|
Frank, Peter.
The Kitchen Center for Video and Music 75076.
Haleakala. New York, New York, USA, 1976.
|
 |
|
Goldin, Amy.
Patterning and Decoration.
Museum of the American Foundation for the Arts. Miami, Florida, USA, 1977.
|
 |
|
Meyer, Ruth K.
Arabesque.
Cincinnati Contemporary Arts Center. Cincinnati, Ohio, USA, 1978.
|
 |
|
Kardon, Janet.
The Decorative Impulse.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania, USA, 1979.
|
 |
|
Kusner, Robert.
The Decorative Impulse.
"Decoration," Institute of Contemporary Art, University of Pennsylvania. 1979.
|
 |
|
Perreault, John.
Drawings: The Pluralist Decade (installation at the 1980 Venice Biennale).
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania, USA, 1980.
|
 |
|
Szeemann, Harald.
In Pattern.
Galerie d’art Contemporarin des Musées de Nice. Nice, France, 1980.
|
 |
|
Armstrong, Richard.
Dreams and Visions.
Holly Solomon Gallery. New York, New York, USA, 1981.
|
 |
|
Kushner, Robert.
Dreams and Visions.
"Interview with Richard Armstrong," Holly Solomon Gallery. New York, New York, USA, 1981.
|
 |
|
Kushner, Robert.
Bonjour, Monsieur Manet.
Catherine David, ed. Paris, France, 1983.
|
 |
|
Marshall, Richard.
Robert Kushner Paintings on Paper.
The Whitney Musuem of American Art. New York, New York, USA, 1984.
|
 |
|
Guide to the Permanent Collection.
Milwaukee Art Museum. Milwaukee, Wisconsin, USA, 1985.
|
 |
|
Printer, Neil.
Decoration and Representation.
Alberta College of Art Gallery. Alberta, Canada, 1986.
|
 |
|
Kuspit, Donald.
In Robert Kushner.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania, USA, 1987.
|
 |
|
Art Against Aids.
Livet-Reichard. New York, New York, USA, 1987.
|
 |
|
Un Bano in Maschera.
The Jewish Museum. New York, New York, USA, 1989.
|
 |
|
Kushner, Robert.
Artist's Statement: Robert Kushner.
Wichita Art Museum. Wichita, Wisconsin, USA, 1989.
|
 |
|
Kuspit, Donald.
Past Becoming Future.
The Contemporary Art Gallery, Seibu Department Stores. Tokyo, Japan, 1991.
|
 |
|
Hammer, Jonathan.
Daylight Savings.
John Berggruen Gallery. San Francisco, California, USA, 1993.
|
 |
|
Zurko, Kathleen McManus.
Prints from SOLO Impression Inc.
The College of Wooster Art Museum. Wooster, Ohio, USA, 1994.
|
 |
|
Flora: Contemporary Artists and the World of Flowers.
Leigh Yawley Woodson Art Musuem. Wausau, Wisconsin, USA, 1995.
|
 |
|
Japanese Woodblock Printers Meet Contemporary Artists in America.
Meguro Museum of Art. Tokyo, Japan, 1995.
|
 |
|
Printmaking in America: Collaborative Prints and Presses 1960-1990.
Mary and Leigh Block Gallery, Northwestern Univeristy. Evanston, Illinois, USA, 1995.
|
 |
|
Washi: Collaborations in Spirit.
Beckstrand Gallery, Palos Verdes Art Center. Palos Verdes Estates, California, USA, 1995.
|
 |
|
Serota, Nicholas.
Illustrated Catalog of Acquisitions, 1986-88.
Tate Gallery. London, United Kingdom, 1996.
|
 |
|
In Bloom.
New Jersey Center for Visual Arts. Summit, New Jersey, USA, 1996.
|
 |
|
Takezawa, Yuzo.
A Pray for Peace, two-man Exhibition of Hiroshi Senju and Robert Kushner.
Hiroshima Prefecture Art Museum. Hiroshima, Japan, 1997.
|
 |
|
Nasgaard, Ronald.
Bang! The Gun as Image.
Florida State University Museum of Fine Arts. Tallahassee, Florida, USA, 1997.
|
 |
|
Lasting Impressions: Twentieth-Century Prints from the Permanent Collection.
Birmingham Musem of Art. Birmingham, Alabama, USA, 1997, pp.10-11.
|
 |
|
Serota, Nicholas.
Views From Abroad: European Perspectives on American Art 3.
