|
Ludwig, Allen.
Seeing is Believing?.
Alternative Museum. New York, New York. 1985.
|
 |
|
Liberty and Justice.
Alternative Museum. New York, New York. 1986.
|
|
|
Phelan, Robert.
New Traditions.
Traveling exhibition. 1986.
|
|
|
Olander, William.
Fake.
New Museum of Contemporary Art. New York, New York. 1987.
|
|
|
Castellote, Alejandro.
Foco.
Circulo de Bellas Artes. Madrid, Spain. 1988.
|
|
|
Awards In the Visual Arts 7.
Los Angeles County Museum of Art. Los Angeles, California (Traveling exhibition). 1988.
|
|
|
Lippard, Lucy.
Acts of Faith.
Cleveland State University Art Gallery. Cleveland, Ohio. 1988.
|
|
|
Ferguson, Bruce, Joan Simon, and Roberta Smith.
Abstraction in Question.
The Ringling Museum of Art, Sarasota, FL. 1989.
|
|
|
Borden, Janet.
Science Projects.
Lafayette College. Easton, Pennsylvania. 1989.
|
|
|
Ethik und Ästhetik im Zeitalter von AIDS.
Kunstverein in Hamburg, Hamburg, Germany and the Kunstmuseum Luzern. Lucerne, Switzerland. 1992.
|
|
|
Perils et Coleres.
capc Musée d'art contemporain de Bordeaux. Bordeaux, France. 1992.
|
|
|
Quotations: The Second History of Art: The Aldrich Museum of Contemporary Art.
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; and Dayton Art Institute, Museum of Contemporary Art at Wright State University, Dayton, Ohio. 1992.
|
|
|
Hair.
John Michael Kohler Arts Center. Sheboygan, Wisconsin. 1993.
|
|
|
Stearns, Robert.
Labyrinth of the Spirit.
Hammond Galleries, Lancaster, Ohio. 1993.
|
|
|
Gonzalez, Manual E.
Photography by Cintas Fellows.
The Art Museum, Florida International University. Miami, Florida. 1993.
|
|
|
25 Years: A Retrospective.
Cleveland Center for Contemporary Art. Cleveland, Ohio. 1993.
|
|
|
Vivid: Intense Images by American Photographers.
Raab Galerie. Berlin, Germany; Raab Boukamel Galleries Ltd. London, United Kingdom; Gian Ferrari Arte Contemporanea. Milano, Italy. 1993.
|
|
|
Joachimides, C. M. and N. Rosenthal, ed.
American Art in the20th Century: Painting and Sculpture, 1913-1993.
Martin Gropius Bau, Berlin, Germany and Royal Acadamy of Fine Arts, London, United Kingdom (Prestel-Verlag, Münich, Germany). 1993.
|
|
|
Gewalt/Geschafte.
Neue Gesellschaft fur Bildende Kunst. Berlin, Germany. 1994.
|
|
|
Pictures of the Real World (In Real Time).
Paula Cooper Gallery. New York, New York (Travelling exhibition). 1994.
|
|
|
Gott, Ted.
Don't Leave Me This Way: Art in the Age of AIDS.
National Gallery of Australia. Canberra, Australia. 1994.
|
|
|
Black Male: Representations of Masculinity in Contemporary Art.
Whitney Museum of American Art. New York, New York. 1994.
|
|
|
After Art: Rethinking 150 Years of Photography.
Henry Art Gallery, University of Washington. Seattle, Washington. 1994.
|
|
|
Chasing Angels.
Cristinerose Gallery. New York, New York. 1994.
|
|
|
Andres Serrano: Works 1983-1993.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania. 1994.
|
|
|
Andres Serrano.
Galerija Dante Marino Cettina. Umag, Croatia. 1994.
|
|
|
Face-Off: The Portrait in Recent Art.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania. 1994.
|
|
|
Los Gèneros de la Pintura.
Centro Atlàntico De Arte Moderno. Las Palmas, Gran Canaria, Spain. 1994.
|
|
|
Urban Structures.
Kulturreferat München. Munich, Germany. 1995.
|
|
|
Art as Witness, The Spirit of Kwangju Resistance in May.
Kwangju Biennale. Kwangju, South Korea. 1995.
|
|
|
Going For Baroque.
The Contemporary Museum and The Walters Art Museum. Baltimore, Maryland. 1995.
|
|
|
Cuba: la isla posible.
Centre de Cultura Contemporania de Barcelona. Barcelona, Spain. 1995.
|
|
|
The Body Photographic.
Contemporary Arts Center. New Orleans, Louisiana. 1995.
|
|
|
Rosenthal, Mark.
Critiques of Pure Abstraction.
Independent Curators Inc. New York, New York. 1995.
|
|
|
Vested Power: Icons of Domination and Transcendence.
CD Rom produced in conjunction with the exhibition with the Main Art Gallery. Fullerton, California. 1995.
|
|
|
Exposure.
Caldic Collection. Rotterdam, The Netherlands. 1996.
|
|
|
Andres Serrano: The Morgue.
