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Crane, Mike, Judith Hoffberg, Joan Hugo.
Artwords and Bookworks: An International Exhibition of Recent Artists’ Books and Ephemera.
Los Angeles Institute of Contemporary Art. Los Angeles, California. 1978.
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Harrison, Margaret, Lucy Lippard, Sandy Nairne.
Issue: Social Strategies by Women Artists.
Institute of Contemporary Arts. London, United Kingdom. 1980.
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Styron, Thomas W.
Crimes of Compassion.
Chrysler Museum. Norfolk, Virginia. 1981.
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Borges, Jorges Luis, Saskia Bos, Coosje van Bruggen, Germano Celant, Hans Eichel, T.S. Eliot, Rudi H. Fuchs, Johannes Gachnang, J.W. von.
Documenta 7.
Kassel, Germany. June 19–September 23, 1982.
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Gear, Josephine.
Nine Women Artists.
State University of New York at Binghamton. Binghamton, New York. 1982.
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Jochimsen, Margarethe, Barbara Straka, Annelie Pohlen, Stephen Schmidt–Wufflen.
Ansatzpunkte, Kritischer Kunst Heute.
Bonner Kunstverein. Bonn, Germany. 1983.
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Flomenhaft, Eleanor.
Written Imagery Unleashed in the Twentieth Century.
Fine Arts Museum of Long Island. Hempstead, New York. 1983.
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Fuchs, Rudi H.
Walter Dahn, René Daniels, Isa Genzken, Jenny Holzer, Robert Longo, Henk Visch.
Stedelijk Van Abbemuseum. Eindhoven, Holland. 1983.
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Deitcher, David, Jerry Kearns, Lucy R. Lippard, William Olander, Craig Owens, and Richard E. Spear.
Art and Social Change, U.S.A.
Ohio. April 19–May 30, 1983.
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Armstrong, Tom, John G. Hanhardt, Barbara Haskell, Richard Marshall, Patterson Sims.
1983 Biennial Exhibition.
Whitney Museum of American Art. New York, New York. 1983.
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Armstrong, Tom, John G. Hanhardt, Barbara Haskell, Richard Marshall, Patterson Sims.
1983 Biennial Exhibition.
Whitney Museum of American Art. New York, New York. March 24–May 22, 1983.
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Page, Suzanne, Beatrice Parent, Claude Gintz.
Ailleurs et Autrement.
Musée d’art Moderne de la Ville de Paris. Paris, France. 1984.
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Bos, Saskia, Coosje van Bruggen.
De Appel.
Central Station AKO Bookshop. Amsterdam, Netherlands. 1984.
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Olander, William, Ann Shengold.
Jenny Holzer, Barbara Kruger, Richard Prince.
Spirit Square Art Center. Charlotte, North Carolina. 1984.
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Fox, Howard N., Abram Lerner, Miranda McClintick, Phyllis Rosenzweig.
Content: A Contemporary Focus.
1984.
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Felshin, Nina.
Disarming Images.
Contemporary Arts Center. Cincinnati, Ohio. 1984.
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Oliva, Achille Bonito, Shirley Davis, Wolfgang Max Faust, Henry T. Hopkins, Edward Kienholz, Dorothy Martinson, Klaus Ottman.
The Human Condition: Biennial III.
San Francisco Museum of Modern Art. San Francisco, California. 1984.
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Quesada, Acindino, Daphné Costopoulos Samuel Le Roux.
Été 1984 à Pouilly.
DANAE. Pouilly, France. 1984.
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Cohen, Ronnie, Peter E. Haaren, Emily Hicks, Marcolo McCormick, Ronald J. Onorato, Dean Savard, Britta Schmitz.
Women of Influence.
Amerika Haus. Berlin, Germany. 1984.
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Ferrulli, Helen.
Painting and Sculpture Today 1984.
Museum of Art. Indianapolis, Indianapolis. 1984.
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Belgiorno–Nettis, Franco, Paula Latos–Valier, Stuart Morgan, Leon Paroissien, Annelie Pohlen, Jean–Louis Pradel, Carter Ratcliff, Nelly Richard.
The Fifth Biennale of Sydney: Private Symbol, Social Metaphor.
Sydney, Australia. 1984.
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Belgiorno–Nettis, Franco, Paula Latos–Valier, Stuart Morgan, Leon Paroissien, Annelie Pohlen, Jean–Louis Pradel, Carter Ratcliff, Nelly Richard.
The Fifth Biennale of Sydney: Private Symbol, Social Metaphor.
Sydney, Australia. 1984.
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A Celebration of American Women Artists Part II: The Recent Generation.
