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Do It.
Kjarvalsstadir. Reykjavik, 1966.
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Licit Exp.
A.I.R. Gallery. New York, New York, 1974.
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Torture of Women.
A.I.R. Gallery. New York, New York, 1976.
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Drawing Now.
Soho Center for Visual Arts. New York, New York, 1976.
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Gunther, Bruce.
Three Decades: The Oliver Hoffman Collection.
Museum of Contemporary Art Press. Chicago, Illinois, 1977.
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Notes in Time on Women Part II, Spero's Apocalypse.
Picker Art Gallery, Colgate University. Hamilton, New York, 1979.
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Marincola, Paula.
Words and Images.
Philadelphia College of Art. 1979.
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Conwill, Kinshasha.
The Decade Show, Frameworks of Identity in the 1980s.
New Museum of Contemporary Art, Museum of Contemporary Hispanic Art, Studio Museum in Harlem. New York, New York, 1980.
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Art of Conscience: The Last Decade.
Wright State University. 1980.
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Issue: Social Strategies by Women Artists.
Institute of Contemporary Arts (ICA). London, United Kingdom, 1980.
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Isaak, Jo Anna.
The Revolutionary Power of Women's Laughter.
Protetch-McNeil Gallery. New York, New York, 1983.
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Gumpert, Lynn.
The End of the World: Contemporary Visions of the Apocalypse.
The New Museum of Contemporary Art. December-January, 1983, p.11.
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Art Couples III.
P.S.1, Institute for Art and Urban Resources. Long Island City, New York, 1983.
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Pindell, Howardena.
The War Show.
Stony Brook: Art Gallery, Fine Arts Center, State University of New York. New York, New York, 1983.
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Rohrer, Judith.
Nancy Spero.
Matrix Gallery, Wadsworth Atheneum. Hartford, Connecticut, 1983.
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Kaplan, Steven.
Totem: Language, Myth and Figure.
Bonnier Gallery, Charles Cowles Gallery, Germans Van Eck Gallery. New York, New York, 1984.
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Symptoms of Critique: Nancy Spero and Francesco Torres.
The New Museum of Contemporary Art. New York, New York, February-March, 1984.
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Ratcliff, Carter.
Pressures of the Hand: Expressionist Impulses in Recent American Art.
Brainerd Art Gallery, State University College of Arts and Science. Potsdam, New York, March/April, 1984.
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Siegel, Jeanne.
Collage Expanded.
Visual Arts Museum. October, 1984.
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Wein, JoAnn.
Politics in Art.
Queensborough Community College. New York, New York, March/April, 1984.
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Art in America.
January, 1984.
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Fischer, Barbara.
She Writes in White Ink.
June 2, 1985.
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King, Elaine.
Nancy Spero: The Paris Black Paintings.
Hewlett Gallery, Carnegie-Mellon University. Pittsburgh, Pennsylvania, April, 1985.
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The Figure as an Image of the Psyche.
Sculpture Center. New York, New York, November, 1985.
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Rape.
University Gallery, Ohio State University. Columbus, Ohio, November-December, 1985.
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Rickey, Carrie.
Mapping Autogeography: Six Routes for Navigating the Body Politic.
Nude, Naked, Stripped, Hayden Gallery, List Visual Arts Center, MIT. Cambridge, Massachusetts, 1985.
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Flood, Richard.
Memento Mori.
Moore College of Art, Philadelphia. November-December, 1986.
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Por Encima del Bloqueo.
Segunda Bienal de la Habana. Havana, Cuba, November, 1986.
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Brooks, Rosetta.
Nancy Spero.
Lawrence Oliver Gallery. Philadelphia, Pennsylvania, 1987.
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Bellemare, Roger.
Stations: Les Cent Jours D'Art Contemporain de Montréal.
Centre International D'Art Contemporain de Montréal. Montreal, Canada, 1987.
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Desmett, Don.
American Policy (catalogue essay).
