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David Cressey’s Glyph Wall, made ca. 1965 for Architectural Pottery, at Reform Gallery
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by Sheldon LaPierre

Art collectors need furniture, too, and as a result the art world has embraced contemporary design in a big bear hug. Design fairs are popping up alongside art fairs, and historic design is incorporated in the context of exhibitions at galleries and museums. And arguably the best part about it is that the chair you sit in while contemplating your new art acquisition could very well end up in the same museum, and also appreciate in both intellectual and financial value.