Sidney Janis Gallery. New York, New York. 1984.
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1+1=2.
Bernice Steinbaum Gallery. New York, New York. 1984.
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Armstrong, Tom, Richard Armstrong, John G. Hanhardt, Barbara Haskell, Lisa Phillips, Richard Marshall, Patterson Sims.
1985 Biennial Exhibition.
Whitney Museum of American Art. New York, New York. 1985.
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Jones, Ronald, Milan Kundera.
The Public Art Show.
Nexus Contemporary Art Center. Atlanta, Georgia. 1985.
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Frey, Patrick, Ulla Frohne, Jo Anna Isaak, Christiane Meyer–Thoss, Stuart Morgan, Mary Anne Staniszewski, Paul Taylor, and the Artists.
Eau de Cologne II.
Monika Sprüth Galerie. Cologne, Germany. 1985.
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Oliva, Achille Bonito, Bazon Brock, Benjamin H.D. Buchloh, John Caldwell, Germano Celant, Hal Foster, Rudi H. Fuchs, Johannes Gachnang,.
1985 Carnegie Institute.
Museum of Art. Pittsburgh, Pennsylvania. 1985.
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Rifkin, Ned.
Signs.
New Museum of Contemporary Art. New York, New York. 1985.
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Lischka, Gerhard Johann, and the Artists.
Alles und noch viel mehr: das poetische ABC.
Kunsthalle Bern and Kunstmuseum Bern. Bern, Switzerland. 1985.
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Oliva, Achille Bonito, Georges Boudaille, Pierre Courcelles, Jean–Pierre Faye, Gérald Gassiot–Talabot, Alanna Heiss, Marie Luise Syring.
Nouvelle Biennale de Paris.
Galeries Nationales du Grand Palais. Paris, France. 1985.
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Huffman, Kathy Rae, Bob Smith.
Secular Attitudes.
Los Angeles Institute of Contemporary Art. Los Angeles, California. 1985.
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Blazwick, Iwona, Joan Simon and Bruce Ferguson.
Jenny Holzer: Signs.
Des Moines Art Center. 1986.
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Cameron, Dan and the Artists.
Art and Its Double: A New York Perspective/El Arte y su double: Una perspectiva de Nueva York.
Madrid: Sala de Exposiciónes de la Fundación Caja Pensiones. 1986.
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Hoffmann, Hilmar, Peter Weiermair, and the Artists.
Prospekt 86: Eine internationale Ausstellung aktueller Kunst.
Frankfurt: Frankfurter Kunstverein and Kunsthalle Schirn. 1986.
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Landau, Suzanne.
Jenny Holzer/Barbara Kruger.
Jerusalem: Israel Museum. 1986.
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Buchloh, Benjamin H.D., Gabriele Guerico, Joseph Kosuth, Thomas Lawson, Charles Le Vine, David Robbins, Angelo Trimarco.
Rooted Rhetoric: Una Tradizione nell’Arte Americana.
Castello dell’Ovo. Naples. 1986.
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Rifkin, Ned.
In Other Words.
Corcoran Gallery of Art. Washington, D.C. 1986.
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Buchwald, Art, Jürgen Harten, Friedrich Nicolai, and the artists.
Ein anderes Klima: Aspekte der Schönheit in der zeitgenössischen Kunst/A Different Climate: Aspects of Beauty in Contemporary Art.
Städtische Kunsthalle. Düsseldorf, Germany. 1986.
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Reality Remade.
Kent Fine Art. New York, New York. 1986.
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Rogers–Lafferty, Sarah, Dennis Barrie.
Jenny Holzer & Cindy Sherman: Personae.
Contemporary Arts Center. Cincinnati, Ohio. 1986.
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Moufarrege, Nicolas A.
Correspondences: New York Art Now.
Laforet Museum. Harajuku, Tokyo. 1986.
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Klocker, Hubert, Peter Pakesch.
Schütz Mich Vor Dem Was Ich Will.
Wiener Festwochen. Vienna, Austria. 1986.
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Kuspit, Donald, Michael Ratner, Margaret Ratner, Bruce McWright.
Constitution: Group Material.
Temple Gallery. Philadelphia, Pennsylvania. 1987.
|
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Goodman, Cynthia.
Computers in Art.
Everson Museum of Art. Syracuse, New York. 1987.
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Balk, J. Th., Willem Ellenbroek, Sjarel Ex, Nicolette Gast, Els Hoek, Wendie Shaffer.
Century ‘87: Kunst van nu ontmoet Amsterdams verleden/Today’s Art Face to Face with Amsterdam’s Past.
Amsterdam. 1987.
