Ethik und Ästhetik im Zeitalter von AIDS.
Kunstverein in Hamburg, Hamburg, Germany and the Kunstmuseum Luzern. Lucerne, Switzerland. 1992.
Perils et Coleres.
capc Musée d'art contemporain de Bordeaux. Bordeaux, France. 1992.
Quotations: The Second History of Art: The Aldrich Museum of Contemporary Art.
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; and Dayton Art Institute, Museum of Contemporary Art at Wright State University, Dayton, Ohio. 1992.
Hair.
John Michael Kohler Arts Center. Sheboygan, Wisconsin. 1993.
Stearns, Robert.
Labyrinth of the Spirit.
Hammond Galleries, Lancaster, Ohio. 1993.
Gonzalez, Manual E.
Photography by Cintas Fellows.
The Art Museum, Florida International University. Miami, Florida. 1993.
25 Years: A Retrospective.
Cleveland Center for Contemporary Art. Cleveland, Ohio. 1993.
Vivid: Intense Images by American Photographers.
Raab Galerie. Berlin, Germany; Raab Boukamel Galleries Ltd. London, United Kingdom; Gian Ferrari Arte Contemporanea. Milano, Italy. 1993.
Joachimides, C. M. and N. Rosenthal, ed.
American Art in the20th Century: Painting and Sculpture, 1913-1993.
Martin Gropius Bau, Berlin, Germany and Royal Acadamy of Fine Arts, London, United Kingdom (Prestel-Verlag, Münich, Germany). 1993.
Gewalt/Geschafte.
Neue Gesellschaft fur Bildende Kunst. Berlin, Germany. 1994.
Pictures of the Real World (In Real Time).
Paula Cooper Gallery. New York, New York (Travelling exhibition). 1994.
Gott, Ted.
Don't Leave Me This Way: Art in the Age of AIDS.
National Gallery of Australia. Canberra, Australia. 1994.
Black Male: Representations of Masculinity in Contemporary Art.
Whitney Museum of American Art. New York, New York. 1994.
After Art: Rethinking 150 Years of Photography.
Henry Art Gallery, University of Washington. Seattle, Washington. 1994.
Chasing Angels.
Cristinerose Gallery. New York, New York. 1994.
Andres Serrano: Works 1983-1993.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania. 1994.
Andres Serrano.
Galerija Dante Marino Cettina. Umag, Croatia. 1994.
Face-Off: The Portrait in Recent Art.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania. 1994.
Los Gèneros de la Pintura.
Centro Atlàntico De Arte Moderno. Las Palmas, Gran Canaria, Spain. 1994.
Art as Witness, The Spirit of Kwangju Resistance in May.
Kwangju Biennale. Kwangju, South Korea. 1995.
Going For Baroque.
The Contemporary Museum and The Walters Art Museum. Baltimore, Maryland. 1995.
Cuba: la isla posible.
Centre de Cultura Contemporania de Barcelona. Barcelona, Spain. 1995.
The Body Photographic.
Contemporary Arts Center. New Orleans, Louisiana. 1995.
Rosenthal, Mark.
Critiques of Pure Abstraction.
Independent Curators Inc. New York, New York. 1995.
Vested Power: Icons of Domination and Transcendence.
CD Rom produced in conjunction with the exhibition with the Main Art Gallery. Fullerton, California. 1995.
Exposure.
Caldic Collection. Rotterdam, The Netherlands. 1996.
Andres Serrano: The Morgue.
Tel Aviv Museum of Art. Tel Aviv, Israel. 1996.
Radical Images, exhibition catalogue from the 2nd Austrian Triennial on Photography.
Neue Galerie am Landesmuseum Joanneum and Kunstlerhaus. Graz, Austria. 1996.
Urban Evidence: Contemporary Artists Reveal Cleveland.
Cleveland Center for Contemporary Art, The Cleveland Museum and SPACES. Cleveland, Ohio. 1996.
Fractured Fairy Tales: Art in the Age of Categorical Disintegration.
Duke University Museum of Art. Durnham, North Carolina. 1996.
