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Nadis, Fred.
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Buchloh, Benjamin.
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Litt, Steven.
"Political Conceptual Art Makes Rare Appearance,"
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3E.
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Siegel, Jeanne.
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Smith, Paul.
"Difference in America,"
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Kuspit, Donald.
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Bonetti, David.
"What’s in a Word? Jenny Holzer’s Message Is the Medium,"
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October 16, 1987.
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Bordaz, Jean–Pierre.
"Jenny Holzer and the Spectacle of Communication,"
Parkett,
13, 1987.
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Cameron, Dan.
"Post–Feminism,"
Flash Art,
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pp. 80-3.
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Hawkins, Margaret.
"Jenny Holzer’s Abstract Messages Are Signs of the Times,"
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February 27, 1987.
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Independent Curators Incorporated,
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ICI Newsletter,
Spring–Summer, 1987.
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Indiana, Gary.
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Shift,
1.1, 1987.
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McGettigan, Michael.
"Putting it in Writing,"
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August 7–14, 1987.
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Polak, Maralyn Lois.
"Jenny Holzer: Messages Are Her Medium,"
The Philadelphia Inquirer Magazine,
September 27, 1987.
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Buck, Louisa.
"Clean and Keen, Clean and Mean,"
The Guardian,
December 14, 1988.
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"Word Play,"
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Chua, Lawrence.
"Jenny Holzer: Holzer, Like Burroughs, Couches Subversion in Seeming Nonsense,"
Flash Art,
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"Conceptual Supplement,"
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Danziger, James.
"American Graffiti,"
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December 4, 1988.
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Esman, Abigail R.
"Jenny Holzer,"
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February–March, 1988.
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Howell, John.
"Jenny Holzer: The Message Is the Medium,"
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87.6, Summer, 1988.
pp. 122–7.
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Kent, Sarah.
"Jenny Holzer: Signs of the Times,"
Time Out,
November 30, 1988.
pp. 26–7.
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Larson, Kay.
"Signs of the Times: Jenny Holzer’s Art Words Catch On,"
New York Magazine,
September 5, 1988.
pp. 49–53.
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MacPherson, Rory.
"Jenny Holzer,"
Splash,
Summer, 1988.
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Staniszewski, Mary Anne.
"Jenny Holzer: Language Communicates,"
Flash Art,
143, November–December, 1988.
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Svitil, Torene.
"Jenny Holzer,"
Exposure,
September–October, 1988.
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Taylor, Paul.
"Jenny Holzer Sees Aphorism as Art,"
Vogue,
November, 1988.
pp. 388–393, 456.
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Brenson, Michael.
"Jenny Holzer: The Message Is the Message,"
The New York Times,
August 7, 1988.
Sec. 2, p.29.
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Alhadeff, Gini, Marion McEvoy.
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Elle,
January, 1989.
pp. 29–34.
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Carlin, John.
"80’s Art Chart,"
Paper,
6.12, December 1989–January1990, 1989.
pp. 62–3.
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Cottingham, Laura.
"The Feminine De–Mystique,"
Flash Art,
147, Summer, 1989.
pp. 91–5.
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Craddock, Sacha.
"In the End Was the Word,"
Weekend Guardian,
January 14, 1989.
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Domino, Christophe.
"Le Discours à l’Oeuvre (de la tradition à Holzer et Haacke),"
Artstudio,
15, Winter, 1989.
pp. 56–67.
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Evans, Steven.
"Not All About Death: Jenny Holzer,"
Artscribe International,
76, Summer, 1989.
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Heartney, Eleanor.
"The New Social Sculpture,"
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Howell, John.
"The Writing on the Wall,"
Elle,
5.4, December, 1989.
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Lipson, Karin.
"The Message Is Her Medium,"
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March 19, 1989.
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Michalski, Vikki.
"Call It What You Want, It’s Art,"
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Wallach, Amei.
"Jenny Holzer’s Sign Language,"
Newsday Magazine,
December 10, 1989.
pp. 10–4, 16–7, 20-1.
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Smith, Roberta.
"Holzer Makes the Guggenheim a Museum of Many Messages,"
The New York Times,
December 13, 1989.
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Kramer, Hilton.
"Lugubrious Jenny Holzer Exhibit at One of the City’s Creepiest Spots,"
The New York Observer,
April 10, 1989.
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Larson, Kay.
"In the Beginning Was the Word,"
New York Magazine,
April 3, 1989.
pp. 71–2.
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Smith, Roberta.
"Flashing Aphorisms by Jenny Holzer at Dia,"
The New York Times,
March 10, 1989.
p. 26.