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Berg, Stephen, Paula Marincola, Vicki Garfeld Solot.
Independence Sites: Sculpture for Public Spaces.
The Bourse. Philadelphia, Pennsylvania. 1987.
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Bellemare, Roger, James D. Campbell, Claude Gosselin, Jacques E. Lefebvre.
Stations.
Centre International d’Art Contemporain de Montréal. Montréal, Canada. 1987.
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Andre, Carl, Klaus Bussman, Georg Jappe, Kasper König, Ludwig Wittgenstein.
Skulptur Projeckte in Münster.
Westfälisches Landesmuseum für Kunst und Kulturgeschichte. Münster. 1987.
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Beilharz, Manfred, Karl Oskar Blasé, Bazon Brock, Hans Eichel, Michael Erlhoff, Vittorio Fagone, Edward F. Fry, Michael Grauer, Wenzel Jac.
Documenta 8.
Museum Fridericianum. Kassel, Germany. 1987.
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Ceysson, Bernard.
L’Epoque, La Mode, La Morale, La Passion.
Centre National d’Art et de la Culture, Centre Georges Pompidou. Paris, France. 1987.
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Nickas, Robert and the Artists.
Perverted by Language.
Hillwood Art Gallery, C.W. Post Center, Long Island University. Grenvale, New York. 1987.
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Fox, Howard N.
Avant–garde in the Eighties.
LACMA. Los Angeles, California. 1987.
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Blazwick, Iwona, Joan Simon and Bruce Ferguson.
Jenny Holzer: Signs/Under a Rock.
Institute of Contemporary Arts. London, United Kingdom, 1988.
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Bustard, James, Richard Kearton, Mormon Wilkinson.
Camouflage.
Third Eye Centre. Glasgow, United Kingdom. 1988.
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Dunne, Aidan, Olle Granath, Rosemarie Mulcahy, Patrick J. Murphy, Angelica Zander Rudenstine.
ROSC ’88.
Guiness Hop Store and the Royal Hospital. Dublin, Ireland. 1988.
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Belgiorno–Nettis, Franco, Bernard Blistène, Ian Burn, Jürgen Habermas, Frances Lindsay, Terence Maloon, Peter Sarah, Diane Waldman, Nick Waterlow.
1988 Australian Biennale: From the Southern Cross, A View of World Art c. 1940–88.
Art Gallery of New South Wales and Pier 2/3. Sydney, Australia. 1988.
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Brice, John R., Gary Garrels, Jack Reynolds, the Artists.
Sculpture at the Point.
Pittsburgh. 1988.
|
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Schwartzman, Allan.
After Street Art.
Boca Raton Museum of Art. Boca Raton, Florida. 1988.
|
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Wye, Deborah.
Committed to Print: An Exhibition of Recent American Printed Art with Social and Political Themes.
The Museum of Modern Art. New York, New York. 1988.
|
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Deitch, Jeffrey, Peter Halley.
Cultural Geometry.
Deste Foundation for Contemporary Art, House of Cyprus. Athens, Greece. 1988.
|
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Collins, Tricia, Richard Milazzo.
Media Post Media.
Scott Hanson Gallery. New York, New York. 1988.
|
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Waldman, Diane.
Jenny Holzer, with introduction by Thomas Krens.
The Solomon R. Guggenheim Museum. New York, New York, 1989.
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In Other Words: Wort und Schrift in Bildern der Konzeptuellen Kunst.
Museum am Ostwall. Dortmund, Germany. 1989.
|
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Ela, Janet.
Coming of Age: Twenty–One Years of Collecting by the Madison Art Center.
Madison Art Center. Madison, Wisconsin. 1989.
|
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Armstrong, Tom, Susan C. Larsen.
Art in Place: Fifteen Years of Acquisitions.
New York: Whitney Museum of American Art. 1989.
|
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Armstrong, Elizabeth, Sheila McGuire.
First Impressions: Early Prints by Forty–Six Contemporary Artists.
Walker Art Center. Minneapolis, Minesota. 1989.
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Goldstein, Ann, Mary Jane Jacob, Anne Rorimer, Howard Singerman.
A Forest of Signs: Art in the Crisis of Representation.
The Museum of Contemporary Art. Los Angeles, California. 1989.
|
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Barendse, Henry.
Recent Acquisitions.
Collett Art Gallery, Weber State College. Ogden, Utah. 1989.
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Brawer, Catherine C., Ellen G. Landau, Thomas McEvilley, Ferris Olin, Randy Rosen, Judith Stein, Calvin Tomkins, Marcia Tucker, Ann–Sar.
