.
|
|
|
Crimp, Douglas.
"Pictures,"
October 8,
Spring, 1979.
|
|
|
Owens, Craig.
"The Allegorical Impulse: Toward a Theory of Postmodernism,"
October 12,
Spring, 1980.
|
|
|
Simon, Joan.
"Double Takes,"
Art in America,
October, 1980.
|
|
|
Siegel, Jeanne.
"Lois Lane and Robert Longo: Interpretation of Image,"
Arts Magazine,
November, 1980.
|
|
|
Crimp, Douglass.
"The Photographic Activity of Postmodernism,"
October 15,
Winter, 1980.
|
|
|
Ratcliff, Carter.
"Art Stars for the Eighties,"
Saturday Review,
February, 1981.
|
|
|
Blinderman, Barry.
"Robert Longo's 'Men in the Cities': Quotes and Commentary,"
Arts Magazine,
March, 1981.
|
|
|
Ratcliff, Carter.
"The Distractions of Theme,"
Art in America,
November, 1981.
|
|
|
Brooks, Rosetta.
"The Art Machine,"
ZG Magazine,
no.3, 1981.
p.81.
|
|
|
Kontova, Helena.
"From Performance to Painting,"
Flash Art,
February/March, 1981.
|
|
|
Banes, Sally.
"The Long and the Short of It,"
Village Voice,
May 18, 1982.
p.87.
|
|
|
Groot, Paul.
"Metro Pictures en Deutsche Angst,"
Museumjournal,
No. 27/3, 1982.
|
|
|
Ratcliff, Carter.
"Contemporary American Art,"
Flash Art,
Summer, 1982.
pp.32-35.
|
|
|
Ratcliff, Carter.
"Dali's Dreadful Relevance,"
Artforum,
October, 1982.
p.65.
|
|
|
Brooks, Rosetta.
"New York's Heroic City,"
1982.
pp.58-60.
|
|
|
Foster, Hal.
"New York Art: Seven Types of Ambiguity,"
1982.
pp.14-24.
|
|
|
Krauss, Rosalind.
"Reflecting on Post-Modernism,"
The Literary Review,
Brand New York special issue, 1982.
pp.54-57.
|
|
|
"Documenta 7 Ein Rundgang,"
Kunstforum,
September/October, 1982.
|
|
|
Glueck, Grace.
"Artists Who 'Scavange' from the Media,"
The New York Times,
January 9, 1983.
pp.29-30.
|
|
|
Smith, Roberta.
"Making Impressions,"
The Village Voice,
March 1, 1983.
|
|
|
Hughes, Robert.
"Three from the Image Machine,"
Time Magazine,
March 14, 1983.
pp.83-84.
|
|
|
Lippard, Lucy R.
"Cross-Country Music,"
The Village Voice,
March 8, 1983.
p.72.
|
|
|
Foster, Hal.
"The Art of Spectacle,"
Art in America,
April, 1983.
|
|
|
Bell, Jane.
"Biennial Directions,"
Art News,
June, 1983.
pp.76-82.
|
|
|
Brenson, Michael.
"Art: Apocalyptic Pop in Mixed Media Show,"
The New York Times,
May 4, 1984.
|
|
|
Smith, Roberta.
"Material Concerns,"
The Village Voice,
May 29, 1984.
p.85.
|
|
|
Marzorati, Gerald.
"Your Show of Shows,"
Art News,
September, 1984.
pp.62-65.
|
|
|
Millet, Catherine.
"A Propos de Quelques Artistes Americans,"
Art Press,
October, 1984.
pp.4-9.
|
|
|
Alhadeff, Gini.
"Arte Piu 'Moda,"
L'Uomo Vpgue,
October, 1984.
pp.390-1; 466.
|
|
|
Brenson, Michael.
"Human Figure Is Back in Unlikely Guise,"
The New York Times,
January 13, 1985.
pp.1; 29.
|
|
|
Hughes, Robert.
"Careerism and Hype Amidst the Image Haze,"
The New York Times Magazine,
June 17, 1985.
pp.78-83.
|
|
|
Ratcliff, Carter.
