|
Drawings.
Dupont Theater Gallery. Washington, DC, 1952.
|
 |
|
Greenberg, Clement.
Post painterly abstraction. An exhibition organized by the Los Angeles County Museum of Art and sponsored by the Contemporary Art Council.
Los Angeles County Museum of Art. Los Angeles, California, 1964.
|
|
|
Colorists: 1950-1965.
San Francisco Museum of Art. San Francisco, California, 1965.
|
|
|
Seitz, William C.
The Responsive Eye.
The Museum of Modern Art. New York, New York, 1965.
|
|
|
The Washington Color Painters: Morris Louis, Kenneth Noland, Gene Davis, Thomas Downing, Howard Mehring and Paul Reed.
Washington Gallery of Modern Art. Washington, DC, 1965.
|
|
|
Selected Paintings, 1963-1966.
Hofstra University. Hempstead, New York, 1966.
|
|
|
Two Decades of American Painting.
National Museum of Modern Art. Tokyo, Japan, 1966.
|
|
|
Recent Paintings.
Hayden Gallery, Massachusetts Institute of Technology. Cambridge, Massachusetts, 1967.
|
|
|
Gene Davis, Robert Irwin, Richard Smith: The Jewish Museum, March 20-May 12, 1968.
The Jewish Museum. New York, New York, 1968.
|
|
|
Gene Davis, An Exhibition.
San Francisco Museum of Art. San Francisco, California, 1968.
|
|
|
Tucker, Marcia.
The Structure of Color.
The Whitney Museum of American Art. New York, New York, 1971.
|
|
|
The Vincent Melzac Collection.
Corcoran Gallery of Art. Washington, DC, 1971.
|
|
|
Gene Davis: Rectangle Paintings.
Corcoran Gallery of Art. Washington, DC, 1977.
|
|
|
Child and Man: A Collaboration,.
Washington Project for the Arts. Washington, DC, 1983.
|
|
|
Gene Davis: The Random and the Ordered.
University of Missouri Gallery of Art. Kansas City, Missouri, 1984.
|
|
|
Kuspit, Donald.
Focus: 1960-1966.
Charles Cowles Gallery. New York, New York, 1986.
|
|
|
Gene Davis, A Memorial Exhibition.
National Museum of American Art, Smithsonian Institution. Washington, DC, 1987.
|
|
|
A Survey.
Charles Cowles Gallery. New York, New York, 1988.
|
|
|
Washington Color Painters: The First Generation: Gene Davis, Thomas Downing, Morris Louis, Howard Mehring, Kenneth Noland.
The Orlando Museum of Art. Orlando, Florida, 1990.
|
|
|
Masterworks.
Charles Cowles Gallery. New York, New York, 1991.
|
|
|
At the Threshold of the Visible: Miniscule and Small-Scale Art 1964-1996.
Traveling Exhibition. 1997.
|
|
|
McClintic, Miranda.
Modernism and Abstraction: Treasures from the Smithsonian American Art Museum.
Traveling Exhibition. 2001.
|
|
|
Rich, Sarah K.
Gene Davis: 1960s Stripe Paintings.
Charles Cowles Gallery. New York, New York, 2004.
|
|
|
Wilkin, Karen and Carl Belz, essays.
Yale University Press. New Haven, Connecticut.
Color as Field: American Painting, 1950–1975. 2007.
|
|
 [return to top]
|
| |
|
.jpg)
