Berger, Maurice.
Endgame: Strategies of Postmodern Performance.
Hunter College Gallery. New York, New York, USA, 1984.
Ratcliff, Carter.
The Fifth Biennale of Sydney, Private Symbol: Social Metaphor.
Art Gallery of New South Wales. Sydney, Australia, 1984.
Alibis.
Centre Georges Pompidou, Musee d'Art Moderne. Paris, France, 1984.
Cathcart, Linda.
The Heroic Figure.
Contemporary Arts Museum. Houston, Texas, USA, 1984.
McShine, Kynaston.
An International Survey of Recent Painting and Sculpture.
Museum of Modern Art. New York, New York, USA, 1984.
Fox, Howard N.
Content: A Contemporary Focus 1974-1984.
Smithsonian Institution Press. Hirshhorn Museum. Washington, DC, USA, 1984.
El Arte Narrativo.
Museo Ruffino Tamayo. Mexico City, Mexico, 1984.
Honnef, Klaus.
Szene New York.
Art Cologne International Kunstmarkt. Cologne, Germany, 1984.
Hobbs, Robert.
Robert Longo Dis-Illusions.
University of Iowa Museum of Art. Iowa City, Iowa, USA, 1985.
New York 85.
ARCA Centre d'art Contemporain. Marseille, France, 1985.
Koehler, Karen.
An American Renaissance: Painting and Sculpture Since 1940.
Museum of Art. Fort Lauderdale, Florida, USA, 1986.
Parke-Taylor, Michael.
Robert Longo: Studies and Prints.
Norman Mackenzie Art Gallery, University of Regina. Regina, Saskatchewan, Canada, 1986.
Barnes, Lucinda.
Robert Longo: Sequences/Men in the Cities.
University Art Museum, California State University. Long Beach, California, USA, 1986.
Das Automobil in der Kunst.
Haus der Kunst. Munich, Germany, 1986.
Itoh, Junji.
Longo in Tokyo.
Spiral Gallery, Wacoal Art Center. Tokyo, Japan, 1986.
Kotil, Charlotte.
Monumental Drawings: Works by 22 Contemporary Americans.
Brooklyn Museum. New York, New York, USA, 1986.
Fox, Howard N.
Avant-Garde in the Eighties.
Los Angeles County Museum of Art. Los Angeles, California. 1987.
Nittve, Lars.
Implosion: A Postmodern Perspective.
Modern Museet. Stockholm, Sweden, 1987.
Documenta 8.
Kassel, Germany, 1987.
L'Epoque La Mode La Morale La Passion.
Centre Georges Pompidou, Musee National d'Art Moderne. Paris, France, 1987.
Kuspit, Donald.
Process and Product: The Making of Eight Contemporary Masterworks.
Bard College, Annandale-on-Hudson. New York, New York, USA, 1987.
Schwartz, Eugene.
Post-Abstract Abstraction.
The Aldrich Museum of Contemporary Art. Ridgefield, Connecticut, USA, 1987.
Honnef, Klaus.
Kunst der Gegenwart.
Taschen. Cologne, Germany. 1988.
Hunter, Sam.
Visions/revisions: Contemporary Representation.
Marlborough. New York, New York, USA, 1988.
Bowman, Russell.
The World of Art Today.
Milwaukee Art Museum. Milwaukee, Wisconsin, USA, 1988.
American Art Since 1945.
Tochigi Prefectual Museum of Fine Arts. Tochigi, Japan, 1988.
Het Postmodern Aan Kinderen Verklaard.
Bonnefantenmuseum. Maastricht, Holland, 1988.
Nordstroms, Gert Z.
Bilden I det Postmoderna Samhallet.
Carlssons Bokforlag. Stockholm, Sweden, 1989.
A Forest of Signs: Art in the Crisis of Representation.
The Museum of Contemporary Art. Los Angeles, California, USA, 1989.
1989 Media Art Museum.
Quest Hall. Tokyo, Japan, 1989.
Fox, Howard N.
Robert Longo.
Los Angeles County Museum of Art. Los Angeles, California, USA, 1989.
Fondation Daniel Templon: Musee Temporaire Exposition Imagurale.
Frejus, France, 1989.
Heifferman, Marvin.
Image World: Art and Media Culture.
The Whitney Museum of American Art. New York, New York, USA, 1989.
Smulders, Caroline.
Black Flags.
Galerie Daniel Templon. Paris, France, 1990.
Benezra, Neil.
Afffinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art.
The Art Institute of Chicago. Chicago, Illinois, USA, 1990.
Daehlin, Erik.
Hundre Als Bildekunst.
Dreyers Forlag. Oslo, Norway, 1991.
Robert Longo.
Hamburg Kunstverein. Hamburg, Germany, 1991.
Allegories fo Modernism: Contemporary Drawing.
Museum of Modern Art. New York, New York, USA, February 16- May 5, 1992.
Saltz, Jerry.
American Art of the 80's.
Museo d'Arte Moderna e Contemporanea di Trento. Trento, Italy, 1992.
Four American Artists (Longo, Schnabel, Salle, Fischl).
Ho-Am Art Museum. Seoul, South Korea, 1993.
The 21st Century.
Kunsthalle Basel. Basel, Switzerland, 1993.
Drawings: Reaffirming the Media.
University of Missouri, Kansas City Gallery of Art. Kansas City, Missouri, USA, 1994.
Oh Boy, It's a Girl: Feminismen in der Kunst.