Making Their Mark: Women Artists Move into the Mainstream, 1970–85.
Pennsylvania Academy of Fine Arts. Philadelphia, Pennsylvania. 1989.
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Felshin, Nina.
The Presence of Absence: New Installations.
Independent Curators Incorporated. New York. 1989.
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Braulwck, Nathan, Dale K. Haworth, Lynne Sowder, the Artists.
What Does She Want?: Current Feminist Art from the First Bank Collection.
Carleton Art Gallery, Carleton College. Northfield, Minnesota. 1989.
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Auping, Michael.
Jenny Holzer: The Venice Installation.
Buffalo, New York, 1990.
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Plous, Phyllis ed., with essays by Nancy Doll and Diane Shamash.
PULSE 2: Report on a Phenomenon.
University of London Press. Seattle and London. 1990.
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Boiteux, Marcel, Anne Tronche.
Nature (Artificielle).
Espace Electra. Paris, France. 1990.
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Ritchie, Christina.
Inquiries: Language in Art.
Art Gallery of Ontario. Ontario, Canada. 1990.
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Rattemeyer, Volker, Ludmilla Vachtova, Barbara Wally.
Künstlerinnen des 20. Jahrhunderts.
Museum Wiesbaden. Wiesbaden, Germany. 1990.
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Landau, Suzanne.
Life–Size: A Sense of the Real in Recent Art.
Israel Museum. Jerusalem, Israel. 1990.
|
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Biller, Gerry, Russell Bowman, Dean Sobel.
Word as Image: American Art, 1960–1990.
Milwaukee Art Museum. Milwaukee, Wisconsin. 1990.
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Nash, Michael.
Video Poetics: A Presentation of the Long Beach Museum of Art.
Long Beach Museum of Art. Long Beach, California. 1990.
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Conwill, Kinshasha Holman, Eunice Lipton, Nilda Peraza.
The Decade Show: Frameworks of Identity in the 1980’s.
New Museum of Contemporary Art, New York, Studio Museum in Harlem and Museum of Contemporary Hispanic Art. New York, New York. 1990.
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Benezra, Neal, ed.
Affinities and Intuitions. The Gerald S. Elliott Collection of Contemporary Art.
Thames and Hudson. New York, New York. 1990.
|
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Beeren, Wim.
Energieën.
Stedelijk Museum. Amsterdam, Netherlands. 1990.
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Bruning, Jürgen, Stephen Derrickson, Hank Hyena.
Insect Politics: Body Horror/Social Order.
Hallwalls Contemporary Arts Center. Buffalo, New York. 1990.
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Halbreich, Kathy, Maurice Culot, Vijak Mahdavi, Bernardo Nadal–Ginard, Michael Thomas, Sherry Turkle, Simon Watney.
Culture and Commentary: An Eighties Perspective.
Hirshhorn Museum and Sculpture Garden. Washington, D.C. 1990.
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Hanhardt, John G., Marvin Heiferman, Lisa Phillips.
Image World: Art and Media Culture.
Whitney Museum of American Art. New York, New York. 1990.
|
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Lieberman, Rhonda.
Jenny Holzer: The Living Series.
Laura Carpenter Fine Art. Santa Fe, New Mexico, 1991.
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Livingston, Marco, Julia Peyton–Jones, Andrea Schlicker.
Objects for the Ideal Home: The Legacy of Pop Art.
Serpentine Gallery. London, United Kingdom. 1991.
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Chave, Anna C., Holliday T. Day, George E. Marcus, Catsou Roberts, Brian Wallis.
Power: Its Myths and Mores in American Art, 1961–1991.
Indianapolis Museum of Art and Indiana University Press. Indianapolis, Indiana. 1991.
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Original Copies: International Faxed Art.
Auckland, New Zealand: Lazelle Gallery. 1991.
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Ex, Sjarel, Bert Jansen.
Nachtregels/Night Lines: Words Without Thoughts Never to Heaven Go.
Centraal Museum. Utrecht, Holland. 1991.
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Broos, Kees.
Woorden/Images: Tekst en beeld in de kunst van de twintigsrte eeuw/ Words/Images: Text and Image in the Art of the Twentieth Century.
Centraal Museum. Utrecht, Holland. 1991.
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Joachimides, Christos M., Norman Rosenthal.
Metropolis.
Martin–Gropius–Bau and Zeitgeist–Gesellschaft zur Förderung der Künste in Berlin e.V. Berlin, Germany. 1991.
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Mezzatesta, Michael P., Jason Rubell.
Contemporary Art from the Collection of Jason Rubell.
Duke University Museum of Art. Durham, North Carolina. 1991.
