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Leonhart, Mark Michael.
"Reviews: William T. Wiley,"
The New Art Examiner,
June, 1979.
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The Paris Review,
No. 84. Summer, 1982.
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"Nobody Knows Where It Comes From,"
The North American Reviews,
December, 1983, p. 31.
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Thorson, Alice.
"Art That is Personal and Politcal,"
The Washington Times,
December 7, 1989, E2.
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McWilliams, Martha.
"Past as Prologue- William T. Wiley: What's Missing,"
Washington City Paper,
April 14, 1995.
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Smith, Roberta.
"A Neo-Surrealist Show With a Revisionist Agenda,"
The New York Times,
January 12, 1996.
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Hamlin, Jesse.
"Giving Old Art a New Spin, William T. Wiley Paints, Writes on Recycled Images,"
San Francisco Chronicle,
March, 1996.
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Protzman, Ferdinand.
"An Artist’s Wiley Ways; At Marsha Mateyka, Punning Commentary,"
The Washington Post,
November 20, 1997, B7.
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Ollman, Leah.
"Watercolors, Sculptures That Say Something,"
The Los Angeles Times,
July 21, 2000.
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Griffith, Jackson.
"Crepuscule for Wiley,"
Sacramento News & Review,
November 7, 2002.
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Shaw-Eagle, Joanna.
"Metaphor in 'Watercolors',"
The Washington Times,
March 23, 2003, D6.
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Glueck, Grace.
"William T. Wiley--'More Than Meats, the I',"
The New York Times,
February 20, 2004.
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Shaw-Eagle, Martha.
"Wiley: Waiting for the End of the World,"
The Washington Times,
August 13, 2005.
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Genocchio, Benjamin.
"From California, With Color,"
New York Times,
June 17, 2007.
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"Automatic,"
New York Times,
July 13, 2007.
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