Tel Aviv Museum of Art. Tel Aviv, Israel. 1996.
|
|
|
Radical Images, exhibition catalogue from the 2nd Austrian Triennial on Photography.
Neue Galerie am Landesmuseum Joanneum and Kunstlerhaus. Graz, Austria. 1996.
|
|
|
Urban Evidence: Contemporary Artists Reveal Cleveland.
Cleveland Center for Contemporary Art, The Cleveland Museum and SPACES. Cleveland, Ohio. 1996.
|
|
|
Fractured Fairy Tales: Art in the Age of Categorical Disintegration.
Duke University Museum of Art. Durnham, North Carolina. 1996.
|
|
|
Hobbs, Robert.
Andres Serrano.
Traveling exhibition. Published by Malmö Konsthall. Malmö, Sweden. 1996.
|
|
|
Andres Serrano.
Muzej Suvremene Umjetnosti. Zagreb, Croatia. 1996.
|
|
|
Breaking Barriers.
Museum of Art. Fort Lauderdale, Florida. 1997.
|
|
|
Andres Serrano.
Fundacion Proa. Buenos Aires, Argentina. 1997.
|
|
|
Sum.
Århus Kunstbygning. Århus, Denmark. 1997.
|
|
|
In Visible Light.
Museum of Modern Art. Oxford, United Kingdom. 1997.
|
|
|
Angel: Angel.
Kunsthalle Wien. Vienna, Austria. 1997.
|
|
|
Views from Abroad: European Perspectives on American Art 3.
Whitney Museum of American Art, New York, New York and the Tate Gallery, London, United Kingdom. 1997.
|
|
|
Allegory.
Joseph Helman Gallery. New York, New York. 1997.
|
|
|
A History of Sex: A History of Andres Serrano.
Groninger Museum. Groningen, The Netherlands. 1997.
|
|
|
Andres Serrano: A History of Sex.
Yvon Lambert Gallery. Paris, France. 1997.
|
|
|
Absolute Landscape Between Illusion and Reality.
Yokohama Museum of Art. Yokohama City, Japan. 1997.
|
|
|
Bang! The Gun As Image.
Museum of Fine Arts, Florida State University. Tallahassee, Florida. 1997.
|
|
|
Finders Keepers.
Contemporary Arts Museum. Houston, Texas. 1997.
|
|
|
Searching for the Spiritual.
Depree Art Center and Gallery, Hope College. Holland, Michigan. 1997.
|
|
|
photo.soho.
A biennial photography auction catalogue. September 24, 1997.
|
|
|
Pure Essence and Presumed Innocence.
Marella Arte Contemporanea. Bergamo, Italy. 1998.
|
|
|
Vile Bodies: Photography and the Crisis of Looking.
Channel Four Television, published by Prestel-Verlag. Münich, Germany. 1998.
|
|
|
Autumn Exhibition.
Galerie K. Oslo, Norway. 1998.
|
|
|
Gould, Claudia and Valerie Smith, ed.
5000 Artists Return to Artists Space: 25 Years.
Artists Space. New York, New York. 1998.
|
|
|
The American Century: Art & Culture 1950 - 2000.
The Whitney Museum of American Art. New York, New York. 1999.
|
|
|
Inderlighetens Spill: Images of Religious Contemplation.
Lillehammer Kunstmuseum. Lillehammer, Norway. 1999.
|
|
|
The Nude in Contemporary Art.
Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. 1999.
|
|
|
Späte Freiheiten: Geshichten vom Altern, Neue Lebensformen im Alter.
Historisches Museum Bielefeld and Schweizerisches Lnadesmuseum. Zürich, Switzerland (Prestel Verlag. Münich, Germany). 1999.
|
|
|
Art Matters: How the Culture Wars Changed America.
New York University Press. New York, New York. 1999.
|
|
|
Bal, Mieke.
Quoting Caravaggio: Contemporary Art, Preposterous History.
The University of Chicago Press. Chicago, Illinois and London, United Kingdom. 1999.
|
|
|
Baum, Judith.
This Other Being.
Triton Verlag. Vienna, Austria. 1999.
|
|
|
Wallis, Brian, Marianne Weems and Philip Yenawine, eds.
Art Matters: How the Culture Wars Changed America.
New York University Press. New York, New York. 1999.
|
|
|
American Perspectives: Photographs from the Polaroid Collection.
Tokyo Metropolitan Museum of Photography. Tokyo, Japan. 2000.
|
|
|
Appearance.
Galleria d’Arte Moderna Bologna, Edizione Charta. Milan, Italy. 2000.
|
|
|
Faith: The Impact of Judeo-Christian Religion on Art at the Millennium.
The Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. 2000.
|
|
|
The Modern Amazon.
New Museum. New York, New York. 2000.
|
|
|
MAN-Body in art from 1950-2000.
ARKEN Museum of Modern Art. Skovvej, Denmark. 2000.
|
|
|
Andres Serrano: Big Women.