The Whitney Museum of American Art. New York, New York, USA, 1997.
|
 |
|
Kortun, Vasif.
Stills: Art and Cinama in the Marieluise Hessel Collection.
Centro Cultural Light. Rio de Janeiro, Brazil, 1997.
|
 |
|
Dector, Joshua.
A/Drift.
Center for Curatorial Studies, Bard College. Annandale-on-Hudson, New York, USA, 1997.
|
 |
|
Scott, Sue.
The Eward R. Broida Collection: A Selection of Works.
The Orlando Musem of Art. Orlando, Florida, USA, 1998.
|
 |
|
Mesquita, Ivo.
Stills: A Selection from teh Marieluise Hessel Collection.
Center for Curatorial Studies, Bard College. Annandale-on-Hudson, New York, USA, 1998.
|
 |
|
Superheroes.
Cotthem Gallery. Knokke, Belgium, 1998.
|
 |
|
Henry, Sarah Lynn.
Robert Kushner: 25 Years of Making Art.
New Jersey Center for Visual Arts. Summit, New Jersey, USA, 1998.
|
 |
|
Kuspit, David.
Robert Kushner: The Language of Flowers.
DC Moore Gallery. New York, New York, USA, 1998.
|
 |
|
Fairbrother, Trevor.
The Virginia & Bagley Wright Collection.
Seattle Art Museum. Seattle, Washington, USA, 1999.
|
 |
|
Phillips, Lisa.
The American Century: 1950-2000.
The Whitney Museum fo American Art. New York, New York, USA, 1999.
|
 |
|
Collischan, Judy.
End Papers.
Neuburger Museum of Art, Purchase College, State University of New York. Purchase, New York, USA, 2000.
|
 |
|
Limited and Unlimited Editions.
Artists Space. New York, New York, USA, 2000.
|
 |
|
Harrison, Jr, William B.
Art at Work- Forty Years of The Chase Manhattan Collection.
The Chase Manhattan Corporation. New York, New York, USA, 2000, pp.196-197.
|
 |
|
Streit-Lust- For Argument's Sake.
Ludwig Forum für Internationale Kunst. Aachen, Germany, 2001, p.55.
|
 |
|
Burkard, Lene.
Patterns.
Kunsthallen Brandts Klaedefabrik. Odense, Denmark, 2001.
|
 |
|
Kushner, Robert.
Beauty Without Regret.
Bellas Artes. Santa Fe, New Mexico, USA, 2001.
|
 |
|
Kushner, Robert.
Holly Solomon Tribute/Memorial.
Guggenheim Museum NYC. (September), 2002.
|
 |
|
Kushner, Robert.
The Good, the Bad, and the Ugly.
UT Austin. James Michener Collection. (October), 2002.
|
 |
|
Melodrama.
Atrium. Vitoria-Gasteiz, Spain, 2002, pp.36-41.
|
 |
|
Rapture.
Barbican Gallery. London, United Kingdom, 2002, pp.162-163.
|
 |
|
The Freud Drawings.
Krefelder Kunstmuseen. Krefeld, Germany, 2002.
|
 |
|
Kushner, Robert.
Inside the Studio, Two Decades of Talks With Artists in New York.
Independent Curators International. New York, New York, USA, 2004.
|
 |
|
Eleey, Peter.
Robert Kushner.
Wistariahurst Museum. Holyoke, Massachusetts. 2005.
|
 |
|
New Art in An Old City/3.
The Sydney and Walda Besthoff Collection. New Orleans, Louisiana. 2005, pp. 98-9.
|
 |
|
Swartz, Anne.
Pattern and Decoration: An Ideal Vision in American Art, 1975–1985.
Hudson River Museum. New York, New York. 2007.
|
 |
|
Bonde, Lisbeth, essay.
Eventyrskabe (Fairytale Cabinets).
Kunsthallen Brandts. Odense, Denmark. 2007.
|
 |
|
182nd Annual Exhibition of Contemporary American Art.
National Academy Museum. New York, New York. 2007.
|
 |
|
War Fallout: Mid-century Modernism in the Luther W. Brady Collection at the Picker Art Gallery.
Picker Art Gallery, Colgate University. Hamilton, New York. 2007.
|
 |
|
Eleey, Peter.
Robert Kushner: On Location.
DC Moore Gallery. New York, New York. 2007.
|
 |
|
Spring, Justin.
Robert Kushner: Silk Road.
DC Moore Gallery. New York, New York. 2008.
|
 |
[return to top]
|
| |
|