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The Bruce High Quality Foundation lecture, "Explaining Pictures to a Dead Bull," considers the notion of "credit" -- enjoying today the fruits of tomorrow’s labor -- as inverting the typical Christian ideal of working in this life for rewards after death
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by Mary Rinebold

On one of the last days of July at New York’s Harris Lieberman Gallery, the Bruce High Quality Foundation -- a five-year-old art collective of anonymous members, apparently a handful of young men -- presented a lecture and slideshow with the catchy title, "Explaining Pictures to a Dead Bull." The lecture was the final event in a show titled "No Bees, No Blueberries," organized at the gallery by Sarina Basta and Tyler Coburn.