Kunstverein Munich. Munich, Germany, 1994.
Essence and Persuasion: The Power of Black and White.
Anderson Gallery. Buffalo, New York, USA, 1995.
It's Only Rock and Roll.
Contemporary Arts Center. Cincinnati, Ohio, USA, 1995.
Robert Longo: A Retrospective.
The Isetan Museum of Art. Tokyo, Japan, 1995.
Printmaking in America: Collaborative Prints and Presses 1960-1990.
Abrams/Block Gallery, Northwestern University. Evanston, Illinois, USA, 1995.
Damsch-Wiehager, Renate.
(Op) Art Galerie.
Galerie Hans Mayer. Duesseldorf, Germany. 1995.
Ehmke, Ronald.
Consider the Alternatives: 20 Years fo Contemporary Art at Hallwalls.
Burchfield-Penney Art Center. Buffalo, New York, USA, 1996.
100 Photographs from the Collection.
Stedelijk Museum. Amsterdam, Holland, 1996.
Celant, Germano.
Past, Present, Future: The 47th International Art Exhibition, The Venice Biennale.
The Venice Biennale. Venice, Italy, 1997.
Milazzo, Richard and Achille Bonito Oliva, essays.
2000 Robert Longo: 1980 - 2000.
Galleria Emilio Mazzoli. Modena, Italy. 2000.
Robert Longo: The Freud Drawings.
Kerber Verlag. Bielefeld, Germany. 2002.
Spies, Werner.
Robert Longo: Deep Silence.
Monchehaus Museum Publishing. Goslar, Germany. 2005.
Giovanotti, Micaela and Joyce B. Korotkin, curators.
Neo-Baroque!.
Byblos Gallery. Charta Publishers. Milan, Italy. 2005.
Flashback: Revisiting the Art of the 1980's.
Kunstmuseum Basel, Museum fur Gegenwartskunst, Switzerland. Hatje Cantz Verlag. 2005.
Kantor, Jordan.
Drawing from the Modern: After the Endgames.
The Museum of Modern Art. New York, New York. 2005, p. 105.
Milazzo, Richard and Achille Bonito Oliva, essays.
Robert Longo: Fire, Water, Rock (2003 - 2005).
Galleria Emilio Mazzoli. Modena, Italy. 2005.
Celant, Germano and Lisa Dennison.
New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video.
Skira. Milan, Italy. 2006, pp. 480-3.
Taylor, Marvin J., ed.
The Downtown Book: The New York Art Scene, 1974–1984.
Princeton University Press, Princeton, New Jersey and the Grey Art Gallery and Fales Library, New York University, New York, New York. 2006.
Fifth Interpretation of the Collection.
La Colección Jumex. Pachuca, Mexico. 2006, p. 213.
Neil, Jonathan T.D.
Robert Longo: The Outward and Visible Signs of an Inward and Invisible Grace.
Metro Pictures Gallery. New York, New York. 2007.
Arns, Inke and Gaby Horn, ed.
History Will Repeat Itself: Strategies of Reenactment in Contemporary (Media) Art and Performance.
Revolver. Frankfurt, Germany. 2007.
Molon, Dominic.
Sympathy for the Devil: Art and Rock and Roll Since 1967.
Museum of Contemporary Art. Chicago, Illinois. 2007.
Sladen, Mark and Ariella Yedgar.
Panic Attack! Art in the Punk Years.
Merrell Publishers Limited. London, United Kingdom. 2007.
Interieur/ Exterieur: Living in Art.
Kunstmuseum Wolfsburg. Hatje Cantz Verlag. Ostfildern, Germany. 2008, pp. 49, 52, 186, 196-197.
Ruble, Casey, ed.
to: Night, Contemporary Representations of the Night.
Hunter College Art Galleries. New York, New York. 2008, p. 37.
The Big Bang.
Museo Carlo Bilotti. Rome, Italy. 2008, pp. 18-31.
The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum.
Gunma Museum of Art. Tatebayashi, Japan. 2008, p. 95.
Orgeman, Keely.
Atomic Afterimage: Cold War Imagery in Contemporary Art.
Boston University Art Gallery. Boston, Massachusetts. 2008, pp. 42-43.
Poirer, Matthieu, ed.
Landscope: Landscape and Contemporary Drawing.
Galerie Thaddaeus Ropac. Paris, France. 2008, pp. 38-41. 2008.
Perlein, Gilbert.
Robert Longo.
(French) Mamac. Nice, France. Skira Flammarion. Paris, France. 2009.
Eklund, Douglas, ed.
The Pictures Generation: 1974-1984.
The Metropolitan Museum of Art. New York, New York. Yale University Press. New Haven, Connecticut. 2009.
Spies, Werner, et al.
Robert Longo.
(English) Skira Rizzoli. New York, New York. 2010.
Wiehager, Renate.
Cars: Andy Warhol, Robert Longo, Sylvie Fleury, Vincent Szarek.
Albertina. Vienna, Germany. Hatje Cantz. Ostfildern, Germany. 2010.
Off the Wall.
Whitney Museum of American Art. New York. New York. 2010.
Vervoordt, Axel, ed.; Francesco Poli, Rosa Martínez, Axel Vervoordt, Eddi de Wolf and Tatsuro Miki, essays.
TRA: Edge Of Becoming.
MER Paper Kunsthalle. Ghent, Belgium; Skira. Milan, Italy. 2011.
-0.jpg)