"David Byrne and the Modern Self: How Do I Work Time?,"
Artforum,
May, 1985.
pp.95-97.
|
|
|
Bromberg, Craig.
"Totally Style,"
East Village Eye,
May, 1985.
p.52.
|
|
|
Venant, Elizabeth.
"Rebel Expressions,"
Los Angeles Times,
April 28, 1985.
pp.3-7.
|
|
|
Perron, Wendy.
"The Structure of Seduction,"
The Village Voice,
May 28, 1985.
p.9.
|
|
|
Rose, Barbara.
"Art in Discoland,"
Vogue,
September, 1985.
pp.668-673; 747.
|
|
|
"In der Sprache der Gewalt,"
Art,
September, 1985.
pp.76-85.
|
|
|
Ratcliff, Carter.
"Urban Profit,"
Elle,
October, 1986.
pp.86; 88.
|
|
|
Hershkovits, David.
"Art Brats Grow Up,"
Paper,
1986.
|
|
|
Longo, Robert.
"New York City, The Imperial City,"
New York,
May, 1987.
p.4.
|
|
|
"Documenta 8,"
Art,
June, 1987.
pp.36-46.
|
|
|
"Documenta Special,"
Wolkenkratzer Art Journal,
June/July/August, 1987.
p.53.
|
|
|
Longo, Robert.
"Richard Price,"
Interview,
November, 1987.
pp.104-107.
|
|
|
Hershkovits, David.
"Just Like In the Movies,"
Paper,
October, 1987.
p.25.
|
|
|
Hershkovits, David.
"Taking Direct Action,"
Harpers Bazaar,
November, 1987.
|
|
|
Huntington, Richard.
"The Good, the Bad and the Ugly,"
ArtNews,
January, 1988.
p.9.
|
|
|
Semin, Didier.
"Pour la documenta a Champignac,"
Art Press,
May, 1988.
pp.30-33.
|
|
|
Benezra, Neal.
"Overstated Means/Understated Meaning,"
Smithsonian Studies in American Art,
Winter, 1988.
pp.19-31.
|
|
|
Mckenna, Kristina.
"In the Footsteps of Warhol: Avant Garde Artists Take a Look at the New Critically,"
Los Angeles Times,
May 7, 1989.
pp.90-92.
|
|
|
Taublin, Amy.
"MTV Gets a Buzz On,"
The Village Voice,
May 16, 1989.
p.53.
|
|
|
Drohojowska, Hunter.
"Pop Artist Provocateur,"
Bazaar Magazine,
September, 1989.
|
|
|
Drohojowska, Hunter.
"The '80's: Stop Making Sense,"
Artnews,
October, 1989.
pp.146-151.
|
|
|
Asada, Akira.
Marie Claire Japon,
October, 1989.
pp.399-404.
|
|
|
Sullivan, Dan.
"A Young Pro Who Knows His Technology,"
Los Angeles Times,
October 9, 1989.
pp.1-2.
|
|
|
Levin, Kim.
"Studio Visit,"
Mrabella,
October, 1989.
pp.50-51.
|
|
|
M.D.,
"The Galleries,"
Los Angeles Times,
October 6, 1989.
Part VI-17.
|
|
|
Kroll, Jack.
"Riding the Apocalypse-- 'Dream Jumbo': Working the Absolutes',"
Newsweek,
October 23, 1989.
p.80.
|
|
|
McNally, Owen.
"Monsters in the Gallery,"
The Hartford Courant,
June 8, 1990.
pp.B1; B5.
|
|
|
Chadwick, Susan.
"Superstar Artist Lives up to Hype in New Exhibition,"
Houston Post,
April 20, 1991.
pp.F1; F6.
|
|
|
Kindermann, Angelika.
"Nach dem K.O. kam die Karriere,"
Art,
November, 1991.
pp.146-147.
|
|
|
Kipphoff, Petra.
"50+38=2x heute,"
Die Zeit,
November 1, November 1, 1991.
p.68.
|
|
|
Weingarten, Susanne.
