Young American Photography.
Kalamazoo Institute of the Arts. Kalamazoo, Michigan. 1977.
Australian Center for Photography. Paddington, Australia. 1977.
Mirrors and Windows: American Photography Since 1960.
Museum of Modern Art. New York, New York, 1978.
Danese, Renato, ed.
American Images: New York by Twenty Contemporary Photographers.
The Corcoran Gallery of Art. Washington, D.C. 1979.
1981 Biennial Exhibition.
Whitney Museum of American Art. New York, New York, 1981.
Rochester Institute of Technology. Rochester, New York. 1982.
Rhode Island School of Design. Providence, Rhode Island. 1982.
University of Connecticut. Storrs, Connecticut. 1982.
Photography in California: 1945 - 1980.
San Francisco Museum of Modern Art. San Francisco, California, 1984.
Turner, Peter, ed.
American Images: American Photography from 1845 - 1980.
Barbican Art Gallery. London, United Kingdom. 1985.
New American Photography.
Los Angeles County Museum of Art. Los Angeles, California. 1985.
Contemporary American Photography.
Gallery Min. Tokyo, Japan. 1986.
Richard Misrach: Photography of the American Desert.
The Oakland Museum. Oakland, California. 1987.
Ansel Adams and the American Landscape.
Dallas Museum of Art. Dallas, Texas. 1987.
Fraenkel Gallery. San Francisco, California. 1987.
Centro de Arte Reina Sofia. Madrid, Spain. 1987.
Richard Misrach: 1975-1987.
Gallery Min. Tokyo, Japan. 1988.
Landscape as Thought, Lita Albuquerque and Richard Misrach.
California State University at Fullerton. Fullerton, California. 1989.
Barich, Bill and Therese Thau Heyman.
Picturing California: A Century of Photographic Genius.
Oakland Museum. Oakland, California, 1989.
Decade by Decade: Twentieth Century American Photography from the Collection of the Center for Creative Photography.
Center for Creative Photography. Tucson, Arizona. 1989.
L'Invention d'un Art: Cent Cinquantieme Anniversaire de la Photographie.
Musee National d’Art Moderne, Centre Georges Pompidou. Paris, France. 1989.
Myth of the West.
Henry Art Gallery. Washington, DC, 1990.
Between Home and Heaven: Contemporary American Landscape Photography.
National Museum of American Art, Smithsonian Institution. Washington, DC, 1992.
Visions of America: Landscapes as Metaphor in the Late Twentieth Century.
Denver Art Museum. Denver, Colorado, 1993.
Weski, Thomas, and Manfred Allie.
Konstruktion Zitat : Kollektive Bilder in Der Fotografie Sprengel Museum Hannover.
Sprengel Museum. Hannover, Germany. 1993.
Mexico Through Foreign Eyes.
International Center for Photography. New York, New York, 1993.
Bruce, Chris and Andy Grundberg.
After Art : Rethinking 150 Years of Photography : Selections from the Joseph and Elaine Monsen Collection.
The Henry Art Gallery, University of Washington. Seattle, Washington, 1994.
Bruce, Chris and Andy Grundberg.
After Art: Rethinking 150 years of Photography, Selections from the Joseph and Elaine Monsen Collection.
Henry Art Gallery, University of Washington. Seattle, Washington. 1994.
Fraenkel Gallery. San Francisco, California, 1995.
Tucker, Anne Wilkes with Rebecca Solnit.
Crimes and Splendors: The Desert Cantos of Richard Misrach.
Bulfinch Press/Little, Brown in association with the Museum of Fine Arts, Houston, Texas. 1996.
Perpetual Mirage: Photographic Narratives of the Desert West.
Whitney Museum of American Art. New York, New York. 1996.
Scene of the Crime, Media Report.
Armand Hammer Museum of Art and Cultural Center. Los Angeles, California. 1997.
Matrix/Berkeley: 20 Years, 1978-1998.
The University of California, Berkeley Art Museum. Berkeley, California. 1998.
Into the 21st Century, Selections from the Permanent Collection.
San Jose Museum of Art. San Jose, California. 1999.
The American Century : Art & Culture, 1950-2000 (Part II).
Whitney Museum of American Art in association with W.W. Norton. New York, New York. 1999.
Di Rosa, Rene.
Local Color: The Di Rosa Collection of Contemporary California Art.
Chronicle Books. San Francisco, California. 1999.
University of Wyoming Art Museum. Laramie, Wyoming. 2000.
The Swamp: On the Edge of Eden.
Harn Museum of Art, University of Florida. Gainesville, Florida. 2000.
Mc Near, Sarah.
The Angle of Repose: Four American Photographers in Egypt.
LaSalle Bank. Chicago, Illinois. 2000.
From the Dark Room.
Michael Hue-Williams Fine Art. London, United Kingdom. 2001.
American Visionaries: Selections from the Whitney Museum of American Art.
The Whitney Museum of American Art in association with Harry N. Abrams. New York, New York. 2002.
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001.
The Whitney Museum of American Art in association with Prestel. New York, New York. 2002.
Keeping Shadows: Photography at the Worcester Art Museum.
Worcester Art Museum, in association with Snoeck Publishers, Worcester, Massachusetts. 2004.
Likeness: Portraits of Artists by Other Artists.
CCA Wattis Institute for Contemporary Art. San Francisco, California. 2004.
Marlborough Gallery. New York, New York. 2005.