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Hume, Christopher.
"Holzer’s Messages Are Even Carved in Stone,"
The Toronto Star,
January 27, 1989.
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Brenson, Michael.
"Bold Sculpture for Wide–Open Spaces,"
The New York Times,
July 21, 1989.
sec. C1, C24.
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"Jenny Holzer,"
The New Yorker,
March 20, 1989.
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Princenthal, Nancy.
"The Quick and the Dead: Jenny Holzer’s ‘Laments’ at Dia,"
The Village Voice,
March 14, 1989.
pp. 31–2.
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Navaretta, C.
"Jenny Holzer,"
Women in Art,
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Kimmelman, Michael.
"Venice Biennale Opens with Surprise,"
The New York Times,
May 28, 1990.
C11, C17.
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Costa, Vanina.
"Jenny Holzer,"
Beaux Arts Magazine,
80, June, 1990.
pp. 114–5.
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Gomez, Edward M.
"Quarreling over Quality,"
Time,
Fall, 1990.
pp. 61–2.
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Joselit, David.
"Holzer: Speaking of Power,"
Art in America,
October, 1990.
p. 156.
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Lewis, James.
"Powers of Disingenuousness,"
Art Issues,
11, May, 1990.
pp. 13–7.
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Mantegna, Gianfranco.
"Parole per la vita,"
Chorus,
1.5, June, 1990.
pp. 38–40.
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Mejias, Jordan.
"Die Künstlerin Jenny Holzer,"
Frankfurter Allgemeine Magazin,
June 1, 1990.
pp. front cover, 12–8.
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Sandqvist, Gertrud.
"Abjekt=Abject,"
Siski,
3, 1990.
pp. 3–15.
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Sischy, Ingrid, Karen Marta.
"Art in Venice: Holzer Has Words for America,"
Interview,
20.6, June, 1990.
p. 92.
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Vielhaber, Christiane.
"Jenny Holzer,"
Künstler Kritisches Lexikon der Gegenwartskunst,
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Welish, Marjorie.
"Who’s Afraid of Verbs, Nouns, and Adjectives?,"
Arts Magazine,
64.8, April, 1990.
pp. 79–84.
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Taylor, Paul.
"Jenny Holzer,"
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pp. 116–9.
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Flam, Jack.
"Mixed–Up–Media: The Same New Thing,"
The Wall Street Journal,
July 25, 1990.
sec. A10.
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Hughes, Robert.
"A Sampler of Witless Truisms,"
Time,
July 30, 1990.
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Joselit, David.
"Holzer: Speaking of Power,"
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78.10, October, 1990.
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Kachur, Lewis.
"Venice Preview: Jenny Holzer,"
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11, Summer, 1990.
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Kimmelman, Michael.
"A Changed Biennale Remains the Same,"
The New York Times,
June 10, 1990.
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Perl, Jed.
"Jenny Holzer: Billboards,"
Modern Painters,
3.2, Summer, 1990.
pp. 46–7.
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Vetrocq, Marcia E.
"Vexed in Venice,"
Art in America,
7810, October, 1990.
pp. 152–63.
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Heartney, Eleanor.
"Jenny Holzer: Guggenheim Museum,"
Artnews,
89.3, March, 1990.
p. 173.
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Larson, Kay.
"Jenny Be Good,"
New York Magazine,
January 8, 1990.
p. 69.
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"Letters to the Editor: A Few Words from Jenny Holzer,"
The New York Times Magazine,
January 14, 1990.
p. 6.
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Miller, John.
"Jenny Holzer: Guggenheim Museum,"
Artscribe International,
80, March–April, 1990.
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Levin, Kim.
"Lumiere et son,"
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January 9, 1990.
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Als, Hilton.
"Def in Venice: Fear and Loathing at the Biennale,"
The Village Voice,
July 17, 1990.
pp. 41–5.
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Adcock, Craig.
"Pop into Agit–Pop,"
Tema Celeste 30,
March–April, 1991.
pp. 74–9.
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Bann, Stephen.
"The Inscription in the Garden: Ian Hamilton Finlay and the Epigraphic Convention,"
Apollo,
134.354, August, 1991.
pp. 119–120.
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Hayt–Atkins, Elizabeth.
"It’s Art by Fax and by Phone,"
Elle Decor,
2.8, October, 1991.
pp. 42–4.
|
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Howell, John.
"Contemporary Art and the Pursuit of Perfection in the House of Asher,"
Elle Decor,
2.6, August, 1991.
p. 61.
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Schels, Evelyn.
"Jenny Holzer: Meisterin der Sprüche,"
Elle,
1.11, November, 1991.
pp. 304–6.
