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   Virtual Exhibition: "As Human (for Edward Said)"
    Curated by Adam J. Lerner, Denver Art Museum / The Lab at Belmar, Denver, Colorado
 
The meaning and value of humanism has changed dramatically from the end of WWII to the present. Martin Heidegger's 1946 "Letter on Humanism" began a long negative relation to the concept. The philosopher's attempt to avoid elevating "the human being to the center of beings" was bolstered by later feminist and multi-cultural perspectives that drew attention to the brutality of those speaking in the name of "Man."

But Edward Said's defense of humanism as the "achievement of form by human will and agency" in a posthumously published 2004 book 'Humanism and Democratic Criticism' is typical of the recent revision of the concept. For Said, humanism advances, rather than erases, the recognition of diverse human experience.

Despite booms and busts in the humanist market since WWII, artists have persistently addressed old humanist concerns: mortality, transcendence, connection and alienation. In the past ten years, as if reconciling positive and negative accounts of humanism, artists have begun to weave questions of identity - our particularity - into questions of existence - our humanity. This climate allows us to acknowledge the humanist trace in the art of the last four decades that had been previously obscured by more pressing theoretical concerns. The works in this exhibition foreground the condition of the human being, in relation to the social and historical being.
 
Mensch
Joseph Beuys
Gagosian Gallery, UK
 
Une Place sur la Terre 2003 New York
Rei Naito
D'Amelio Terras
 
Finis Terrae
Anne and Patrick Poirier
Sonnabend Gallery
 
The Green Ray (Edition for Parkett 62)
Tacita Dean
Parkett Editions, Zurich
 
 
Untitled
Miroslaw Balka
Barbara Gladstone Gallery
 
Les Tombes (Father & Mother)
Sophie Calle
André Simoens Gallery
 
Fainting Couch
Valeska Soares
Galeria Fortes Vilaça
 
Untitled, No. 9 (Painting Series)
Paul Graham
Carrie Secrist Gallery
 
 
Big number (Clear 0)
Tatsuo Miyajima
Galeria Javier Lopez

 
From Kernels of Time project
Kcho (Alexis Leyva)
La Casona

 
Rheinmetal
Rodney Graham
303 Gallery
 
Absorption, Work in Progress
Jana Sterbak
Galeria Toni Tàpies
 
 
Small Figure in Iron House
Magdalena Abakanowicz
Richard Gray Gallery

 
Untitled (four figures)
Laylah Ali
Miller Block Gallery

 
The Razor's Edge
Robert Moskowitz
Peter Blum
 
Untitled (thin)
Donald Moffett
Anthony Meier Fine Arts



  Adam J. Lerner, PhD is Master Teacher at the Denver Art Museum and Executive Director of The Lab at Belmar, a   new project space dedicated to the exploration of art and ideas. The Lab will open a facility in Lakewood,   Colorado, in 2006. Lerner can be reached at adam@belmarlab.org.

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