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Ketner, Joseph D., Chris Scoates.
The Political Arm.
John Weber Gallery and Washington University Gallery of Art, Saint Louis. New York, New York. 1991.
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Martin, Jean–Hubert, Anne Baldassari, François Burkhardt.
Art & Pub: Art et Publicité 1890–1990.
Centre National d’Art et de la Culture Georges Pompidou. Paris, France. 1991.
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Gopnik, Adam, Kirk Varnedoe.
High & Low: Modern Art and Popular Culture.
The Museum of Modern Art. New York, New York. 1991.
|
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Hulten, Pontus.
Territorium Artis.
Kunst und Ausstellungshalle der Bundesrepublik Deutschland. Bonn, Germany. 1992.
|
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Boehm, Gottfried, Eva Keller, Franz Meyer.
Transform: BildObjektSkulptur im 20 Jahrhundert.
Kunstmuseum and Kunsthalle. Basel, Switzerland. 1992.
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Dickhoff, Wilfried, Reiner Speck.
Ars Pro Domo.
Museum Ludwig. Cologne, Germany. 1992.
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Park, Kyung Mee.
Words.
Kukje Gallery. Seoul, Korea. 1992.
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Blumenröder, Sabine, Bärbel Hedinger, Gerhard Kaufmann.
Die Künstlerpostkarte.
Prestel. Munich, Germany. 1992.
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Cooke, Lynne, Bice Curiger, Greg Hilty.
Doubletake: Collective Memory and Current Art.
Hayward Gallery. London, United Kingdom. 1992.
|
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Kachur, Lewis.
Word/Image.
Kean College of New Jersey. Union, New Jersey. 1992.
|
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|
Rose, Bernice.
Allegories of Modernism: Contemporary Drawing.
The Museum of Modern Art. New York, New York. 1992.
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|
Belli, Gabriella, Jerry Saltz.
American Art of the 80’s.
Palazzo delle Albere. Trento, Italy. 1992.
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|
Schjedahl, Peter, Robert Storr.
Devil on the Stairs: Looking Back on the Eighties.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania. 1992.
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Jenny Holzer: Street Art.
Centre for Contemporary Art, Ujazdowski Castle. Warsaw, Poland. 1993.
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Louis, Eleonora, Toni Stooss.
der Kunst: Die Beziehung von Bild und Text in der Kunst des 20 Jahrhunderts.
Kunsthalle Wien. Vienna, Austria. 1993.
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Adams, Brook, David Anfam, Richard Armstrong.
American Art in the Twentieth Century: Painting and Sculpture 1913–1993.
Martin Gropius–Bau. Berlin, Germany. 1993.
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King, Elaine A., Jan Riley, Robert Schiffer, Marcia Tucker.
Mettlesome Meddlesome: Selections from the Collection of Robert J. Schiffer.
The Contemporary Arts Center. Cincinnati, Ohio. 1993.
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Perkins, Pamela Gruninger.
The Elusive Object.
Stamford (CT): Whitney Museum of Art at Champion. Stamford, Connecticut. 1993.
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van Caldenborgh, Yvette, ed.
Made in the U.S.A.
Caldic Collection. Rotterdam, Germany. 1993.
|
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|
Watney, Simon.
Read My Lips New York AIDS Polemic.
Glasgow. 1993.
|
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Osaka, Eriko.
Jenny Holzer.
Art Tower Mito, Contemporary Art Center. Mito, Japan. 1994.
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Dylla, Sabine, Justin Hoffman.
Jenny Holzer Black Garden.
Nordhorn: Städische Galerie. Nordhorn. 1994.
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Tarantino, Michael, Ulrich Wilmes, eds.
Rosebud: Jenny Holzer, Matt Mullican, and Lawrence Weiner.
Kunstbau Lenbachhaus. Munich, Germany. 1994.
|
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Rugoff, Ralph.
Transformers.
Bard College. Annadale–on–Hudson, New York. 1994.
|
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Asada, Akira, Susan Sontag.
Tradition and Invention: Contemporary Artists Interpret the Japanese Garden.
New York: AmFAR International. 1994.
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Burkard, Lene.
Dialogue with the Other.
Brandts Passage (Denmark): Kunsthallen Brandts Klaedefabrik. 1994.
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Grunenberg, Christoph, Hans Saner.
Welt–Moral: Moralvorstellungen in der Kunst heute.
Kunsthalle Basel. Basel, Switzerland. 1994.
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Prokop, , Liese, Katharina Blaas–Pratcher, Siegwald Ganglmair and Susanne Neuburger.