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Suenobu, Yoshiharu.
"Jenny Holzer,"
marie claire,
88, 1991.
pp. 332–3.
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"Women on Men: The Uneasy State of Masculinity Now,"
Esquire,
116.4, October, 1991.
p. 144.
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Zurbrugg, Nicholas.
"Jenny Holzer,"
Eyeline: East Coast Contemporary Visual Arts,
16, Spring, 1991.
pp. 18–21.
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Boepple, Leanne.
"Stone for Art’s Sake,"
Stone World,
9.3, March, 1992.
pp. 46–52, 89.
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Cirincione, Janine.
"Activity Can Be Overrated,"
Through the Looking Glass: Artists’ First Encounters with Virtual Reality,
1992.
pp. 25–9.
|
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Codrington, Andrea.
"Learning Through Art,"
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June 28, 1992.
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Dyer, Susan.
"The Sibyl Cave Revisited: Jenny Holzer,"
Women’s Art Magazine,
46, May–June, 1992.
pp. 18–9.
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Flos, Birgit.
"Schwarze Blüten,"
Der Standard,
April 17, 1992.
|
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Gabarino, Steve.
"Going Against Type,"
Entertainment Weekly,
May 8, 1992.
p. 10.
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Kalaidjian, Walter.
"Mainlining Postmodernism: Jenny Holzer, Barbara Kruger, and the Art of Intervention,"
Postmodern Culture,
2.3, 1992.
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Nichols, Peter M.
"Home Video,"
The New York Times,
February 13, 1992.
|
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Taylor, John.
"Born Again,"
New York Magazine,
25.22, June 1, 1992.
p. 31.
|
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"Lustmord,"
Süddeutsche Zeitung Magazin,
November 19, 1993.
pp. 1-31.
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Flynn, Patrick J. B.
"Jenny Holzer,"
The Progressive,
57.4, April, 1993.
pp. 30–4.
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Harris, Ellen T.
"Not So) Obscure Object of Desire,"
Preview: Museum of Fine Arts, Boston,
January–February, 1993.
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Hughes, Robert.
"The View from Piccadilly,"
Time,
October 4, 1993.
pp. 78–9.
|
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Nash, Eric P.
"Does Fashion Matter?,"
The New York Times Magazine,
October 24, 1993.
pp. 46–72.
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Simon, Joan.
"No Ladders; Snakes: Jenny Holzer’s Lustmord,"
Parkett,
40.41, 1993.
pp. 78–97.
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Bassi, Dora.
"Autoritratti multimediali: Il fervore profetico di Jenny Holzer,"
Lapis,
23, September, 1994.
pp. 48–9.
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Hagenberg, Roland.
"Jenny, der fels,"
Vogue,
1, January, 1994.
pp. 188–193.
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Lacayo, Richard.
"If Everyone Is Hip…Is Anyone Hip?,"
Time,
August 8, 1994.
pp. 34–9.
|
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Lingemann, Susanne.
"7 starke Frauen in New York,"
Art,
12, December, 1994.
pp. 16–9.
|
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Snider, Burr.
"Jenny Holzer: Multidisciplinary Dweeb,"
Wired,
2.2, February, 1994.
pp. 76–7.
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"Wenn Kunst zum Zuendstoff wird,"
TSP,
December 19, 1994.
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Kurabayashi, Yasushi.
"Jenny Holzer,"
GQ Japan,
20, October, 1994.
pp. 178–181.
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Filipovna, Valerie.
"Truth and Truisms,"
Paper,
11.6, June, 1994.
p. 35.
|
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Schwartzman, Allan.
"After Four Years, the Message is Murder,"
The New York Times,
May 8, 1994.
pp. 34, 37.
|
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"Conscience: A Newsjournal of Prochoice Catholic Opinion,"
16.1, 16.2, Spring/Summer, 1995.
p. 2.
|
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"Conscience: A Newsjournal of Prochoice Catholic Opinion,"
16.3, Autumn, 1995.
p. 22.
|
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Halimi, Serge.
"Die ‘Think Tanks’ der amerikanischen Rechten,"
Le Monde Diplomatique/ die tageszeitung,
May 12, 1995.
pp. 10–1.
|
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Ippolito, John.
"Out of the Darkness and into the Loop,"
Flash Art,
28.181, March–April, 1995.
pp. 69–70.
|
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"Jede Ausgabe eine neue Windertuete Seit nunmehr fuenf Jahren pflegt das Magazin ‘Sueddeutschen Zeitung’,"
SZ,
October 6, 1995.
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Pacernick, Eden.