Hobbs, Robert.
Andres Serrano.
Traveling exhibition. Published by Malmö Konsthall. Malmö, Sweden. 1996.
Andres Serrano.
Muzej Suvremene Umjetnosti. Zagreb, Croatia. 1996.
Breaking Barriers.
Museum of Art. Fort Lauderdale, Florida. 1997.
Andres Serrano.
Fundacion Proa. Buenos Aires, Argentina. 1997.
Sum.
Århus Kunstbygning. Århus, Denmark. 1997.
In Visible Light.
Museum of Modern Art. Oxford, United Kingdom. 1997.
Views from Abroad: European Perspectives on American Art 3.
Whitney Museum of American Art, New York, New York and the Tate Gallery, London, United Kingdom. 1997.
Allegory.
Joseph Helman Gallery. New York, New York. 1997.
A History of Sex: A History of Andres Serrano.
Groninger Museum. Groningen, The Netherlands. 1997.
Andres Serrano: A History of Sex.
Yvon Lambert Gallery. Paris, France. 1997.
Absolute Landscape Between Illusion and Reality.
Yokohama Museum of Art. Yokohama City, Japan. 1997.
Bang! The Gun As Image.
Museum of Fine Arts, Florida State University. Tallahassee, Florida. 1997.
Finders Keepers.
Contemporary Arts Museum. Houston, Texas. 1997.
Searching for the Spiritual.
Depree Art Center and Gallery, Hope College. Holland, Michigan. 1997.
photo.soho.
A biennial photography auction catalogue. September 24, 1997.
Pure Essence and Presumed Innocence.
Marella Arte Contemporanea. Bergamo, Italy. 1998.
Vile Bodies: Photography and the Crisis of Looking.
Channel Four Television, published by Prestel-Verlag. Münich, Germany. 1998.
Autumn Exhibition.
Galerie K. Oslo, Norway. 1998.
Gould, Claudia and Valerie Smith, ed.
5000 Artists Return to Artists Space: 25 Years.
Artists Space. New York, New York. 1998.
The American Century: Art & Culture 1950 - 2000.
The Whitney Museum of American Art. New York, New York. 1999.
Inderlighetens Spill: Images of Religious Contemplation.
Lillehammer Kunstmuseum. Lillehammer, Norway. 1999.
The Nude in Contemporary Art.
Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. 1999.
Späte Freiheiten: Geshichten vom Altern, Neue Lebensformen im Alter.
Historisches Museum Bielefeld and Schweizerisches Lnadesmuseum. Zürich, Switzerland (Prestel Verlag. Münich, Germany). 1999.
Art Matters: How the Culture Wars Changed America.
New York University Press. New York, New York. 1999.
Bal, Mieke.
Quoting Caravaggio: Contemporary Art, Preposterous History.
The University of Chicago Press. Chicago, Illinois and London, United Kingdom. 1999.
Baum, Judith.
This Other Being.
Triton Verlag. Vienna, Austria. 1999.
Wallis, Brian, Marianne Weems and Philip Yenawine, eds.
Art Matters: How the Culture Wars Changed America.
New York University Press. New York, New York. 1999.
American Perspectives: Photographs from the Polaroid Collection.
Tokyo Metropolitan Museum of Photography. Tokyo, Japan. 2000.
Appearance.
Galleria d’Arte Moderna Bologna, Edizione Charta. Milan, Italy. 2000.
Faith: The Impact of Judeo-Christian Religion on Art at the Millennium.
The Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. 2000.
The Modern Amazon.
New Museum. New York, New York. 2000.
MAN-Body in art from 1950-2000.
ARKEN Museum of Modern Art. Skovvej, Denmark. 2000.
Andres Serrano: Big Women.
Marco Noire Editore. Turin, Italy. 2000.
Bordes Inasibles: Diálogos Acerca del Cuerpo.
Cajastur. Asturias, Spain. 2000.
Dormir/Sleep.
Coromandel Press. Paris, France. 2000.
Hirsch, Robert.
Seizing the Light: A History of Photography.