Cleveland State University. 1987.
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Desmett, Don.
American Policy: catalogue essay.
Cleveland State University. 1987.
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Forty-Three Works on Paper: Excerpts from the Writings of Antonin Artaud.
Galerie Rudolf Zwirner. Koln (SEE COLOGNE), Germany, 1987.
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Storr, Robert.
Nancy Spero: Works Since 1950.
Everson Museum of Art. 1987.
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Bradley, Laurel.
Tragic and Timeless Today, catalogue essay.
University of Chicago. February, 1987.
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Bird, Jon.
Nancy Spero: Inscribing woman--between the lines.
Institute of Contemporary Art. London, United Kingdom, March, 1987.
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Bradley, Laurel.
Tragic and Timeless Today.
University of Chicago. February, 1987.
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Nancy Spero: Works Since 1950.
Everson Museum of Art. New York, New York, 1987.
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Tickner, Lisa.
Images of women and la peinture feminine.
Institute of Contemporary Art. London, United Kingdom, 1987.
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Waller, Susan.
AT ISSUE: Art & Advocacy.
Saint Louis Gallery of Contemporary Art. Saint Louis, Missouri, 1987.
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Nancy Spero.
Lawrence Oliver Gallery. Philadelphia, Pennsylvania, February, 1987.
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Bradley, Laurel.
Tragic and Timeless Today.
University of Chicago, February 1987. Chicago, Illinois, 1987.
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Bee, Susan.
Fresh From New York.
ARTSPACE. Auckland, New Zealand(Aotearoa), 1988.
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Berger, Maurice.
Representing Vietnam 1965-1973: The Antiwar Movement in America.
Hunter College of the City University of New York. New York, New York, 1988.
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Jenkins, Susan L.
An Interview with Nancy Spero.
The Museum of Contemporary Art. Los Angeles, California, 1988.
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Madill, Shirley.
Identity/Identities: An Exploration of the Concept of Female Identity in Contemporary Society.
Winnipeg Art Gallery. Winnipeg, Canada, 1988.
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Malen, Lenore.
The Politics of Gender.
Queensborough Community College of the City of New York. New York, New York, 1988.
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Matilsky, Barbara C.
Classical Myth and Imagery in Contemporary Art.
The Queens Museum. New York, New York, 1988.
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Mills, Dan and
Maureen Sherlock.
The Whole World is Still Watching.
Randolph Street Gallery. Chicago, Illinois, 1988.
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Rive, David.
Portfolio.
Red Bass. New Orleans, California, 1988.
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Robins, Corinne.
Walls of the 70's.
Queensborough Community College. 1988.
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Tufts, Eleanor.
Women and the U.S. Constitution.
The Atlanta College of Art. Atlanta, Georgia, 1988.
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Zeitlin, Wendy and
Marilyn A..
All The News That's Fit For Prints: A parallel of social concerns in graphic art of the 1930's/1980's.
Contemporary Arts Museum. Houston, Texas, 1988.
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Wye, Pamela.
Nancy Spero.
Lawrence Oliver Gallery. Philadelphia, Pennsylvania, 1989.
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Forbidden Objects: Art and Taboo.
Greg Kucera Gallery. Seattle, Washington, 1989.
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Martin, Jean-Hubert and
Mark Francis.
Magiciens de la Terre.
Centre Georges Pompidou, Musee Nationale d'Art Moderne, La Villette. Paris, France, 1989.
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Pommier, Claudine.
Fear of Others/Art Against Racism.
Arts in Action Society. Vancouver, Canada, 1989.
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Schjeldahl, Peter.
Rediscovered Spero.
Josh Baer Gallery. New York, New York, 1989.
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Nancy Spero.
Lawrence Oliver Gallery. Philadelphia, Pennsylvania, December, 1989.
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Ackley, Clifford S.
The Unique Print/70's Into 90's.
Museum of Fine Arts. Boston, Massachusetts, 1990.