"Jenny Holzer: The Artist Behind the Words,"
Ohio University Newsletter,
Fall–Winter, 1995.
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Sand, Michael.
"Who’s Afraid of Cyberspace,"
Tate:The Art Magazine,
6, Summer, 1995.
pp. 36–9.
|
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Silander, Lisa.
"Art of Words,"
Rhode Island School of Design Views,
8.1, Fall, 1995.
pp. 1–5, cover.
|
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Snell, Marilyn Berlin.
"The Familiar Face of Fascism,"
Utne Reader,
72.10, November–December, 1995.
pp. 5, 54–9.
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Bensley, Lis.
"Site Santa Fe,"
Art News,
November, 1995.
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"Conscience: A Newsjournal of Prochoice Catholic Opinion,"
16.4, Winter, 1995/96.
p. 24.
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"Entschlossene 50: Frauen für die Cosmo–Aktion,"
Cosmopolitan,
3, March, 1996.
pp. 62–3.
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Hehn, Sascha.
"Reigh beschenkt: Wie einen das leben kann,"
Süddeutsche Zeitung Magazin,
November 22, 1996.
pp. 72–3.
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Irmer, Thomas.
"Deutsche Denkmäler: Ein Gespräch mit Jenny Holzer,"
Neue Bildende Kunst: Zeitschrift für Kunst und Kritik,
August–September, 1996.
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Kämmerling, Christian.
"Jenny Holzer,"
Lustmord,
1996.
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Spayde, Jon.
"What the World Needs Now,"
Utne Reader,
74.3, March, 1996.
pp. 62–77.
|
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"Wie ein Phallus,"
Der Spiegel,
24, 1996.
p. 190.
|
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von Däniken, Hans–Peter.
"Da, Wo Frauen sterben, bin ich hellwach,"
Eages–Anzeiger,
September 24, 1996.
p. 77.
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"Brennende Neugier,"
Deutsch Vogue,
January, 1996.
p. 48.
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"Jenny Holzer entwirft Goerdeler–Denkmal,"
Der Tagesspiegel,
November 1, 1996.
p. 25.
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"Jenny Holzer für Goerdeler,"
Verdener Aller–Zeitung,
November 1, 1996.
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"Jenny Holzer soll Gedenkstätte für Goerdeler gestalten,"
Sachsen–Anhalt lah,
October 31, 1996.
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Art Metropole,
19, 1997.
p. 30.
|
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"Beyond Museum Walls,"
Scholastic Art,
27.5, March, 1997.
pp. 4–5.
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Castellucci, Pier Paolo, Luciano Marucci.
"Jenny Holzer,"
Juliet Art Magazine,
February– March, 1997.
pp. 36–7.
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Corn, Melanie.
"Feminist Artists Take to the Streets: Geurrilla Tactics of the 1980s,"
i–D Magazine: The Desirable Issue,
164, May, 1997.
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Lynch, Florence.
"Jenny Holzer,"
Virus,
10, June, 1997.
pp. 21–4.
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Mayer, Margit J.
"Das Vogue Gespräch: Panik Hilft...,"
Deutsch Vogue,
October, 1997.
pp. 268–274.
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Wallach, Amei.
"Is it Art? Is it Good? And Who Says So?,"
The New York Times,
October 12, 1997.
36.
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Zwez, Anneliese.
"Bad Girls und Prinzessinnen im Elfenbeinturm,"
FRAZ Frauezeitung,
4, December 1996–February, 1997.
pp. 27–9.
|
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Stavropoulos, Rea.
Make London,
73, December–January, 1997.
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Congalton, David.
"Blacklist: It’s Time to Name Names,"
Telegram–Tribune,
April 5–11, 1997.
p. 5.
|
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Dunn, Mia Kaczinski.
"Blacklist Project Aims to Educate and to Commemorate,"
The Beverly Hills Courier,
March 14, 1997.
p. 1.
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Jones, Steven T.
"Remembering the Blacklist,"
New Times,
October 2–9, 1997.
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Klady, Leonard.
"Hollywood’s Blacklisted Launch Memorial,"
Daily Variety,
March 13, 1997.
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Morem, Bill.
"Speaking Freely, So Everyone Can,"
The Sun Bulletin,
October 1, 1997.
sec. A3.
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Muchnic, Suzanne.
"A Sculpture to Put Some Light on Dark Days,"
Los Angeles Times,
March 12, 1997.
sec. F1–F4.
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Robb, David.
"Anti–Semitism: Blacklist Ink?,"
The Hollywood Reporter,
November 20, 1997.
p. 21.
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"USC Art Honors the Blacklisted,"
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March 13, 1997.
pp. 6, 34.
