Robert Longo Catalogue
Robert Longo
Selected Articles
Crimp, Douglas.  "Pictures,"  Arts Magazine,  December, 1977.
Henry, Gerrit.  "Pictures,"  Art News,  January, 1978.
Lawson, Thomas.  "'Pictures' at Artists Space,"  Art in America,  January/February, 1978.
Lawson, Thomas.  "The Uses of Representation: Making Some Distinctions,"  Flash Art,  March/April, 1979.
Crimp, Douglas.  "Pictures,"  October 8,  Spring, 1979.
Owens, Craig.  "The Allegorical Impulse: Toward a Theory of Postmodernism,"  October 12,  Spring, 1980.
Simon, Joan.  "Double Takes,"  Art in America,  October, 1980.
Siegel, Jeanne.  "Lois Lane and Robert Longo: Interpretation of Image,"  Arts Magazine,  November, 1980.
Crimp, Douglass.  "The Photographic Activity of Postmodernism,"  October 15,  Winter, 1980.
Ratcliff, Carter.  "Art Stars for the Eighties,"  Saturday Review,  February, 1981.
Blinderman, Barry.  "Robert Longo's 'Men in the Cities': Quotes and Commentary,"  Arts Magazine,  March, 1981.
Ratcliff, Carter.  "The Distractions of Theme,"  Art in America,  November, 1981.
Brooks, Rosetta.  "The Art Machine,"  ZG Magazine,  no.3, 1981. p.81. 
Kontova, Helena.  "From Performance to Painting,"  Flash Art,  February/March, 1981.
Banes, Sally.  "The Long and the Short of It,"  Village Voice,  May 18, 1982. p.87. 
Groot, Paul.  "Metro Pictures en Deutsche Angst,"  Museumjournal,  No. 27/3, 1982.
Ratcliff, Carter.  "Contemporary American Art,"  Flash Art,  Summer, 1982. pp.32-35. 
Ratcliff, Carter.  "Dali's Dreadful Relevance,"  Artforum,  October, 1982. p.65. 
Brooks, Rosetta.  "New York's Heroic City,"  1982. pp.58-60. 
Foster, Hal.  "New York Art: Seven Types of Ambiguity,"  1982. pp.14-24. 
Krauss, Rosalind.  "Reflecting on Post-Modernism,"  The Literary Review,  Brand New York special issue, 1982. pp.54-57. 
"Documenta 7 Ein Rundgang,"  Kunstforum,  September/October, 1982.
Glueck, Grace.  "Artists Who 'Scavange' from the Media,"  The New York Times,  January 9, 1983. pp.29-30. 
Smith, Roberta.  "Making Impressions,"  The Village Voice,  March 1, 1983.
Hughes, Robert.  "Three from the Image Machine,"  Time Magazine,  March 14, 1983. pp.83-84. 
Lippard, Lucy R.  "Cross-Country Music,"  The Village Voice,  March 8, 1983. p.72. 
Foster, Hal.  "The Art of Spectacle,"  Art in America,  April, 1983.
Bell, Jane.  "Biennial Directions,"  Art News,  June, 1983. pp.76-82. 
Brenson, Michael.  "Art: Apocalyptic Pop in Mixed Media Show,"  The New York Times,  May 4, 1984.
Smith, Roberta.  "Material Concerns,"  The Village Voice,  May 29, 1984. p.85. 
Marzorati, Gerald.  "Your Show of Shows,"  Art News,  September, 1984. pp.62-65. 
Millet, Catherine.  "A Propos de Quelques Artistes Americans,"  Art Press,  October, 1984. pp.4-9. 
Alhadeff, Gini.  "Arte Piu 'Moda,"  L'Uomo Vpgue,  October, 1984. pp.390-1; 466. 
Brenson, Michael.  "Human Figure Is Back in Unlikely Guise,"  The New York Times,  January 13, 1985. pp.1; 29. 
Hughes, Robert.  "Careerism and Hype Amidst the Image Haze,"  The New York Times Magazine,  June 17, 1985. pp.78-83. 
Ratcliff, Carter.  "David Byrne and the Modern Self: How Do I Work Time?,"  Artforum,  May, 1985. pp.95-97. 
Bromberg, Craig.  "Totally Style,"  East Village Eye,  May, 1985. p.52. 
Venant, Elizabeth.  "Rebel Expressions,"  Los Angeles Times,  April 28, 1985. pp.3-7. 
Perron, Wendy.  "The Structure of Seduction,"  The Village Voice,  May 28, 1985. p.9. 
Rose, Barbara.  "Art in Discoland,"  Vogue,  September, 1985. pp.668-673; 747. 