"Marie der Korrektheit- Faszination des Schreckens,"
Frankfurter Allgemeine Zeitung,
November 7, 1991.
p.35.
|
|
|
Galloway, David.
"Trivial Materials, Moral Themes,"
International Herald Tribune,
November 2, 1991.
|
|
|
"Amerika- kritisch gesehen,"
Hamburger Abendblatt,
October 26, 1991.
|
|
|
Voelckers, Armin.
"Gefuehl und Haerte,"
Prinz,
November, 1991.
p.132.
|
|
|
McKenna, Kristine.
"An Artist in Now a Director,"
Los Angeles Times,
June 27, 1992.
F1, F10.
|
|
|
Kayser, Beate.
"Macht Lucio Silla endlich Karriere?,"
TZ Muenchen,
December 16, 1992.
|
|
|
"When Heaven and Hell Change Places,"
Frankfurter Allgemeine Zeitung,
November 25, 1992.
p.37.
|
|
|
Harb, Karl.
"Stuecke nicht aktualisieren, sondern ihre Aktualiaet zeigen,"
Salzburger Nachrichten,
December 16, 1992.
|
|
|
"Riesen-Friedhof inder Galerie,"
Der Spiegel,
November 6, 1992.
|
|
|
"Stilles Mahnmal gegen den Krieg,"
ART,
January, 1993.
|
|
|
"Riesenkreuze aus Wachs,"
SuedWest Presse,
March 9, 1993.
|
|
|
Matebosch, Joan.
"Lucio Silla de Mozart, emblema del 'Nuevo Salzburg' de Mortier,"
ABC Cataluna,
January 29, 1993.
|
|
|
Roter, Sybil.
"Mozart hat mich gerufen,"
Musik and Theater,
March 3, 1993.
pp.38-41.
|
|
|
"Salzburger Mozartwoche,"
Abendzeitung Muenchen,
December 16, 1993.
|
|
|
Herbort, Heinz Joseph.
"Oper kahn das Groesste seyn,"
Die Zeit,
Febuary 5, 1993.
p.58.
|
|
|
Gugg, Anton.
"Ein Fest der Bilder,"
Die Welt,
January 26, 1993.
p.8.
|
|
|
"Lucio Silla,"
Die Weltwoche,
January 28, 1993.
|
|
|
Zelger-Vogt, Marianne.
"Die Macht der Bilder, Macht der Musik,"
Neue Zuericher Zeitung,
January 27, 1993.
p.21.
|
|
|
Rohde, Gerhard.
"Seelendurchblicke, fotogtafisch geschaerft,"
Frankfurter Allgemeine Zeitung,
January 26, 1993.
p.25.
|
|
|
"The Assistant Question. Interview with 23 Artists,"
Art in America,
January, 1993.
pp.85-86.
|
|
|
Heinik, Angelika.
"Badewanne und Oeflasche. ARCO, Madrid,"
Frankfurter Allgemeine Zeitung,
February, 1993.
|
|
|
Delekat, Thomas.
"Bilder einer Ausstellung,"
Die Deutsche Buehne,
March, 1993.
|
|
|
Stockinger, Andreas.
"Supermans rotgoldene Himmelfahrt oder das Ende einer Epoche,"
Der Standart,
January 29, 1993.
|
|
|
Pabinger, Daniele.
"Superlative vergoldet beerdigt,"
SVZ,
February 4, 1993.
|
|
|
Heinz-Norbert, Jocks.
"Installazione When Heaven And Hell Chnage Places,"
Domus,
March, March, 1993.
pp.78-81.
|
|
|
Treisman, Deborah.
"The Salzburg Set,"
Avenue,
June/July, 1993.
p.11.
|
|
|
Schjeldahl, Peter.
"Gun Nuts,"
The Village Voice,
November 23, 1993.
p.90.
|
|
|
Smith, Roberta.
"Classics from the Whitney Permanent Collection,"
The New York Times,
November 19, 1993.
p.C32.
|
|
|
Harrison, Martin.
"Shots of Sound,"
Frieze,
November/December, 1993.
pp.37-40.
|
|
|
Hindry, Ann.