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Weinraub, Bernard.
"Blacklisted Writers Win Credits for Screenplays,"
The New York Times,
April 3, 1997.
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Hapgood, Susan.
"A Snake and Nine Signs,"
Guggenheim Magazine,
Fall, 1997.
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Kimmelman, Michael.
"A Giant Guggenheim Outpost in Spain May Upstage its Contents,"
The New York Times,
October 20, 1997.
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Plagens, Peter.
"Another Tale of Two Cities,"
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Riding, Alan.
"The Basques Get Modern,"
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June 24, 1997.
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Hopkins, Mary Rozell.
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Lunde, Paige.
"Jenny Holzer: Contemporary Arts Museum,"
ArtLies: A Texas Art Journal,
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Turner, Jonathan.
"Transporting Truisms,"
Artnews,
January, 1997.
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Hirschberg, Lynn.
"The Little Rubber Dress, Among Others,"
The New York Times Magazine,
February 2, 1997.
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Bowles, Hamish.
"Throwing Luxury a Curve,"
Vogue,
November, 1998.
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Gould, Claudia, Valerie Smith.
"5000 Artists Return to Artists Space: 25 Years,"
Aritsts Space,
1998.
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Helfand, Glen.
"The Future Is Stupid,"
Wired,
October, 1998.
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Hillis, Danny.
"Ein Uhrwerk für die Ewigkeit,"
Die Zeit,
December 30, 1998.
p. 27.
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Moraes, Angélica de.
"Trabalho de Jenny Holzer parte de frases colecionadas,"
O Estado de S. Paulo,
sec. D8, August 4, 1998.
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O’Hehir, Anne.
"Jenny Holzer,"
Artonview,
14, Winter, 1998.
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"Untitled,"
Die Zeit,
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"When Something Terrible Happens People Wake Up,"
World Studio Sphere,
1998.
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Winikoff, Tamara.
"What do THEY make of it,"
Artlink,
18.2, 1998.
pp. 14–5.
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Labro, Camille.
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Vogue Hommes International Mode,
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pp. 156–7.
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Hara, Helio.
"Jenny Holzer mostra obras/frases em SP,"
O Globo,
Aug. 31, 1998.
p. 8.
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Casey, Mary Alice.
"Jenny Holzer: Creating Art for the Mind,"
Ohio University Today,
Fall–Winter, 1998.
p. 11.
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Zuck, Barbara.
"The Artist is as Good as her Words,"
Colombus Dispatch,
October 11, 1998.
sec. 1F, 2F.
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Farrelly, Liz.
"Inspiration Point,"
Design Week,
February 19, 1999.
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Jahre, Lutz.
"Orte–Worte: Zum Künstlerbeitrag von Jenny Holzer,"
AKMB News,
5.1, April, 1999.
pp. 24–7.
|
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Maloney, Janice.
"Museums Click on to the Web, and the Favor Gets Returned,"
The New York Times,
April 21, 1999.
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Oldham, Ned.
"Public Image: Artist Jenny Holzer’s Medium is the Message,"
Black and White,
March 4, 1999.
p. 21.
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Ouroussoff, Nicolai.
"Bridging L.A.’s Cultural Divide,"
Los Angeles Times,
June 20, 1999.
pp. 47, 76.
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"Protect me from What I Want,"
POZ,
November, 1999.
front cover.
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"Umfrage: Medien,"
Art Hamburg,
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pp. 46–51.
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Seeley, John.
"The Dark Ages: Sculpture Garden Honors the Hollywood 10,"
LA Weekly,
December 3–9, 1999.
p. 22.
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Bramke, Werner.
"Fuer die Bestmoegliche Wuerdigung Goerdelers Einesetzt,"
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September 27, 1999.
p. 15.
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Fuchs, Sabine.
"Vom laben Oppositionellen zum Wilderständler,"
Saechsische Zeitung,
September 7, 1999.
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"Jenny Holzer,"
Saechsische Zeitung,
September 7, 1999.
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Kunick, Klaus-Dieter.
"Dem Meister Kunst und alles Können abverlangt,"
Mitteldeutsche Zeitung,
September 4, 1999.
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Merakeva, Dana.
"Worte wie Wut auf deiner Haut,"
Welt am Sonntag,
December 9, 1999.
p. 45.
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Orbeck, Matthias.
"Arbeiten für Goerdeler-Denkmal,"
Leipzig Volkszeitung,
May 18, 1999.
p. 14.
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Rometsch, Jens.
"Gewalt zwischen Polizei und Demonstraten,"
Osterländer Volkszeitung,
September 9, 1999.
p. 5.
|
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Stadler, Siegfied Stadler.