"In der Sprache der Gewalt,"  Art,  September, 1985. pp.76-85. 
Ratcliff, Carter.  "Urban Profit,"  Elle,  October, 1986. pp.86; 88. 
Hershkovits, David.  "Art Brats Grow Up,"  Paper,  1986.
Longo, Robert.  "New York City, The Imperial City,"  New York,  May, 1987. p.4. 
"Documenta 8,"  Art,  June, 1987. pp.36-46. 
"Documenta Special,"  Wolkenkratzer Art Journal,  June/July/August, 1987. p.53. 
Longo, Robert.  "Richard Price,"  Interview,  November, 1987. pp.104-107. 
Hershkovits, David.  "Just Like In the Movies,"  Paper,  October, 1987. p.25. 
Hershkovits, David.  "Taking Direct Action,"  Harpers Bazaar,  November, 1987.
Huntington, Richard.  "The Good, the Bad and the Ugly,"  ArtNews,  January, 1988. p.9. 
Semin, Didier.  "Pour la documenta a Champignac,"  Art Press,  May, 1988. pp.30-33. 
Benezra, Neal.  "Overstated Means/Understated Meaning,"  Smithsonian Studies in American Art,  Winter, 1988. pp.19-31. 
Mckenna, Kristina.  "In the Footsteps of Warhol: Avant Garde Artists Take a Look at the New Critically,"  Los Angeles Times,  May 7, 1989. pp.90-92. 
Taublin, Amy.  "MTV Gets a Buzz On,"  The Village Voice,  May 16, 1989. p.53. 
Drohojowska, Hunter.  "Pop Artist Provocateur,"  Bazaar Magazine,  September, 1989.
Drohojowska, Hunter.  "The '80's: Stop Making Sense,"  Artnews,  October, 1989. pp.146-151. 
Asada, Akira.  Marie Claire Japon,  October, 1989. pp.399-404. 
Sullivan, Dan.  "A Young Pro Who Knows His Technology,"  Los Angeles Times,  October 9, 1989. pp.1-2. 
Levin, Kim.  "Studio Visit,"  Mrabella,  October, 1989. pp.50-51. 
M.D.,  "The Galleries,"  Los Angeles Times,  October 6, 1989. Part VI-17. 
Kroll, Jack.  "Riding the Apocalypse-- 'Dream Jumbo': Working the Absolutes',"  Newsweek,  October 23, 1989. p.80. 
McNally, Owen.  "Monsters in the Gallery,"  The Hartford Courant,  June 8, 1990. pp.B1; B5. 
Chadwick, Susan.  "Superstar Artist Lives up to Hype in New Exhibition,"  Houston Post,  April 20, 1991. pp.F1; F6. 
Kindermann, Angelika.  "Nach dem K.O. kam die Karriere,"  Art,  November, 1991. pp.146-147. 
Kipphoff, Petra.  "50+38=2x heute,"  Die Zeit,  November 1, November 1, 1991. p.68. 
Weingarten, Susanne.  "Marie der Korrektheit- Faszination des Schreckens,"  Frankfurter Allgemeine Zeitung,  November 7, 1991. p.35. 
Galloway, David.  "Trivial Materials, Moral Themes,"  International Herald Tribune,  November 2, 1991.
"Amerika- kritisch gesehen,"  Hamburger Abendblatt,  October 26, 1991.
Voelckers, Armin.  "Gefuehl und Haerte,"  Prinz,  November, 1991. p.132. 
McKenna, Kristine.  "An Artist in Now a Director,"  Los Angeles Times,  June 27, 1992. F1, F10. 
Kayser, Beate.  "Macht Lucio Silla endlich Karriere?,"  TZ Muenchen,  December 16, 1992.
"When Heaven and Hell Change Places,"  Frankfurter Allgemeine Zeitung,  November 25, 1992. p.37. 
Harb, Karl.  "Stuecke nicht aktualisieren, sondern ihre Aktualiaet zeigen,"  Salzburger Nachrichten,  December 16, 1992.
"Riesen-Friedhof inder Galerie,"  Der Spiegel,  November 6, 1992.
"Stilles Mahnmal gegen den Krieg,"  ART,  January, 1993.
"Riesenkreuze aus Wachs,"  SuedWest Presse,  March 9, 1993.
Matebosch, Joan.  "Lucio Silla de Mozart, emblema del 'Nuevo Salzburg' de Mortier,"  ABC Cataluna,  January 29, 1993.
Roter, Sybil.  "Mozart hat mich gerufen,"  Musik and Theater,  March 3, 1993. pp.38-41. 
