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Still from Mary Lucierís The Plains of Sweet Regret (2004) at Lennon Weinberg Gallery
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by Abraham Orden

In New York, the fever for building is at a heightened pitch, and seems to be infecting activity in the art world as well. For his first U.S. solo show, for example, Hamburg-based artist Stefan Kern (b. 1966) has set aside the minimalist-inflected, hyper-fine furniture for which he is known and filled Andrew Kreps Gallery with gleaming approximations of construction-site detritus.


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