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Paul Villinski’s modified FEMA trailer, Emergency Response Studio, in "Prospect.1" in New Orleans
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BLEEDING-HEART BIENNALE
by Walter Robinson



Dan Cameron sounded a little aggrieved in his brief remarks to a bunch of New York art writers on the fourth floor of the New Orleans Contemporary Art Center, where he is curator. After Hurricane Katrina, he claimed, the art world had turned its back on his adopted city. That neglect broke his heart, just like the hurricane broke the levees.

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