"Salzburger Mozartwoche,"  Abendzeitung Muenchen,  December 16, 1993.
Herbort, Heinz Joseph.  "Oper kahn das Groesste seyn,"  Die Zeit,  Febuary 5, 1993. p.58. 
Gugg, Anton.  "Ein Fest der Bilder,"  Die Welt,  January 26, 1993. p.8. 
"Lucio Silla,"  Die Weltwoche,  January 28, 1993.
Zelger-Vogt, Marianne.  "Die Macht der Bilder, Macht der Musik,"  Neue Zuericher Zeitung,  January 27, 1993. p.21. 
Rohde, Gerhard.  "Seelendurchblicke, fotogtafisch geschaerft,"  Frankfurter Allgemeine Zeitung,  January 26, 1993. p.25. 
"The Assistant Question. Interview with 23 Artists,"  Art in America,  January, 1993. pp.85-86. 
Heinik, Angelika.  "Badewanne und Oeflasche. ARCO, Madrid,"  Frankfurter Allgemeine Zeitung,  February, 1993.
Delekat, Thomas.  "Bilder einer Ausstellung,"  Die Deutsche Buehne,  March, 1993.
Stockinger, Andreas.  "Supermans rotgoldene Himmelfahrt oder das Ende einer Epoche,"  Der Standart,  January 29, 1993.
Pabinger, Daniele.  "Superlative vergoldet beerdigt,"  SVZ,  February 4, 1993.
Heinz-Norbert, Jocks.  "Installazione When Heaven And Hell Chnage Places,"  Domus,  March, March, 1993. pp.78-81. 
Treisman, Deborah.  "The Salzburg Set,"  Avenue,  June/July, 1993. p.11. 
Schjeldahl, Peter.  "Gun Nuts,"  The Village Voice,  November 23, 1993. p.90. 
Smith, Roberta.  "Classics from the Whitney Permanent Collection,"  The New York Times,  November 19, 1993. p.C32. 
Harrison, Martin.  "Shots of Sound,"  Frieze,  November/December, 1993. pp.37-40. 
Hindry, Ann.  "Les Images et Les Mots,"  Art Press,  September, 1993. pp.42-47. 
Plagens, Peter.  "I Ought to be in Pictures,"  Newsweek,  April 18, 1994. pp.58-60. 
Romney, Jonathan.  "Shooting from the Hip,"  The Guardian,  May 19, 1994.
Chapman, Christopher.  "Bite the Bullet,"  World Art,  Vol.1, No.2, 1994. pp.62-66. 
Andrews, Suzanna.  "Down and Out on $350,000 a Year,"  New York Magazine,  February 13, 1995.
Schels, Evelyn.  "Strassen Kampfer,"  Elle,  March, 1995. pp.90-94. 
"Lights, Camera, Artists,"  Manhattan File,  March, 1995. p.22. 
Hogrefe, Jeffrey.  "Going Hollywood,"  Art News,  May, 1995. pp.132-133. 
Mead, Rebecca.  "They Want To Be in Pictures,"  New York Magazine,  May 1, 1995. pp.56-59. 
"'Johnny Mneumonic': Nile Rodis and Robert Longo,"  Los Angeles Times,  May 14, 1995.
McKenna, Kristine.  "It's Just Art on a Big Screen,"  Los Angeles Times,  May 21, 1995. pp.6; 84. 
van Bakel, Rogier.  "Remembering Johnny,"  Wired,  June, 1995. pp.154-157; 204-206. 
Lynn, Greg.  "A Physique Out of Proportion,"  Architecture New York,  #11, 1995. pp.42-49. 
Greene, David A.  "Crossover Dreams,"  Frieze,  #24, September/October, 1995. pp.35-36. 
Johnson, Ken.  "Johnny Mnemonic,"  Art in America,  October, 1995. pp.59-60. 
Licata, Elizabeth.  "Living With Art,"  Artnews,  December, 1995. pp.87-90. 
"Johnny Mnemonic Gets Pinned,"  Flash Art,  January/February, 1996. p. 39. 
Blair, Dike.  "Artist's Dream Machines: The Films of Longo, Salle and Clark,"  Flash Art,  March/April, 1996. pp.78-82. 
Perree, Rob.  "Kunstenaars Op De Stoep Van Hollywood,"  Kunstbeeld,  October, 1996. pp.28-31. 
Schwendener, Martha.  "Catch My Drift,"  Time Out,  December 12-19, 1996. pp.40. 
