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Ratcliff, Carter.
Illustrations & Allegory.
Brooke Alexander Gallery. New York, New York, USA, 1980.
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Cathcart, Linda.
Extensions: Jennifer bartlett, Lynda Benglis, Robert Longo, Judy Pfaff.
Contemporary Arts Museum. Houston, Texas, USA, 1980.
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Levin, Kim.
Tableaux.
Wave Hill. New York, New York, USA, 1981.
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Koenig, Kasper.
Westkunst: Heute.
Museen der Stadt Koln. Cologne, Germany, 1981.
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Kotic, Charlotte.
Figures: Forms and Expressions.
Albright-Knox Art Gallery. Buffalo, New York, USA, 1981.
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Smith, Roberta.
Body Language.
Committee for the Visual Arts, MIT. Cambridge, Massachusetts, USA, 1982.
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Lyons, Lisa.
Anxious Edge.
Walker Art Center. Minneapolis, Minnesota, USA, 1982.
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A Fatal Attraction: Art and the Media.
The Renaissance Society at the University of Chicago. Chicago, Illinois, USA, 1982.
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Documenta 7, vols 1&2.
Kassel, Germany, 1982.
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Haskell, Barbara.
Focus on the Figure.
Whitney Museum of American Art. New York, New York, USA, 1982.
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Bowman, Russell.
New Figuration in America.
Milwaukee Art Museum. Milwaukee, Wisconsin, USA, 1982.
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Sterns, Robert.
Dynamix.
The Contemporary Arts Center. Cincinnati, Ohio, USA, 1982.
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Karden, Janet.
Image Scavengers: Painting.
Institute of Contemporary Art. Philadelphia, Pennsylvania, USA, 1982.
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Rosenzwieg, Phyllis J.
Directions 1983.
Hirshhorn Museum. Washington, DC, USA, 1983.
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1983 Biennial Exhibition.
Whitney Museum of American Art. New York, New York, USA, 1983.
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Foster, Hal.
Robert Longo: Drawings & Reliefs.
Akron Art Museum. Akron, Ohio, USA, 1983.
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Honnef, Klaus.
Back to the U.S.A.
Kunstmuseum Lucerne. Lucerne, Switzerland, 1983.
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Fuchs, R.H.
Dahn, Daniels, genzken, Holzer, Longo, Visch.
Stedelijk Van Abbemuseum. Eindhoven, Holland, 1983.
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Robert Longo Talking About "The Sword of the Pig".
Tate Gallery. London, United Kingdom, 1983.
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Compton, Michael.
New Art.
Tate Gallery. London, United Kingdom, 1983.
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El Arte Narrativo.
Museo Ruffino Tamayo. Mexico City, Mexico, 1984.
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Honnef, Klaus.
Szene New York.
Art Cologne International Kunstmarkt. Cologne, Germany, 1984.
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Alibis.
Centre Georges Pompidou, Musee d'Art Moderne. Paris, France, 1984.
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Ratcliff, Carter.
The Fifth Biennale of Sydney, Private Symbol: Social Metaphor.
Art Gallery of New South Wales. Sydney, Australia, 1984.
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Berger, Maurice.
Endgame: Strategies of Postmodern Performance.
Hunter College Gallery. New York, New York, USA, 1984.
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McShine, Kynaston.
An International Survey of Recent Painting and Sculpture.
Museum of Modern Art. New York, New York, USA, 1984.
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Cathcart, Linda.
The Heroic Figure.
Contemporary Arts Museum. Houston, Texas, USA, 1984.
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Fox, Howard N.
Content: A Contemporary Focus 1974-1984.
Smithsonian Institution Press. Hirshhorn Museum. Washington, DC, USA, 1984.
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New York 85.
ARCA Centre d'art Contemporain. Marseille, France, 1985.
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Hobbs, Robert.
Robert Longo Dis-Illusions.
University of Iowa Museum of Art. Iowa City, Iowa, USA, 1985.
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Barnes, Lucinda.
Robert Longo: Sequences/Men in the Cities.
University Art Museum, California State University. Long Beach, California, USA, 1986.
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Koehler, Karen.
An American Renaissance: Painting and Sculpture Since 1940.
Museum of Art. Fort Lauderdale, Florida, USA, 1986.
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Kotil, Charlotte.
Monumental Drawings: Works by 22 Contemporary Americans.
Brooklyn Museum. New York, New York, USA, 1986.
