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Paul Sharits
Shutter Interface
Greene Naftali Gallery
Photo by Gil Blank
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by Elisabeth Kley

Carolee Schneemann blasted her way through social taboos in the 1960s with her pioneering nude performances and self-portrait film having sex (Fuses, 1967), but she insists that she has always been a painter. Proof can be found in "Painting, What It Became," an exhibition curated by Maura Reilly at P.P.O.W., Feb. 1-Mar. 28, 2009. The show includes paintings and painting constructions made between 1957 and 1965, as well as documentary photographs, performance videos and films dating from 1963 to the present.


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