Erlauf Peace Monument; Jenny Holzer/ Oleg Komov.
Vienna: Österreichischer Kuns un Kulturverlag. 1995.
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|
Isaak, Jo Anna, Jeanne Silverthorn Marcia Tucker.
Laughter Ten Years After.
Geneva, NY: Hobart and William Smith Colleges Press. 1995.
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Goldfarb, Brian, John Hatfield, Laura Trippi, Mimi Young.
Temporarily Possessed: The Semi–Permanent Collection.
New Museum of Contemporary Art. New York, New York. 1995.
|
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|
Dubinsky, Lon.
Longing and Belonging: From the Faraway Nearby.
Santa Fe (NM): SITE Santa Fe. 1995.
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Pae, In Soon.
Man and Machine: Technology Art.
Dong–Ah Gallery. Seoul, Korea. 1995.
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|
Cameron, Dan, Harmony Hammond, Terry Wolverton.
In a Different Light.
City Lights Books. San Franscisco, California. 1995.
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van Caldenborgh, Yvette, J.N.A. van Caldenborgh.
A Collection Sculptures.
Caldic Collection. Rotterdam, Netherlands. 1995.
|
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McKee, Francis.
The Institute of Cultural Anxiety: Works from the Collection.
London: Institute of Contemporary Arts. 1995.
|
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|
Cottingham, Laura, Hal Foster, Bell hooks.
Gewalt/Geschäfte.
Neue Gesellschaft für Bildende Kunst. Berlin, Germany. 1995.
|
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|
Feil, Marcel, ed.
De Bezette Stad.
Sandburg Institute. Amsterdam, Netherlnads. 1995, p. 35.
|
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Jenny Holzer, Lustmord.
Kunstmuseum des Kantons Thurgau. Warth. Switzerland, 1996.
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|
Debbautm, Jan, Luk Lambrecht, Tjeu Teewwen.
Travaux Publics [Public Works].
Peninsula. Eindhoven, Netherlands. 1996.
|
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Lippard, Lucy R.
Mike Glier: Garden Court.
Williams College Museum of Art. Williamstown, Massachussets. 1996.
|
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Young, Christopher.
20/20: The Visionary Legacy of Doris Chanin Freedman.
Allbright College. 1996.
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Ammann, Jean–Christoph, Mario Kramer, Rolf Lauter, Adam D. Weinberg.
Views from Abroad: European Perspectives on American Art 2.
Whitney Museum of American Art. New York, New York. 1996.
|
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Hegewisch, Katherina.
Orte des Möglichen–Weibliche Positionen in der zeitgenössischen Kunst.
Luxembourg: Hypobank International. 1996.
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Wye, Deborah.
Thinking Print: Books to Billboard1980–1985.
New York: The Museum of Modern Art. 1996.
|
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Blunck, Annika, Matthew Rutt, Ursula Frohne, Heinrich Klotz, Oliver Seifert.
Mediascape.
New York: Guggenheim Museum SoHo. 1996.
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Testa, Gemma De Angelis, Ida Gianelli, Eliana Guglielmi.
Collezionismo a Torino.
Turin: Museo d’Arte Contemporanea. 1996.
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Ferrari, Claudia Gian, Manilo Brusatin.
Nudo & Crudo: Corpo Sensible/ Corpo Visible.
Milan: Claudia Gian Ferrari Arte Contemporanea. 1996.
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|
Deitch, Jeffrey, Stuart Morgan.
Everything That’s Interesting Is New: The Dakis Johanna Collection.
Athens: Athens School of Fine Arts. 1996.
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|
Acker, Kathy, Bernard Marcadé, Robert Storr.
Fémininmasculin: Le sexe de l’art.
Centre National d’Art et de la Culture Georges Pompidou. Paris, France. 1996.
|
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|
Herbert, Lynn M.
Jenny Holzer's Lustmord.
Contemporary Arts Museum. Houston, Texas, 1997.
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|
Oetker, Brigitte, Christiane Schneider.
Projekte: Kunst in der Neuen Messe Leipzig/ Projects: Art at the New Trade Fair Center.
Köln: Oktagon Verlag. 1997, pp. 211–220.
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KünstlerInnedn: 50 Gespräche; zeitgenössischer internationaler Kunst Videoportraits und Werke.
Verlag der Buchhandlung Walther König. Köln, Germany. 1997.
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|
Joachimides, Christos, Norman Rosenthal, eds.
The Age of Modernism: Art in the Twentieth Century.
Zeitgeist–Gesellschaft. Berlin, Germany. 1997.
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|
Waldman, Diane, Frederic Tuten.
Allegory.