"Die Glocke in der Tiefe,"
Frankfurter Allgemeine Zeitung,
September 9, 1999.
p. 51.
|
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Voerkel, Stefan.
"Ein Mahnmal für Zivilcourage,"
Leipziger Blätter 35,
1999.
pp. 35–6.
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Beaucamp, Eduard.
"Die Artisten im Parlament,"
Frankfurter Allgemeine Zeitung,
April 20, 1999.
p. 49.
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Büscher, Wolfgang.
"Die Vernissage der Berliner Republik,"
Die Welt,
April 19, 1999.
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Englisch, Erhard.
"Deutsche Historie in der Cafeteria,"
Nürnberger Zeitung,
April 23, 1999.
|
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Feurich, Dieter, Raymond Quinn.
"Engineering the Reichstag Sign,"
The Arup Journal,
34.3, March, 1999.
p. 21.
|
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Hohmeyer, Jürgen.
"Deutschland Germanias Hemmelsprung,"
Der Spiegel,
April 12, 1999.
pp. 46-7.
|
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Hilgenstock, Andrea.
"Exklusive Galerie für Volksvertreter,"
Nürnberger Zeitung,
April 22, 1999.
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Wise, Michael Z.
"Open to the Public,"
Artnews,
June, 1999.
pp. 116–9.
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Camper, Fred.
"Strong Words,"
Chicago Reader,
May 7, 1999.
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Thon, Ute.
"Zur Sache, Sätzchen!,"
marie claire,
February, 2000.
p. 93.
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Fernandes, José Carlos.
"Lápides de una sobrevivente,"
Caderno Gazeta do Povo Domingo,
July 16, 2000.
p. 3.
|
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Barreneche, Raul, A.
"The Spirit of the New,"
Architecture,
April, 2000.
pp. 87–88, 122–125.
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"Honorary Degree Recipients for Commencement Announced,"
The Williams Record,
May 9, 2000.
p. 6.
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Jahre, Lutz.
"‘Confusing Yourself Is a Way to Stay Honest.’ Nachlese zum Künstlerbeitrag von Jenny Holzer,"
AKMB News,
6.3, 2000.
pp. 15–8.
|
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|
Jortvelt, Anne Kain.
"Et onske om interaksjoner,"
Morgenbladet Kultur,
January 21, 2000.
p. 1.
|
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Kaplan, Cheryl.
"Your Memory is Short; Jenny Holzer and James Turrell,"
Smock,
2, Fall–Winter, 2000.
pp. 70–7.
|
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Lesser, Guy.
"Vocabulary Lesson,"
Madison,
October, 2000.
pp. 64–70.
|
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Nordgren, Sune.
"Jenny Holzer,"
BALTIC Newsletter,
11, 2000.
|
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Tatlow, Didi Kirsten.
"American Academy stellt ihr Frühjahrsprogramm 2000 vor,"
Die Welt,
January 28, 2000.
|
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van den Bosch, Paula.
"The Collection Visser at the Kröller–Müller Museum,"
The Netherlands: Kröller–Müller Museum,
2000.
pp. 174–9.
|
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Wendenburg, Christina.
"Kurven statt Säulen,"
Berliner Morgenpost,
January 28, 2000.
p. 22.
|
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Heartney, Eleanor.
"Berlin: Future Perfect?,"
Art in America,
88.2, February, 2000.
pp. 108–115.
|
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Dannatt, Adrian.
"Towards the mot juste,"
The Art Newspaper,
11.17, September, 2001.
|
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Dawson, Mike.
"Jenny Holzer,"
FLUX Magazine,
December-January, 2001.
pp. 70–71.
|
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"Die Decken über Berlin,"
Focus,
January 29, 2001.
p. 116.
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"Jenny Holzer exklusiv,"
Design Report,
March, 2001.
pp. 80–83.
|
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Fiedler, Von Tanja.
"Das Hirn und das Herz treffen,"
Berliner Morgenpost,
January 30, 2001.
|
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Fillion, Odile.
"Il me faut une architecture forte à laquelle m’associer ou m’opposer,"
d’Architectures,
113, September, 2001.
p. 29.
|
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Finsterwalder, Von F.
"Ein Neon–Lichterneer aus Worten von Jenny Holzer,"
B.Z,
February 2, 2001.
|
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"Geliebte Höhe,"
Vogue,
September, 2001.
p. 223.
|
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Gilson, Nancy.