"Les Images et Les Mots,"
Art Press,
September, 1993.
pp.42-47.
|
|
|
Plagens, Peter.
"I Ought to be in Pictures,"
Newsweek,
April 18, 1994.
pp.58-60.
|
|
|
Romney, Jonathan.
"Shooting from the Hip,"
The Guardian,
May 19, 1994.
|
|
|
Chapman, Christopher.
"Bite the Bullet,"
World Art,
Vol.1, No.2, 1994.
pp.62-66.
|
|
|
Andrews, Suzanna.
"Down and Out on $350,000 a Year,"
New York Magazine,
February 13, 1995.
|
|
|
Schels, Evelyn.
"Strassen Kampfer,"
Elle,
March, 1995.
pp.90-94.
|
|
|
"Lights, Camera, Artists,"
Manhattan File,
March, 1995.
p.22.
|
|
|
Hogrefe, Jeffrey.
"Going Hollywood,"
Art News,
May, 1995.
pp.132-133.
|
|
|
Mead, Rebecca.
"They Want To Be in Pictures,"
New York Magazine,
May 1, 1995.
pp.56-59.
|
|
|
"'Johnny Mneumonic': Nile Rodis and Robert Longo,"
Los Angeles Times,
May 14, 1995.
|
|
|
McKenna, Kristine.
"It's Just Art on a Big Screen,"
Los Angeles Times,
May 21, 1995.
pp.6; 84.
|
|
|
van Bakel, Rogier.
"Remembering Johnny,"
Wired,
June, 1995.
pp.154-157; 204-206.
|
|
|
Lynn, Greg.
"A Physique Out of Proportion,"
Architecture New York,
#11, 1995.
pp.42-49.
|
|
|
Greene, David A.
"Crossover Dreams,"
Frieze,
#24, September/October, 1995.
pp.35-36.
|
|
|
Johnson, Ken.
"Johnny Mnemonic,"
Art in America,
October, 1995.
pp.59-60.
|
|
|
Licata, Elizabeth.
"Living With Art,"
Artnews,
December, 1995.
pp.87-90.
|
|
|
"Johnny Mnemonic Gets Pinned,"
Flash Art,
January/February, 1996.
p. 39.
|
|
|
Blair, Dike.
"Artist's Dream Machines: The Films of Longo, Salle and Clark,"
Flash Art,
March/April, 1996.
pp.78-82.
|
|
|
Perree, Rob.
"Kunstenaars Op De Stoep Van Hollywood,"
Kunstbeeld,
October, 1996.
pp.28-31.
|
|
|
Schwendener, Martha.
"Catch My Drift,"
Time Out,
December 12-19, 1996.
pp.40.
|
|
|
Smith, Roberta.
"Finding Art in the Artifacts of the Masses,"
The New York Times,
December 1, 1996.
pp.43-44; 46.
|
|
|
Rimanelli, David.
"A/Drift,"
Artforum International,
February, 1997.
pp.83.
|
|
|
D'Arcy, David.
"The Bigger Picture,"
Avenue,
February, 1997.
pp.64-60.
|
|
|
Sheinpflug, Gutner.
"Die Intimitat der Gewalt,"
Das Sonntagsblatt,
April 25, 1997.
|
|
|
Kuspit, Donald.
"Robert Longo,"
Artforum International,
April 1, 2001.
|
|
|
H-O, Paul.
"September Tsunami,"
Artnet magazine,
September 19, 2002.
|
|
|
Molina, Oscar Alonso.
"Qué atractivo es el abismo,"
La Razón,
2003.
|
|
|
Serraller, Francisco Calvo.
"Explosión nuclear de la rosa,"
El País Babelia,
2003.
|
|
|
Sobisch, Pablo.
"El otro New York,"
Guía del Ocio,
2003.
|
|
|
Molina, Óscar Alonso.
"Erotismo Vital,"
Descubrir el Arte,
2003.
|
|
|
Molina, Óscar Alonso.
"Las guerras posmodernas,"
Arte y Naturaleza,
2003.
|
|
|
Montero, Javier.
