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Holland Cotter at the New School, Nov. 11, 2010
Photo by Phyllis Tuchman
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THE BIG CRIT
by Walter Robinson



Well do I remember my first AICA meeting. It was in the 1970s, and the U.S. section of the UNESCO-affiliated French critics association, the Association Internationale des Critiques díArt, was nothing if not moribund. Back then, Artforum was smart, Avalanche was smarter and Art & Language and Joseph Kosuthís The Fox were smarter still, and the last thing art critics needed was some clueless professional association.

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