"'Sculptor’ Turns Words into Provocative Statements,"
Columbus Dispatch,
December 13, 2001.
|
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"Inspire Me,"
V,
13, September–October, 2001.
|
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"Jenny Holzer: ‘Lady in pink wearing Jenny Holzer t–shirt’,"
Folkevett,
1, 2001.
back cover.
|
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Kalwa, Jürgen.
"Ein Haus Mit Charakter,"
Architectural Digest,
3, April–May, 2001.
pp. 46–50.
|
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Karcher, Eva.
"Die Heilige Farbe,"
Vogue,
September, 2001.
pp. 412–417, 432, 434.
|
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Nicklaus, Olivier.
"Jenny Holzer plasticienne,"
Les Inrockuptibles,
September 18, 2001.
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"Star–Statements,"
Vogue,
March, 2001.
p. 212.
|
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Wang, Wilfried.
"Jury Transcript,"
SOM Journal,
1, 2001.
pp. 17–31.
|
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Dillman, Martina.
"On the Trail of Jenny Holzer in Berlin,"
Jewish Museum Berlin,
November–April, 2001.
pp. 18–9.
|
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Mayer, Margit J.
"Das labor des Dr. Lang,"
Architectural Digest,
February–March, 2001.
pp. 106–113.
|
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Wilson–Goldie, Kaelen.
"A Branding New Game,"
Art and Auction Inside the Art Market,
July–August, 2001.
pp. 84–91.
|
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Richter, Andrea.
"Fehler wurde shon bei Einweihung 1999 bemerkt, doch für Korrektur fehlte das Geld Goerdeler–Denkmal hat ein ‘e’ zu viel,"
Leipziger Vokszeitung–Stadtausgabe,
March 13, 2001.
p. 13.
|
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|
Pollack, Barbara.
"How Can You Think About Making Art at a Time Like This?,"
www.artnewsonline.com,
2001.
|
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Kalwa, Jürgen.
"Holzers Himmel Für Berlin,"
Architectural Digest,
3, April–May, 2001.
pp. 46–50.
|
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Sorbello, Marina.
"Jenny Holzer,"
Tema Celeste,
85, May–June, 2001.
p. 94.
|
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Finch, Charlie.
"What Now?,"
Artnet Magazine,
October 26, 2001.
|
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"After the Towers: Nine Artists Imagine a Memorial (with Calvin Tomkins),"
New Yorker,
July 15, 2002.
pp. 59-67.
|
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"Un Reto para los Artistas,"
Descubrir El Arte,
December, 2002.
p. 39.
|
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Alberti, M. E.
"Juegos Palabaras,"
Joyce España,
January, 2002.
pp. 56–67.
|
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"Beyond Museum Walls,"
Scholastic Art,
March, 2002.
pp. 4–5 and insert.
|
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Dax, Max.
"Jenny Holzer: ‘Helmut Lang ist ein Sehr Interessanter Mann Und Ein Sehr Guter Designer,"
Alert,
July–December, 2002.
pp. 24–35.
|
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DeBaraño, Kosme.
"Memoria y Futuro,"
Descubrir El Arte,
December, 2002.
p. 32.
|
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Heimbach, Birgit.
"Muttergefühle auf die Spitze getrieben,"
Hebammen Zeitschrift,
March, 2002.
p. 57.
|
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"In den Gärten des Glücks,"
marie claire,
September, 2002.
pp. 48–49.
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"Jenny Holzer: artist,"
Relax,
February, 2002.
p. 113: 1C.
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Leland, John.
"Designers Turn Down the Volume,"
The New York Times,
April 18, 2002.
F1, F7.
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Ross, Trine.
"Kunst skal ikke være alt for nyttigt,"
Politiken,
September 22, 2002.
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Ahlström, Crispin.
"Meningar som bildar 1 800 meter konstverk,"
Del 3,
September 28, 2002.
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Bing, Roger.
"Drömprojekt pä Wanås invigt,"
Kristianstadsbladet,
September 16, 2002.
p. 22.
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Holmqvist, Åke.
"Kulturbron nå Wanås och Breanäs,"
September 2, 2002.
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Johannesson, Sune.
"Sms med Wanås och Moderna,"
September 3, 2002.
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Kant, Katerina, trans. by Sara Nordlund.
"The Encounter: Jenny Holzer,"
Konst Perspktiv,
December, 2002.
pp. 12-4.
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Ross, Trine.
"Kunst skal ille være alt for nyttigt,"
Kunst: Politiken,
September 22, 2002.
p. 5.
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Ståhle, H.
"Tankeväckande mote mellan finkulturen ach arbetarkulturen,"
September 18, 2002.
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"Texter ristas in I Wanås–muren,"
Dygnet Runt,
September 13, 2002.
|
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Ungers, Oswald Mathias.