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Kempas, Thomas.
Zur Ausstellung.
Nancy Spero: Bilder 1958 bis 1990. Bonner Kunstverein. Berlin, Germany, 1990.
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A Different War: Vietnam and Art.
Whatcom Museum of History and Art, The Real Comet Press. Seattle, Washington, 1990.
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Pohlen, Annelie.
Die Schmerzliche Sinnlichkeit der Nacht: Nancy Spero.
Nancy Spero: Bilder 1958 bis 1990. Berlin, Germany, 1990.
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Tarlow, Lois.
Nancy Spero.
Art New England. March, 1990.
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Baigell, Matthew.
A Shifting Equation: The Work of Nancy Spero and Leon Golub.
1991.
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Bonito Oliva, Achille.
Art is a Gynaeceum of Images.
Sky Goddess, Egyptian Acrobat. Galleria Stefania Miscetti. Rome, Italy, May, 1991.
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Artae.
Circulo Degli Artisti. Rome, Spain, 1991.
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Fehlemann, Sabine.
Bildwelten aus Buchstaben.
Von der Heydt-Museum. Wuppertal, Germany, 1991.
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Hoffmann Koenige, Erika.
Von der Heydt-Museum. Wuppertal, Germany, 1991.
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Littman, Robert R.
El Centro Cultural/Arte Contemporaneo, A.C.. Polanco, Mexico, 1991.
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Richardson, Trevor.
The Critical Image.
Weatherspoon Art Gallery, University of North Carolina at Greensboro. 1991.
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Devil On The Stairs: Looking Back on the Eighties.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania, 1991.
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Thomas, David.
As Seen By Both Sides.
Indochina Arts Project and the William Joiner Foundation, distributed by the University of Massachusetts Press. Boston, Massachusetts, 1991.
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Villaespesa, Mar.
El Sueño Imperativo.
Circulo de Bellas Artes. Madrid, Spain, 1991.
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Weskott, Hanne.
Vorbild-Abbild-Bild.
Glyptothek am Köngsplatz. Munich, Germany, 1991.
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Differing Realities: Adriene Simotová and Nancy Spero.
VereinAusstellungsorganization, pub. 1991.
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Farmer, Jane M..
Crossing Over/Changing Places.
Pyramid Atlantic. Riverdale, Maryland, 1992.
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Oliva, Achille Bonito.
Woman Breathing.
Edition Cantz. Ulmer Museum. Ulm, Germany, 1992.
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Smolik, Noemi.
One Who Went Out To Find Her Lost Language.
Ulmer Museum. Ulm, Germany, April, 1992.
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When This You See....
Ulmer Museum. Ulm, Germany, April, 1992.
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Vierneisel, Klaus.
Nancy Spero in der Glyptothek.
Glyptothek am Köngsplatz. Munich, Germany, 1992.
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Bonito Oliva, Achille.
Sky Goddess, Egyptian Acrobat.
Galleria Stefania Miscetti. Rome, Spain, May, 1992.
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1993 Emrys Journal.
Greenville County Museum of Art and Emrys Foundation. spring, 1993.
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1993 Emrys Journal.
Greenville County Museum of Art and Emrys Foundation. spring, 1993.
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Goodman, Susan.
Eight Artists: A Cultural Context.
The Jewish Museum. June, 1993.
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Harris, Susan.
Reality and Revelation.
Josh Baer Gallery. New York, New York, April, 1993.
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Kruse, Hannah.
A Shift in Strategies: Depicting Rape in Feminist Art.
The Whitney Museum of American Art. June, 1993.
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The Photographer Finds His Subject.
Thread Waxing Space. New York, New York, September, 1993.
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Obrist, Hans-Ulrich.
Hotel Carlton Palace, Chambre 763.
Hôtel Carlton Palace. Paris, France, August, 1993.
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Sultan, Terrie.
The Themes That Reflect Us.
The Corcoran Gallery of Art. Washington, DC, October, 1993.