Joseph Helman Gallery. New York, New York. 1997.
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Werner, Klaus, ed.
Jenny Holzer: KriegsZustand.
Köln, Germnay. 1997.
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Jenny Holzer: Living.
Galerie Yvon Lambert. Paris, France, 1998.
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Folie, Sabine, Gerald Matt.
Louise Bourgeois. Jenny Holzer. Helmut Lang.
Kunsthalle. Wien, Austria. 1998.
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Juliana, Louise Adler, Angus Trumble, Elizabeth Gertsakis, Ian North.
Jenny Holzer: Lustmord.
Melbourne: Ian Potter Museum of Art, University of Melbourne. 1998.
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Weir, Kathryn.
Read My Lips.
National Gallery of Canberra ACT 2600. Canberra, Australia. 1998.
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Yau, John, Marc Straus, Livia Straus.
Inner Eye: Contemporary Art from the Marc and Livia Straus Collection.
Harn Museum of Art, University of Florida. Gainsville, Florida. 1998.
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Lauf, Cornelia, Clive Phillpot.
Artist/Author: Contemporary Artists’ Books.
New York: Distributed Art Publishers, American Federation of the Arts. 1998.
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Heartney, Eleanor.
After Eden: Garden Varieties in Contemporary Art.
Middlebury: Middlebury College Museum of Art. 1998.
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Ewington, Julie.
Sacred and Profane.
Telstra Adelaide Festival. Adelaide, Australia. 1998.
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Vischer, Theodora.
Check–In!.
Museum für Gegenwartskunst. Basel, Switzerland. 1998.
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Olivares, Rosa, X. Anton Castro.
Isla de Esculturas.
Olivares & Asociados, S.L. 1999.
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Gärten der Flora: Kunstaustellung anläßlich der Bundesgartenshau Magdeburg, 1999.
Magdeburger Museen and Bundesgartenshau. Magdeburg, Germany. 1999.
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Benedikt, Michael, Gerhard Botz.
STOP THE VIOLENCE!!!, STOP NASILJU!!!, NDAL DHUNËS!!!.
Akademie der bildenden Künste. Vienna, Austria. 1999.
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Belli, Gabriella.
Text–Image.
Musee des Beaux–Arts. La Chaux–de–Fonds, Switzerland. 1999.
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Brusis, Ilse,Christoph Brockhaus.
Connected Cities: Processes of Art in the Urban Network.
Wilhelm Lehmbruck Museum. Duisburg, Germany. 1999.
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Szeeman, Harald, Cecilia Liveriero.
La Biennale di Venezia, 48th Esposizione Internazionale d’art.
Venice: Edizione La Biennale Venezia and Marsilio. 1999.
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Heon, Laura, ed.
Billboard: Art on the Road.
MASS MoCA Publications. North Adams, Massachusetts. 1999.
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Berman, Marshall, Rosalyn Deutsche.
Urban Mythologies: The Bronx Represented Since the 1960s.
Bronx Museum of Art. Bronx, New York. 1999.
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Debruyne, Johan, Joannes Késenne, Johan Pas, Luk Lambrecht.
@artwords–@artworks, sterk de tale der woorden!.
Brunet & zonen. Brugge, Belgium. 1999.
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Ameri©an Dre@m: The Annual Report.
New York: D.A.P., Inc. 200.
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Cooper, Paula, Éric Mézil, Alfred Pacquement.
Actes Sud, Rendez Vous: Collections Lambert.
Collection Lambert. Avignon, France. 2000.
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Spielvogel, Carl, Linda Voorhees, Edward Albee.
Works on Paper 2000: An Exhibition of the American Ambassador to the Slovak Republic.
The United States Embassy. Bratislava, Slovakia. 2000.
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Cooper, Paula, Éric Mézil, Alfred Pacquement.
Rendez Vous: Collections Lambert.
France: Collection Lambert. 2000.
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Noever, Peter, Sepp Müller, Michael Embacher.
Heaven’s Gift.
Hatje Cantz. Ostfildern–Ruit, Germany. 2000.
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Badovinac, Zdenka, Piotr Piotrowski.
The Art of Eastern Europe in Dialogue with the West.
Moderna galerija Ljubljana. Ljubljana, Slovenia. 2000.
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Illuminations: Art from Two Millennia.
Museet for Samtidskunst. Oslo, Norway. 2000.
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Bernadac, Marie-Laure, Henry-Claude Cousseau and Anne Cadenet.
Jenny Holzer.
capcMusée d'art contemporain de Bordeaux. France, 2001.
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Jenny Holzer: Monterrey, 2001.