"Endspiel,"
Arch+,
161, June, 2002.
pp. 88–91.
|
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Calligaro, Giulia.
"Trieste organizza un tour tra I tesori del Friuli–Vg,"
Il Sole 24 Ore,
February 18, 2002.
|
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Carnelos, Sara.
"Serata di poesia a Pordenone,"
Messaggero Veneto,
April 21, 2002.
|
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Michelli, Lorenzo.
"Un museo a cielo aperto, grande come tutta la regione,"
Il Piccolo Giornale di Trieste,
March 22, 2002.
|
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"Pulcherrimae Strade’ del Friuli Venezia Giulia,"
Friuli nel Mondo 570,
March, 2002.
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"Goings On About Town – Galleries–Downtown,"
New Yorker,
September 2, 2002.
p. 22.
|
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Smith, Roberta.
"Jenny Holzer; ‘Kismet’; David LaChapplle,"
New York Times,
September 6, 2002.
|
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"Canvas: Jenny Holzer,"
Art News,
April, 2003.
p. 30.
|
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Dannatt, Adrian.
"Word on the Street,"
RIBA,
110.03, March, 2003.
pp. 22–4.
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"Forum: Working with the Sense Pleasures,"
Buddhadharma,
Fall, 2003.
p. 32.
|
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"Part Two of Artforum’s ‘80s Double Issue: Wrapping up a
Decade the Art World Loves to Hate,"
www.e-flux.com,
April 4, 2003.
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Grissemann, Stefan.
"Ein Paar ‘Harte Schläge,"
Profil,
April, 2003.
pp.136-140.
|
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Kojima, Yayoi.
"Graphic Storm,"
Vogue,
August, 2003.
p. 130.
|
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MacKeith, Peter.
"Telenor’s World Headquarters,"
Architectual Record,
May, 2003.
pp. 222-231.
|
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|
Ringen, Jonathan.
"Wireless Evolution,"
Metropolis,
June, 2003.
pp. 130-5, 206-7.
|
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|
Franken, Stephanie.
"Blue’s the Word for Convention Art,"
Pittsburgh Post-Gazette,
March 28, 2003.
D1, D6.
|
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Lowry, Patricia.
"Books in Blue Light Chosen as Convention Center Art,"
www.postgazette.com,
March 28, 2003.
|
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Root, Douglas, Margie Romero.
"The Republic of Art,"
H - The Magazine of the Heinz Endowment,
Fall, 2003.
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"Fühlen, nicht nur wissen,"
Neue Westfälische,
September 8, 2003.
|
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Longère, Christine.
"Erwanderte Mitteilungen,"
Neue Westfälische,
September 8, 2003.
|
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Mayer, Susanne.
"Unterwegs im Tunnel de Jahre,"
Die Zeit,
July, 2003.
pp. 55-6.
|
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Schafer, Martina.
"Die Botschaft der Bäume,"
Neue Westfälische,
June 15, 2003.
|
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Stienecke, Manfred.
"Alles kleine Weisheiten,"
Westfalen-Blatt,
September 8, 2003.
|
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Rubin, Birgitta.
"Wanås Opens the Gates,"
Dagens Nyheter,
May 24, 2003.
p. 2.
|
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Giovannini, Joseph.
"Escape from New York,"
Architectual Digest,
January, 2004.
p. 190.
|
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Vogel, Carol.
"Inside Art: Some Low-Flying Art That’s Full of Meaning,"
The New York Times,
October 22, 2004.
|
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Grossberg, Deborah.
"Holzer Flying High,"
The Architects Newspaper,
November 16, 2004.
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Hontoria, Javier.
"Jenny Holzer,"
El Cultural,
March 18, 2004.
p. 32.
|
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Anspon, Catherine D.
"Our Muses,"
PaperCity,
March, 2005.
pp. 22-3.
|
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|
Madsen, Jane J.
"Rising from the ashes: like the mythical Phoenix born anew and rising from its own ashes, the new 7 World Trade Center (WTC) embodies the beginning of a new downtown New York City,"
October, 2006.
|
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Sheets, Hilarie M.
"Waves of Light,"
ARTnews,
vol. 106, no. 3, March, 2007.
|
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Storr, Robert.
"Generation Gap,"
Frieze Magazine,
issue 105, March, 2007.
|
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Kennedy, Randy.
"Construction Zone: Beware of Audacious Art,"
The New York Times,
July 2, 2008.
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Freiss, Steve.
"In the Land of Glitter and Gambling, Plans for an Oasis of Art,"
The New York Times,
March 8, 2008.
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