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Haris Epaninonda’s Nemesis 52 (2003) in "Her(his)tory"
Photo by Rebecca Constantopoulou & Fanis Vlastaras
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APPETITE FOR DESTRUCTION
by Brian Skar



The most oft-noted irony of the first Athens Biennial, Sept. 10-Nov. 18, 2007, was the disastrously timely title, "Destroy Athens," which was plastered on stark boldface posters all over the city just weeks after the worst wildfires on record threatened actually to, well, destroy Athens.

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