William T. Wiley Catalogue
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Presented courtesy of the
Charles Cowles Gallery

William T. Wiley is co-represented by
The Marsha Mateyka Gallery

William T. Wiley
Artist Reviews
Leonhart, Mark Michael.  "Reviews: William T. Wiley,"  The New Art Examiner,  June, 1979.
The Paris Review,  No. 84. Summer, 1982.
"Nobody Knows Where It Comes From,"  The North American Reviews,  December, 1983, p. 31. 
Thorson, Alice.  "Art That is Personal and Politcal,"  The Washington Times,  December 7, 1989, E2. 
McWilliams, Martha.  "Past as Prologue- William T. Wiley: What's Missing,"  Washington City Paper,  April 14, 1995.
Smith, Roberta.  "A Neo-Surrealist Show With a Revisionist Agenda,"  The New York Times,  January 12, 1996.
Hamlin, Jesse.  "Giving Old Art a New Spin, William T. Wiley Paints, Writes on Recycled Images,"  San Francisco Chronicle,  March, 1996.
Protzman, Ferdinand.  "An Artist’s Wiley Ways; At Marsha Mateyka, Punning Commentary,"  The Washington Post,  November 20, 1997, B7. 
Ollman, Leah.  "Watercolors, Sculptures That Say Something,"  The Los Angeles Times,  July 21, 2000.
Griffith, Jackson.  "Crepuscule for Wiley,"  Sacramento News & Review,  November 7, 2002.
Shaw-Eagle, Joanna.  "Metaphor in 'Watercolors',"  The Washington Times,  March 23, 2003, D6. 
Glueck, Grace.  "William T. Wiley--'More Than Meats, the I',"  The New York Times,  February 20, 2004.
Shaw-Eagle, Martha.  "Wiley: Waiting for the End of the World,"  The Washington Times,  August 13, 2005.
Genocchio, Benjamin.  "From California, With Color,"  New York Times,  June 17, 2007.
"Automatic,"  New York Times,  July 13, 2007.
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