Museo de Arte Contemporaneo de Monterrey. Monterey, Mexico, 2001.
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Jenny Holzer - Neue Nationalgalerie Berlin.
Neue Nationalgalerie. Berlin, Germany, 2001.
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Landmarks: Scupture Commissions for the Stuart Collection at the University of California, San Diego.
New York: Rizzoli International Publications. 2001, pp. 198–211.
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Herbert, Lynn M. Klaus Ottmann, Peter Schjeldahl.
The Inward Eye: Transcendence in Contemporary Art.
Contemporary Arts Musem. Houston, Texas. 2001.
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Wye, Deborah, Susan Tallman.
Parkett Collaborations and Editions Since 1984.
Parkett Publishers. Zurich and New York. 2001.
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Shapiro, Michael E., Peter Morrin, Carrie Przybill, Ned Rifkin.
The Lenore and Burton Gold Collection of 20th Century Art.
High Musuem of Art. Atlanta, Gerogia. 2001.
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Marzahn, Alexander.
Artlight.
Galerie Beyeler. Basel, Switzerland. 2001.
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Salvaterra, Gianni, Robert Rosenblum.
Pulcherrimae Strade: Contemporary Art in Historical Spaces.
Edizioni Charta. Milan. 2002.
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Adriani, Götz, Andreas Kaernbach, Karin Stempel.
Kunst im Reichstagsgebäude.
Cologne: DuMont Literatur und Kunst Verlag. 2002, pp. 60–9.
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Melbourne Festival Visual Arts Program.
Melbourne Festival. Melbourne. 2002.
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Nancy, Jean–Luc, Régis Durand, Savine Faupin, Charles Harrison, Alain Fleischer, Jean–Pierre Rehm.
Sans Commune Mesure: Image et Texte dans l’Art Actuel.
Paris: Éditions Léo Scheer. 2002.
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Jenny Holzer and Henri Cole.
Garten_Landschaft OstWestfalenLippe, Landschaftspark Rheder. Germany, 2003.
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Lind, Ingela.
The Sibylle.
The Wanås Foundation. Wanås Knislinge, Sweden. 2003.
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Aliaga, Juan Vicente, María de Corral, José Miguel G. Cortes, eds.
Micro Políticas.
Espai D’Art Contemporani de Castelló. Valencia, Spain. 2003.
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Sanctuary, Contemporary Art and Human Rights.
Glasgow Museums. Glasgow, United Kingdom. 2003.
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Felix, Zdenek.
A Clear Vision – Photographic Works of the F.C.
The International House of Photography. Hamburg, Germany. 2003.
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Tannenbaum, Judith and Stroud, Marion Boulton, eds.
on the wall.
Providence and Philadelphia: RISD and The Fabric Workshop. 2003.
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Viva il Cinema! Homage à Fellini.
May 14-25, 2003.
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Christie’s,
Target Benchmarks Central Park.
New York, New York. November 20, 2003.
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Waldman, Diane.
Jenny Holzer.
Guggenheim Museum. New York, New York. 2003.
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Jenny Holzer: TRUTH BEFORE POWER.
Kunsthaus Bregenz. Bregenz, Austria, 2004.
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Zella, Robbin.
Interface: Jenny Holzer and Media Art.
Housatonic Museum of Art. Bridgeport, Connecticut, 2004.
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East Village USA.
New York: New Museum of Contemporary Art. 2004.
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Perspectives@25: A Quarter Century of New Art in Houston.
Contemporary Arts Museum Houston. Houston, Texas. 2004, pp. 23, 88, 151.
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Visions of America.
Sammlung Essl. Vienna, Austria. 2004.
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ein-leuchten.
Museum der Moderne Salzburg and T-B A21. Salzburg and Vienna. 2004.
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Some Things Happening: Twenty-Five Years of Herron Gallery Exhibitions.
The Indiana State Museum. Indianapolis. 2004.
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Jenny Holzer, Xenon for Duisburg.
April 24-28, 2004.
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Logical Conclusions: 40 Years of Rule-Based Art.
PaceWildenstein. New York, New York. 2005.
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Missing Peace: Artists & the Dalai Lama.
Earth Aware. San Rafael, California. 2006.
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Rousseau, Pascal.
On/Off.
Coédition Casino Luxembourg - Forum d’art contemporain, Fonds régional d’art contemporain de Lorraine et Saarlandmuseum. 2007.
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Biesenbach, Klaus.
Into Me/Out of Me.
KW and P.S.1. 2007.
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Sladen, Mark and Ariella Yedgar, eds.
Panic Attack!: Art in the Punk Years.
Merrell. London, United Kingdom. 2007.
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