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Sussman, Elisabeth.
Coming Together in Parts: Positive Power in the Art of the Nineties.
Whitney Museum of American Art in association with Harry N. Abrams Publishers Inc.. New York, New York, February, 1993.
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Sims, Lowery Stokes.
Nancy Spero.
The Corcoran Gallery of Art. Washington, DC, October, 1993.
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She is Silent When She Sews.
Apex Art. New York, New York, December, 1994.
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Kline, Katy and
Helaine Posner.
The Good Fight.
The American Center. Paris, France, 1994.
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Snyder, Jill.
Impossible Evidence: Contemporary Artists View the Holocaust.
Freedman Gallery, Albright College. Reading, Pennsylvania, November, 1994.
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Inside the Visible (exhibition essay).
Kunststichting - Kanaal-Art Foundation. Belgium, June, 1994.
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Golub, Leon.
Caterpillar I.
1994.
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Dancing in Space.
Malmö Konsthall. Malmo, Sweden, 1994.
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Mansfield, Elizabeth.
Power, Pleasure, Pain: Contemporary Women Artists and the Female Body.
Fogg Art Museum, Harvard University. Boston, Massachusetts, March 19-June 12, 1994.
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Cloaca Maxima.
Museum Der Stadtentwässerung Zürich. 1994.
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Becker, Carol.
The Prodigal Daughter.
Rockford College. Rockford, Illinois, 1995.
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Notes in Time: Leon Golub and Nancy Spero.
Fine Arts Gallery, University of Maryland. Baltimore, Maryland, 1995.
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Bohm-Duchen, Monica.
After Auschwitz.
Northern Center For Contemporary Art. London, United Kingdom, 1995.
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Skowhegan Medal for Works on Paper: Nancy Spero.
1995.
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Nancy Spero.
1995.
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Lineker, Bruce.
Civil Rights Now: A Timeline 1950-1995.
Southeastern Center for Contemporary Art. Winston-Salem, North Carolina, 1995.
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Warren, Lynne.
Museum of Contemporary Art. Chicago, Illinois, 1995.
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Wye, Deborah.
Thinking Print: Books to Billboards, 1980 - 95.
The Museum of Modern Art. New York, New York, 1995.
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Olschki, Leo S..
Risarcimento: Artisti contemporanei per gli Uffizi.
Florence, Italy, 1995.
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Dercon, Rhris.
Face a L'Histoire: 1933 - 1996.
Centre Georges Pompidou. Paris, France, 1996.
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Mechtild, Werner and
Widrich Hanak.
Nancy Spero- Installation der Erinnerung.
Museum Catalogue. 1996.
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Of Joy and Despair.
Hiroshima City Museum of Contemporary Art. 1996.
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Thinking Print, Books to Billboards, 1980-1995.
Museum of Modern Art. 1996.
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Do It.
Catalogue Independent Curators Incorporated. New York, New York, 1997.
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Sztullman, Paul.
Short Guide/Kunzführer.
Documenta X, Cantz. 1997.
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Sosa, Ana Teresa.
Nancy Spero/Leon Golub.
Museo Jacobo Borges. Caracas, Venezuela, 1998.
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Knode, Marilu.
Nancy Spero, A Presence Throughout Time.
Institute of Visual Arts, University of Wisconsin, Milwaukee. University of Wisconsin. December, 1998.
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Isaak, Jo Anna.
H2O.
Hobart & William Smith College Press. Geneva, New York. 2002.
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NANCY SPERO: Weighing the Heart Against a Feather of Truth.
Centro Galego de Arte Contemporanea. Spain. 2004.
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de Zegher, M. Catherine.
Persistent Vestiges: Drawing from the American-Vietnam War.
Drawing Center. New York, New York. 2005.
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Dingwall, Kenneth and John L. Moore.
Drawn to Cleveland.
Museum of Contemporary Art Cleveland. Cleveland, Ohio. 2005.
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