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Michael Friedís Why Photography Matters as Art as Never Before (Yale, 2008)
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by Grant Mandarino

Itís that time of year again: frosty mornings, delicious treats, the bustle of holiday shopping. The art world settles down for a long winterís nap, while critics ponder the end of a decade and make lists of the best 2009 had to offer. This is, at least, what happens in the pages of Artforum this month, and I thought Iíd follow suit by listing my own the Top Ten items plucked from the estimable magazineís ever-popular year-end picks. Itís a "meta-top ten list."


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