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Young American Photography.
Kalamazoo Institute of the Arts. Kalamazoo, Michigan. 1977.
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Bent Photography.
Australian Center for Photography. Paddington, Australia. 1977.
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Szarkowski, John.
Mirrors and Windows: American Photography Since 1960.
Museum of Modern Art. New York, New York, 1978.
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Danese, Renato, ed.
American Images: New York by Twenty Contemporary Photographers.
The Corcoran Gallery of Art. Washington, D.C. 1979.
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1981 Biennial Exhibition.
Whitney Museum of American Art. New York, New York, 1981.
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Flash.
Rochester Institute of Technology. Rochester, New York. 1982.
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California Photography.
Rhode Island School of Design. Providence, Rhode Island. 1982.
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Landscape.
University of Connecticut. Storrs, Connecticut. 1982.
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Photography in California: 1945 - 1980.
San Francisco Museum of Modern Art. San Francisco, California, 1984.
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Turner, Peter, ed.
American Images: American Photography from 1845 - 1980.
Barbican Art Gallery. London, United Kingdom. 1985.
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Gauss, Kathleen.
New American Photography.
Los Angeles County Museum of Art. Los Angeles, California. 1985.
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Contemporary American Photography.
Gallery Min. Tokyo, Japan. 1986.
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Richard Misrach: Photography of the American Desert.
The Oakland Museum. Oakland, California. 1987.
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Ansel Adams and the American Landscape.
Dallas Museum of Art. Dallas, Texas. 1987.
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Fraenkel, Jeffrey.
Insistent Objects.
Fraenkel Gallery. San Francisco, California. 1987.
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Rathbone, Belinda.
American Dreams.
Centro de Arte Reina Sofia. Madrid, Spain. 1987.
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Richard Misrach: 1975-1987.
Gallery Min. Tokyo, Japan. 1988.
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Landscape as Thought, Lita Albuquerque and Richard Misrach.
California State University at Fullerton. Fullerton, California. 1989.
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Barich, Bill and Therese Thau Heyman.
Picturing California: A Century of Photographic Genius.
Oakland Museum. Oakland, California, 1989.
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Decade by Decade: Twentieth Century American Photography from the Collection of the Center for Creative Photography.
Center for Creative Photography. Tucson, Arizona. 1989.
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L'Invention d'un Art: Cent Cinquantieme Anniversaire de la Photographie.
Musee National d’Art Moderne, Centre Georges Pompidou. Paris, France. 1989.
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Bruce, Chris.
Myth of the West.
Henry Art Gallery. Washington, DC, 1990.
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Between Home and Heaven: Contemporary American Landscape Photography.
National Museum of American Art, Smithsonian Institution. Washington, DC, 1992.
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Weski, Thomas, and Manfred Allie.
Konstruktion Zitat : Kollektive Bilder in Der Fotografie Sprengel Museum Hannover.
Sprengel Museum. Hannover, Germany. 1993.
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Mexico Through Foreign Eyes.
International Center for Photography. New York, New York, 1993.
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Visions of America: Landscapes as Metaphor in the Late Twentieth Century.
Denver Art Museum. Denver, Colorado, 1993.
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Bruce, Chris and Andy Grundberg.
After Art : Rethinking 150 Years of Photography : Selections from the Joseph and Elaine Monsen Collection.
The Henry Art Gallery, University of Washington. Seattle, Washington, 1994.
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Bruce, Chris and Andy Grundberg.
After Art: Rethinking 150 years of Photography, Selections from the Joseph and Elaine Monsen Collection.
Henry Art Gallery, University of Washington. Seattle, Washington. 1994.
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Seeing Things.
Fraenkel Gallery. San Francisco, California, 1995.
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Tucker, Anne Wilkes with Rebecca Solnit.
Crimes and Splendors: The Desert Cantos of Richard Misrach.
Bulfinch Press/Little, Brown in association with the Museum of Fine Arts, Houston, Texas. 1996.
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Perpetual Mirage: Photographic Narratives of the Desert West.
Whitney Museum of American Art. New York, New York. 1996.
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Scene of the Crime, Media Report.
Armand Hammer Museum of Art and Cultural Center. Los Angeles, California. 1997.
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Matrix/Berkeley: 20 Years, 1978-1998.
The University of California, Berkeley Art Museum. Berkeley, California. 1998.
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The American Century : Art & Culture, 1950-2000 (Part II).
Whitney Museum of American Art in association with W.W. Norton. New York, New York. 1999.
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Di Rosa, Rene.
Local Color: The Di Rosa Collection of Contemporary California Art.
Chronicle Books. San Francisco, California. 1999.
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Into the 21st Century, Selections from the Permanent Collection.
San Jose Museum of Art. San Jose, California. 1999.
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Landscape 2000.
University of Wyoming Art Museum. Laramie, Wyoming. 2000.
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The Swamp: On the Edge of Eden.
Harn Museum of Art, University of Florida. Gainesville, Florida. 2000.
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Mc Near, Sarah.
The Angle of Repose: Four American Photographers in Egypt.
LaSalle Bank. Chicago, Illinois. 2000.
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From the Dark Room.
Michael Hue-Williams Fine Art. London, United Kingdom. 2001.
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American Visionaries: Selections from the Whitney Museum of American Art.
The Whitney Museum of American Art in association with Harry N. Abrams. New York, New York. 2002.
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Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001.
The Whitney Museum of American Art in association with Prestel. New York, New York. 2002.
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Likeness: Portraits of Artists by Other Artists.
CCA Wattis Institute for Contemporary Art. San Francisco, California. 2004.
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Acton, David.
Keeping Shadows: Photography at the Worcester Art Museum.
Worcester Art Museum, in association with Snoeck Publishers, Worcester, Massachusetts. 2004.
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Landscape/Cityscape.
Marlborough Gallery. New York, New York. 2005.
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Tawadros, Gilane.
Brighton Photo Biennial 2006.
Photoworks. Brighton, United Kingdom. 2006.
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Martin, Lesley A.
Richard Misrach: On the Beach.
Aperture. New York, New York. 2007.
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Nothing and Everything.
Fraenkel Gallery. San Francisco, California. 2007.
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Longwell, Alicia G., Terrie Sultan, Max Blagg and Lawrence Weschler.
Sand: Memory, Meaning, and Metaphor.
Parrish Art Museum. Southampton, New York. 2008.
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Respini, Eva.
Into the Sunset: Photography's Image of the American West.
The Museum of Modern Art. New York, New York. 2009.
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Trouble in Paradise: Examining Discord Between Nature and Society.
Tucson Museum of Art. Tucson, Arizona. 2009.
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