Smith, Roberta.  "Finding Art in the Artifacts of the Masses,"  The New York Times,  December 1, 1996. pp.43-44; 46. 
Rimanelli, David.  "A/Drift,"  Artforum International,  February, 1997. pp.83. 
D'Arcy, David.  "The Bigger Picture,"  Avenue,  February, 1997. pp.64-60. 
Sheinpflug, Gutner.  "Die Intimitat der Gewalt,"  Das Sonntagsblatt,  April 25, 1997.
Kuspit, Donald.  "Robert Longo,"  Artforum International,  April 1, 2001.
H-O, Paul.  "September Tsunami,"  Artnet magazine,  September 19, 2002.
Molina, Oscar Alonso.  "Qué atractivo es el abismo,"  La Razón,  2003.
Serraller, Francisco Calvo.  "Explosión nuclear de la rosa,"  El País Babelia,  2003.
Sobisch, Pablo.  "El otro New York,"  Guía del Ocio,  2003.
Molina, Óscar Alonso.  "Erotismo Vital,"  Descubrir el Arte,  2003.
Molina, Óscar Alonso.  "Las guerras posmodernas,"  Arte y Naturaleza,  2003.
Montero, Javier.  "Juegos de Guerra,"  La Luna,  2003.
Parra, Christina.  "ARTE,"  Metaphore,  Volume 7, June, 2003. pp.90-93. 
Korotin, Joyce B.  "The Neo-baroque Era,"  Tema Celeste,  Issue 104, July/August, 2004. pp. 38-45. 
Bellini, Andrea.  "New York Tales- Reflections in a Glass Curtain,"  Flash Art,  May-June, 2004. pp.114-116. 
Kopsa, Maxine.  "Whitney Biennial 2004,"  Metropolis M,  Number 3, 2004. pp.120-121. 
Heartney, Eleanor.  "The Well-Tempered Biennial,"  Art in America,  June/July, 2004. pp.70-77. 
Nizri, Yigal.  "Controlled Entropy,"  Studio- Israeli Art Magazine,  Issue 152, May, 2004. pp.12-17. 
Haus, Mary.  "Sign Here!,"  ARTnews,  Summer, 2004. p.165. 
Dawson, Jessica.  "Freud Cycle: You Don't Have to Analyze This,"  The Washington Post,  January 22, 2004. p.C5. 
Danto, Arthur C.  "The Kids Are Alright: Whitney Biennial 2004,"  The Nation,  April 29, 2004.
Wrede, Andreas.  "Rollercoaster Ride to Fame,"  Lufthansa Magazine,  February, 2005. pp.48-52. 
Lacayo, Richard.  "How Does '80's Art Look Now?,"  Time Magazine,  March 28, 2005. p.62. 
Nathan, David.  "Monsters show at The Rose Art Museum,"  Brandeis News,  August 8, 2005.
MacMillan, Kyle.  "lines light space,"  Denver Post Fine Arts,  May 28, 2006.
Dawson, Jessica.  "Galleries,"  The Washington Post,  April 15, 2006. p. C02. 
Durbin, Jonathan.  "When New York Changed the World,",  January 3, 2006.
Douglas, Sarah.  "Staying Power,"  Art + Auction,  November, 2006. pp. 160-167. 
"The Producers,"  Artforum,  October, 2007. pp. 352-359, 402. 
Neil, Jonathan T.D.  "Robert Longo: The Outward and Visible Signs of an Inward and Invisible Grace,"  Art Review,  February, 2007. pp. 132. 
Spears, Dorothy.  "Death Can be a Canny Career Move,"  New York Times,  June 22, 2008.
"Robert Longo,"  Dossier,  issue no. 1, 2008. pp. 26-31. 
New York Chanel Mobile Art,  issue no. 3, 2008. pp. 11-12, 17-18, 129-130. 
West, Nina P.  "Louder Than Bombs,",  February 21, 2008.
Johnson, Ken.  "Will the Revolution Be Museumized? Will There Be a Revolution?,"  The New York Times,  July 25, 2008. p. E29. 
O'Brien, Glenn.  "Robert Longo,"  Purple,  issue #11, Spring/Summer, 2009. pp. 314-321. 
Miles, Christopher.  "Art Around Town,",  January 7, 2009.
Yablonsky, Linda.  "Photo Play: The Social Life of the Pictures Generation,"  Art in America,  April, 2009. pp. 102-108. 
Cotter, Holland.  "At the Met, Baby Boomers Leap Onstage,"  The New York Times,  April 24, 2009. pp. C27, C30. 
Pullimood, Steve.  "Robert Longo Surrenders the Absolutes,",  May 28, 2009.
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