Carl Andre’s Lament for the Children (1976/1996), courtesy Paula Cooper Gallery, with (above), Kerim Seile’s MgBeth [sic] (2007), courtesy Galerie Susanna Kulli, Zürich
A guy in a red octopus suit, with big yellow eyes, drawing graffiti scenes of the great wave on the wall. An oversized, all-but-immobile teeter-totter, with eight seats on one end balanced against a single one on the other. A booth carpeted with millions of glittery crystals, one real diamond hidden among the chaff.
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