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Pennell, E. R.
The Life of James McNeill Whistler.
J. B. Lippincott. Philadelphia, Pennsylvania; William Heinemann. London, United Kingdom. 1911.
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Golden Book of the Wanamaker Stores.
Wanamaker Stores. New York and Philadelphia. 1911.
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Gallatin, A. E.
Whistler’s Pastels and Other Modern Profiles.
John Lane. New York, New York. 1913.
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Brinton, Christian.
Impressions of the Art at the Panama-Pacific Exposition.
John Lane. New York, New York. 1916.
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Gibbons, Helen Davenport.
Paris Vistas.
The Century Company. New York, New York. 1919.
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Bryant, Lorinda Munson.
American Pictures and Their Painters.
John Lane. New York, New York. 1922.
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Cheney, Sheldon.
A Primer of Modern Art.
Horace Liveright. New York, New York. 1924.
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Gibbons, Herbert Adams.
John Wanamaker.
Harper and Brothers. New York, New York. 1926.
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Mather, Frank Jr., Charles R. Morey, and William J. Henderson.
The American Spirit of Ar 27.
Yale University Press. New Haven, Connecticut. 1927.
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Neuhaus, Eugen.
The History and Ideals of American Art.
Stanford University Press. Stanford, California. 1931.
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Monroe, Harriet.
A Poet’s Life: Seventy Years in a Changing World.
The Macmillan. New York, New York. 1938.
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Biddle, George.
An American Artist’s Story.
Little, Brown. Boston, Massachusetts. 1939.
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St. Gaudens, Homer.
The American Artist and his Times.
Dodd, Mead. New York, New York. 1941.
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Born, Wolfgang.
American Landscape Painting: An Interpretation.
Yale University Press. New Haven, Connecticut. 1948.
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Mathews, Marcia M.
Henry Ossawa Tanner: American Artist.
University of Chicago Press. Chicago, Illinois. 1969.
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French Impressionists Influence American Artists.
Lowe Art Museum, University of Miami. Coral Gables, Florida. 1971.
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Apollinaire, Guillaume.
Apollinaire on Art: Essays and Reviews, 1902 – 1918.
Viking Penguin. New York, New York. 1972.
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Hoopes, Donelson F.
The American Impressionists.
Watson-Guptil. New York, New York. 1972.
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Born, Wolfgang.
Still Life Painting in America.
Hacker Art Books. New York, New York. 1973.
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Domit, Moussa M.
American Impressionist Painting.
National Gallery of Art. Washington, D.C. 1973.
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Boyle, Richard J.
American Impressionists.
Little, Brown. Boston, Massachusetts. 1974.
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Joyes, Claire.
Monet at Giverny.
Mayflower. New York, New York. 1975.
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Quick, Michael, Eberhard Ruhmer and Richard V. West.
American Expatriate Painters of the Late Nineteenth Century.
Dayton Art Institute. Dayton, Ohio. 1976.
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Lambert, Amy.
Thirty Years of an Artist’s Life: The Career of G. W. Lambert, A. R. A.
Society of Artists. Sydney, Australia. 1977.
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Gerdts, William H.
American Impressionism.
Henry Art Gallery, University of Washington. Seattle, Washington. 1980.
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Novak, Barbara and Annette Blaugrund, eds.
Next to Nature: Landscape Paintings from the National Academy of Design.
Harper and Row and the National Academy of Design. New York, New York. 1980.
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Williams, William James.
A Heritage of American Paintings from the National Gallery of Art.
Rutledge Press. New York, New York. 1981.
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Gerdts, William H.
Down Garden Paths: The Floral Environment of American Art.
Fairleigh Dickenson University Press. Rutherford, New Jersey. 1983.
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Gerdts, William H.
American Impressionism.
Abbeville. New York, New York. 1984.
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Huneker, James Gibbons.
Americans in the Arts, 1890 – 1920.
A. M. S. Press. New York, New York. 1985.
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Novak, Barbara.
The Thyssen-Bornemisza Collection: Nineteenth-Century American Painting.
Vendome. New York, New York. 1986.
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Fullerton, Patricia.
Hugh Ramsay: His Life and Work.
Hudson Publishing. Hawthorn, Victoria, Australia. 1988.
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Fehrer, Catherine.
The Julian Academy, Paris 1868 – 1939.
Shephard Gallery. New York, New York. 1989.
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Broude, Norma, ed.
World Impressionism: The International Movement, 1860 – 1920.
Harry N. Abrams. New York, New York. 1990.
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Dijkstra, Bram.
The High Cost of Parasols: Images of Women in Impressionist Art.
In Patricia Trenton and William H. Gerdts, eds. California Light 1900 – 1930. Laguna Art Museum. Laguna Beach, California, 1990.
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Fink, Lois Marie.
American Art at the Nineteenth-Century Paris Salons.
Cambridge University Press. Cambridge, Massachusetts. 1990.
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Weinberg, H. Barbara.
The Lure of Paris: Nineteenth-Century American Painters and their French Teachers.
Abbeville. New York, New York. 1991.
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Fullerton, Patricia.
Hugh Ramsay, 1877 – 1906.
National Gallery of Victoria. Melbourne, Australia. 1992.
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Gerdts, William H.
Lasting Impressions: American Painters in France: 1865 - 1915.
Terra Foundation for the Arts. Evanston, Illinois. 1992.
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Gerdts, William H.
Masterworks of Impressionism from the Pfeil Collection.
Art Services International. Alexandria, Virginia. 1992.
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Gerdts, William H.
Monet’s Giverny: An Impressionist Colony.
Abbeville. New York, New York. 1993.
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Keyes, Donald D.
American Impressionism in Georgia Collections.
Georgia Museum of Art, University of Georgia. Athens, Georgia. 1993.
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Weinberg, H. Barbara.
American Impressionism and Realism: The Painting of Modern Life, 1895 – 1915.
Metropolitan Museum of Art. New York, New York. 1994.
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Anderson, Ronald and Anne Koval.
James McNeill Whistler: Beyond the Myth.
Carroll and Graff, Publishers. New York, New York, 1995.
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Gomes, Rosalie.
Impressions of Giverny: A Painter’s Paradise 1883 – 1914.
Pomegranate Artbooks. San Francisco, California. 1995.
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Mann, Maybelle.
Art in Florida, 1564 – 1945.
Pineapple Press. Sarasota, Florida. 1999.
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Frieseke, Frederick C.
Uneventful Reminiscences: A Childhood in Florida.
Hollis Taggart. New York, New York. 2000.
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Lesage, Jean-Claude.
Peintres Australiens a Etaples.
Amis du Musée de la Marine. Etaples-sur-Mer, France. 2000.
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Frieseke, Francesand Frederick C. Frieseke (illustrator).
It’s Only the Cannon.
Hollis Taggart. New York, New York. 2001.
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McCue, Michael.
Paris & Tryon: George C. Aid (1872 – 1938) and His Artistic Circle in France and North Carolina.
Condar Company. Columbus, North Carolina. 2003.
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Hill, May Brawley.
On Foreign Soil: American Gardeners Abroad.
Harry N. Abrams. New York, New York. 2005.
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