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Itoh, Junji.
Longo in Tokyo.
Spiral Gallery, Wacoal Art Center. Tokyo, Japan, 1986.
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Das Automobil in der Kunst.
Haus der Kunst. Munich, Germany, 1986.
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Parke-Taylor, Michael.
Robert Longo: Studies and Prints.
Norman Mackenzie Art Gallery, University of Regina. Regina, Saskatchewan, Canada, 1986.
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Documenta 8.
Kassel, Germany, 1987.
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L'Epoque La Mode La Morale La Passion.
Centre Georges Pompidou, Musee National d'Art Moderne. Paris, France, 1987.
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Fox, Howard N.
Avant-Garde in the Eighties.
Los Angeles County Museum of Art. 1987.
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Nittve, Lars.
Implosion: A Postmodern Perspective.
Modern Museet. Stockholm, Sweden, 1987.
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Kuspit, Donald.
Process and Product: The Making of Eight Contemporary Masterworks.
Bard College, Annandale-on-Hudson. New York, New York, USA, 1987.
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Schwartz, Eugene.
Post-Abstract Abstraction.
The Aldrich Museum of Contemporary Art. Ridgefield, Connecticut, USA, 1987.
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Het Postmodern Aan Kinderen Verklaard.
Bonnefantenmuseum. Maastricht, Holland, 1988.
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American Art Since 1945.
Tochigi Prefectual Museum of Fine Arts. Tochigi, Japan, 1988.
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Honnef, Klaus.
Kunst der Gegenwart.
Taschen. Cologne, Germany. 1988.
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Bowman, Russell.
The World of Art Today.
Milwaukee Atrt Museum. Milwaukee, Wisconsin, USA, 1988.
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Hunter, Sam.
Visions/revisions: Contemporary Representation.
Marlborough. New York, New York, USA, 1988.
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Fondation Daniel Templon: Musee Temporaire Exposition Imagurale.
Frejus, France, 1989.
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1989 Media Art Museum.
Quest Hall. Tokyo, Japan, 1989.
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Nordstroms, Gert Z.
Bilden I det Postmoderna Samhallet.
Carlssons Bokforlag. Stockholm, Sweden, 1989.
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A Forest of Signs: Art in the Crisis of Representation.
The Museum of Contemporary Art. Los Angeles, California, USA, 1989.
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Fox, Howard N.
Robert Longo.
Los Angeles County Museum of Art. Los Angeles, California, USA, 1989.
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Heifferman, Marvin.
Image World: Art and Media Culture.
The Whitney Museum of American Art. New York, New York, USA, 1989.
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Benezra, Neil.
Afffinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art.
The Art Institute of Chicago. Chicago, Illinois, USA, 1990.
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Smulders, Caroline.
Black Flags.
Galerie Daniel Templon. Paris, France, 1990.
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Robert Longo.
Hamburg Kunstverein. Hamburg, Germany, 1991.
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Daehlin, Erik.
Hundre Als Bildekunst.
Dreyers Forlag. Oslo, Norway, 1991.
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Saltz, Jerry.
American Art of the 80's.
Museo d'Arte Moderna e Contemporanea di Trento. Trento, Italy, 1992.
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Allegories fo Modernism: Contemporary Drawing.
Museum of Modern Art. New York, New York, USA, February 16- May 5, 1992.
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Four American Artists (Longo, Schnabel, Salle, Fischl).
Ho-Am Art Museum. Seoul, Korea (South), 1993.
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The 21st Century.
Kunsthalle Basel. Basel, Switzerland, 1993.
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Drawings: Reaffirming the Media.
University of Missouri, Kansas City Gallery of Art. Kansas City, Missouri, USA, 1994.
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Oh Boy, It's a Girl: Feminismen in der Kunst.
Kunstverein Munich. Munich, Germany, 1994.
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Damsch-Wiehager, Renate.
(Op) Art Galerie.
Galerie Hans Mayer. Duesseldorf, Germany. 1995.
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Essence and Persuasion: The Power of Black and White.
Anderson Gallery. Buffalo, New York, USA, 1995.
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Printmaking in America: Collaborative Prints and Presses 1960-1990.
Abrams/Block Gallery, Northwestern University. Evanston, Illinois, USA, 1995.
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Robert Longo: A Retrospective.
The Isetan Museum of Art. Tokyo, Japan, 1995.
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It's Only Rock and Roll.
Contemporary Arts Center. Cincinnati, Ohio, USA, 1995.