"Juegos de Guerra,"
La Luna,
2003.
|
|
|
Parra, Christina.
"ARTE,"
Metaphore,
Volume 7, June, 2003.
pp.90-93.
|
|
|
Korotin, Joyce B.
"The Neo-baroque Era,"
Tema Celeste,
Issue 104, July/August, 2004.
pp. 38-45.
|
|
|
Bellini, Andrea.
"New York Tales- Reflections in a Glass Curtain,"
Flash Art,
May-June, 2004.
pp.114-116.
|
|
|
Kopsa, Maxine.
"Whitney Biennial 2004,"
Metropolis M,
Number 3, 2004.
pp.120-121.
|
|
|
Heartney, Eleanor.
"The Well-Tempered Biennial,"
Art in America,
June/July, 2004.
pp.70-77.
|
|
|
Nizri, Yigal.
"Controlled Entropy,"
Studio- Israeli Art Magazine,
Issue 152, May, 2004.
pp.12-17.
|
|
|
Haus, Mary.
"Sign Here!,"
ARTnews,
Summer, 2004.
p.165.
|
|
|
Dawson, Jessica.
"Freud Cycle: You Don't Have to Analyze This,"
The Washington Post,
January 22, 2004.
p.C5.
|
|
|
Danto, Arthur C.
"The Kids Are Alright: Whitney Biennial 2004,"
The Nation,
April 29, 2004.
|
|
|
Wrede, Andreas.
"Rollercoaster Ride to Fame,"
Lufthansa Magazine,
February, 2005.
pp.48-52.
|
|
|
Lacayo, Richard.
"How Does '80's Art Look Now?,"
Time Magazine,
March 28, 2005.
p.62.
|
|
|
Nathan, David.
"Monsters show at The Rose Art Museum,"
Brandeis News,
August 8, 2005.
|
|
|
MacMillan, Kyle.
"lines light space,"
Denver Post Fine Arts,
May 28, 2006.
|
|
|
Dawson, Jessica.
"Galleries,"
The Washington Post,
April 15, 2006.
p. C02.
|
|
|
Durbin, Jonathan.
"When New York Changed the World,"
Papermag.com,
January 3, 2006.
|
|
|
Douglas, Sarah.
"Staying Power,"
Art + Auction,
November, 2006.
pp. 160-167.
|
|
|
"The Producers,"
Artforum,
October, 2007.
pp. 352-359, 402.
|
|
|
Neil, Jonathan T.D.
"Robert Longo: The Outward and Visible Signs of an Inward and Invisible Grace,"
Art Review,
February, 2007.
pp. 132.
|
|
|
Spears, Dorothy.
"Death Can be a Canny Career Move,"
New York Times,
June 22, 2008.
|
|
|
"Robert Longo,"
Dossier,
issue no. 1, 2008.
pp. 26-31.
|
|
|
New York Chanel Mobile Art,
issue no. 3, 2008.
pp. 11-12, 17-18, 129-130.
|
|
|
West, Nina P.
"Louder Than Bombs,"
www.forbes.com,
February 21, 2008.
|
|
|
Johnson, Ken.
"Will the Revolution Be Museumized? Will There Be a Revolution?,"
The New York Times,
July 25, 2008.
p. E29.
|
|
|
O'Brien, Glenn.
"Robert Longo,"
Purple,
issue #11, Spring/Summer, 2009.
pp. 314-321.
|
|
|
Miles, Christopher.
"Art Around Town,"
LAWeekly.com,
January 7, 2009.
|
|
|
Yablonsky, Linda.
"Photo Play: The Social Life of the Pictures Generation,"
Art in America,
April, 2009.
pp. 102-108.
|
|
|
Cotter, Holland.
"At the Met, Baby Boomers Leap Onstage,"
The New York Times,
April 24, 2009.
pp. C27, C30.
|
|
|
Pullimood, Steve.
"Robert Longo Surrenders the Absolutes,"
ArtInAmericamagazine.com,
May 28, 2009.
|
|
 [return to top]
|
| |
|
.jpg)
