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A Kelly Cline sculpture at Statler Waldorf Gallery in Echo Park, L.A.
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L.A. CONFIDENTIAL
by Pedro Vélez



Believe it or not, art fairs are living organisms, born in rented wombs and raised under the thumb of dubious art-market morals. Once they reach adulthood, artists thirsty for recognition stick to them like remoras. Only a handful grow to be successful while most are fairly plain and predictable.

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