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100 Photographs from the Collection.
Stedelijk Museum. Amsterdam, Holland, 1996.
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Ehmke, Ronald.
Consider the Alternatives: 20 Years fo Contemporary Art at Hallwalls.
Burchfield-Penney Art Center. Buffalo, New York, USA, 1996.
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Celant, Germano.
Past, Present, Future: The 47th International Art Exhibition, The Venice Biennale.
The Venice Biennale. Venice, Italy, 1997.
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Kellein, Thomas.
Robert Longo: Magellan.
Kunsthall Tubingen. Tubingen, Germany. DuMont Buchverlag. Köln, Germany. 1997.
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Milazzo, Richard and Achille Bonito Oliva, essays.
2000 Robert Longo: 1980 - 2000.
Galleria Emilio Mazzoli. Modena, Italy. 2000.
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Robert Longo: The Freud Drawings.
Kerber Verlag. Bielefeld, Germany. 2002.
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Spies, Werner.
Robert Longo: Deep Silence.
Monchehaus Museum Publishing. Goslar, Germany. 2005.
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Giovanotti, Micaela and Joyce B. Korotkin, curators.
Neo-Baroque!.
Byblos Gallery. Charta Publishers. Milan, Italy. 2005.
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Flashback: Revisiting the Art of the 1980's.
Kunstmuseum Basel, Museum fur Gegenwartskunst, Switzerland. Hatje Cantz Verlag. 2005.
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Kantor, Jordan.
Drawing from the Modern: After the Endgames.
The Museum of Modern Art. New York, New York. 2005, p. 105.
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Milazzo, Richard and Achille Bonito Oliva, essays.
Robert Longo: Fire, Water, Rock (2003 - 2005).
Galleria Emilio Mazzoli. Modena, Italy. 2005.
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Celant, Germano and Lisa Dennison.
New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video.
Skira. Milan, Italy. 2006, pp. 480-3.
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Taylor, Marvin J., ed.
The Downtown Book: The New York Art Scene, 1974–1984.
Princeton University Press, Princeton, New Jersey and the Grey Art Gallery and Fales Library, New York University, New York, New York. 2006.
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Fifth Interpretation of the Collection.
La Colección Jumex. Pachuca, Mexico. 2006, p. 213.
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Arns, Inke and Gaby Horn, ed.
History Will Repeat Itself: Strategies of Reenactment in Contemporary (Media) Art and Performance.
Revolver. Frankfurt, Germany. 2007.
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Molon, Dominic.
Sympathy for the Devil: Art and Rock and Roll Since 1967.
Museum of Contemporary Art. Chicago, Illinois. 2007.
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Sladen, Mark and Ariella Yedgar.
Panic Attack! Art in the Punk Years.
Merrell Publishers Limited. London, United Kingdom. 2007.
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Neil, Jonathan T.D.
Robert Longo: The Outward and Visible Signs of an Inward and Invisible Grace.
Metro Pictures Gallery. New York, New York. 2007.
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Interieur/ Exterieur: Living in Art.
Kunstmuseum Wolfsburg. Hatje Cantz Verlag. Ostfildern, Germany. 2008, pp. 49, 52, 186, 196-197.
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Ruble, Casey, ed.
to: Night, Contemporary Representations of the Night.
Hunter College Art Galleries. New York, New York. 2008, p. 37.
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The Big Bang.
Museo Carlo Bilotti. Rome, Italy. 2008, pp. 18 - 31.
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The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum.
Gunma Museum of Art. Tatebayashi, Japan. 2008, p. 95.
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Orgeman, Keely.
Atomic Afterimage: Cold War Imagery in Contemporary Art.
Boston University Art Gallery. Boston, Massachusetts. 2008, pp. 42-43.
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Poirer, Matthieu, ed.
Landscope: Landscape and Contemporary Drawing.
Galerie Thaddaeus Ropac. Paris, France. 2008, pp. 38-41. 2008.
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Milazzo, Richard, essay.
Robert Longo: Intimate Immensity.
Galeria Soledad Lorenzo. Madrid, Spain. 2008.
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Perlein, Gilbert.
Robert Longo.
Mamac. Nice, France. Skira Flammarion. Paris, France. 2009.
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Eklund, Douglas, ed.
The Pictures Generation: 1974-1984.
The Metropolitan Museum of Art. New York, New York. Yale University Press. New Haven, Connecticut. 2009.
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