McGraw Hill. Boston, Massachusetts. 2000.
Information Design #6.
Kadokawa Shoten Publishing Co. Japan. 2000.
Kinder des 20. Jahrhunderts (Children of the 20th Century).
Galerie der Stadt Aschaffenburg, Mittelrhein-Museum. Koblenz, Germany. 2000.
A Disarming Beauty: The Venus de Milo in 20th Century Art.
Salvador Dalí Museum. St. Petersburg, Florida. 2001.
Give & Take.
Serpentine Gallery, Victoria and Albert Museum. London, United Kingdom. 2001.
Rosiak, Mariusz.
Martwe natury zywych (Still Lives of the Living).
Poland. 2001.
El Bello Genero.
Sala de Exposiciones Plaza de Espana. Madrid, Spain. 2002.
The Great American Nude.
Bruce Museum of Arts and Sciences. Greenwich, Connecticut. 2002.
Votive: sacred & ecstatic bodies.
Adam Art Gallery, Victoria University of Wellington, Dunedin Public Art Gallery and the Curators. United Kingdom. 2002.
Andres Serrano: The Normal in the Strange (art works by Andres Serrano, 1988-2001).
Artmosphere Galerien. Germany. 2002.
Le Livre du FRAC-Collection Aquitaine: Panorama de l’art d’aujourd’hui.
Le Festin. Bordeaux, France. 2002.
Rosiak, Mariusz.
Still lives of the living: an attempt at a poetic dialogue with photographer Andres Serrano.
Galeria r. Poznan, Poland. 2002.
Schneider Adams, Laurie.
Exploring Art.
Lawrence King Publishing. London, United Kingdom. 2002.
Smith, Elizabeth A.T., Alison Pearlman, and Julie Rodrigues Widholm, ed.
Life Death Love Hate Pleasure Pain: Selected works from the Museum of Contemporary Art Chicago Collection.
Museum of Contemporary Art. Chicago, Illinois. 2002.
Fusco, Coco and Brian Wallis ed.
Only Skin Deep: Changing Visions of the American Self.
International Center of Photography. New York, New York. 2003.
Pandemic: Facing AIDS.
Traveling exhibition. Umbrage Editions and Moxie Firecracked Films. New York, New York. 2003.
Andres Serrano: Works 1985-2002.
Andre Simoens Gallery. Knokke, Belgium. 2003.
Subjective Realities; Works from The Refco Collection of Contemporary Photography.
The Refco Group, Ltd. New York, New York and Chicago, Illinois. 2003.
Hanson, Dian, ed.
Andres Serrano, America and Other Works.
Taschen. Cologne, Germany. 2004.
Los usos de la imagen: Fotografia, film y video en La Coleccion Jumex, Malba.
Coleccion Constantini Museo de Arte Latinoamericano de Buenos Aires, La Coleccion Jumex and Fundacion Telefonica. Buenos Aires, Argentina. 2004.
Next in the Gallery....
Herron Gallery, Herron School of Art, Indiana University. Indianapolis, Indiana. 2005.
About Beauty.
Haus der Kulturen der Welt. Berlin, Germany. 2005.
Portraiture Now.
National Portrait Gallery, Smithsonian Institiution. Washington, D.C. 2006, pp. 22-25.
El Dedo en la Llaga.
ARTIUM Contemporary Art Musem. Vitoria, Spain. Tecla Sala. Barcelona, Spain and PhotoEspaña Festival. Madrid, Spain. 2006.
Rubio, Oliva María.
Andres Serrano: il dito nella piaga.
Silvana. Cinisello Balsamo (Milan), Spain. 2006.
Portraits de la Comeìdie-Française : Gallimard - Collection Lambert en Avignon.
Gallimard. Avignon, France. 2007.
Cixous, Hélène.
Shit.
Yvon Lambert. New York, New York. 2008.
Stahel, Urs, ed.
Dark Side II: Photographic Power and Violence, Disease and Death Photographed.
Steidl. Göttingen, Germany. Fotomuseum Winterthur. Winterthur, Switzerland. 2009.
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