Marco Noire Editore. Turin, Italy. 2000.
|
|
|
Bordes Inasibles: Diálogos Acerca del Cuerpo.
Cajastur. Asturias, Spain. 2000.
|
|
|
Dormir/Sleep.
Coromandel Press. Paris, France. 2000.
|
|
|
Hirsch, Robert.
Seizing the Light: A History of Photography.
McGraw Hill. Boston, Massachusetts. 2000.
|
|
|
Information Design #6.
Kadokawa Shoten Publishing Co. Japan. 2000.
|
|
|
Kinder des 20. Jahrhunderts (Children of the 20th Century).
Galerie der Stadt Aschaffenburg, Mittelrhein-Museum. Koblenz, Germany. 2000.
|
|
|
A Disarming Beauty: The Venus de Milo in 20th Century Art.
Salvador Dalí Museum. St. Petersburg, Florida. 2001.
|
|
|
Give & Take.
Serpentine Gallery, Victoria and Albert Museum. London, United Kingdom. 2001.
|
|
|
Rosiak, Mariusz.
Martwe natury zywych (Still Lives of the Living).
Poland. 2001.
|
|
|
El Bello Genero.
Sala de Exposiciones Plaza de Espana. Madrid, Spain. 2002.
|
|
|
The Great American Nude.
Bruce Museum of Arts and Sciences. Greenwich, Connecticut. 2002.
|
|
|
Votive: sacred & ecstatic bodies.
Adam Art Gallery, Victoria University of Wellington, Dunedin Public Art Gallery and the Curators. United Kingdom. 2002.
|
|
|
Andres Serrano: The Normal in the Strange (art works by Andres Serrano, 1988-2001).
Artmosphere Galerien. Germany. 2002.
|
|
|
Le Livre du FRAC-Collection Aquitaine: Panorama de l’art d’aujourd’hui.
Le Festin. Bordeaux, France. 2002.
|
|
|
Rosiak, Mariusz.
Still lives of the living: an attempt at a poetic dialogue with photographer Andres Serrano.
Galeria r. Poznan, Poland. 2002.
|
|
|
Schneider Adams, Laurie.
Exploring Art.
Lawrence King Publishing. London, United Kingdom. 2002.
|
|
|
Smith, Elizabeth A.T., Alison Pearlman, and Julie Rodrigues Widholm, ed.
Life Death Love Hate Pleasure Pain: Selected works from the Museum of Contemporary Art Chicago Collection.
Museum of Contemporary Art. Chicago, Illinois. 2002.
|
|
|
Belvedere dell’arte / orizzonti.
Firenze Monstre. Florence, Italy (Skira. Milan, Italy). 2003.
|
|
|
Fusco, Coco and Brian Wallis ed.
Only Skin Deep: Changing Visions of the American Self.
International Center of Photography. New York, New York. 2003.
|
|
|
Pandemic: Facing AIDS.
Traveling exhibition. Umbrage Editions and Moxie Firecracked Films. New York, New York. 2003.
|
|
|
Andres Serrano: Works 1985-2002.
Andre Simoens Gallery. Knokke, Belgium. 2003.
|
|
|
Subjective Realities; Works from The Refco Collection of Contemporary Photography.
The Refco Group, Ltd. New York, New York and Chicago, Illinois. 2003.
|
|
|
Hanson, Dian, ed.
Andres Serrano, America and Other Works.
Taschen. Cologne, Germany. 2004.
|
|
|
Los usos de la imagen: Fotografia, film y video en La Coleccion Jumex, Malba.
Coleccion Constantini Museo de Arte Latinoamericano de Buenos Aires, La Coleccion Jumex and Fundacion Telefonica. Buenos Aires, Argentina. 2004.
|
|
|
Next in the Gallery....
Herron Gallery, Herron School of Art, Indiana University. Indianapolis, Indiana. 2005.
|
|
|
About Beauty.
Haus der Kulturen der Welt. Berlin, Germany. 2005.
|
|
|
Portraiture Now.
National Portrait Gallery, Smithsonian Institiution. Washington, D.C. 2006, pp. 22-25.
|
|
|
El Dedo en la Llaga.
ARTIUM Contemporary Art Musem. Vitoria, Spain. Tecla Sala. Barcelona, Spain and PhotoEspaña Festival. Madrid, Spain. 2006.
|
|
|
Rubio, Oliva María.
Andres Serrano: il dito nella piaga.
Silvana. Cinisello Balsamo (Milan), Spain. 2006.
|
|
|
Portraits de la Comeìdie-Française : Gallimard - Collection Lambert en Avignon.
Gallimard. Avignon, France. 2007.
|
|
|
Cixous, Hélène.
Shit.
Yvon Lambert. New York, New York. 2008.
|
|
|
Stahel, Urs, ed.
Dark Side II: Photographic Power and Violence, Disease and Death Photographed.
Steidl. Göttingen, Germany. Fotomuseum Winterthur. Winterthur, Switzerland. 2009.
|
|
 [return to top]
|
| |
.jpg)
