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Dawn Mellor’s "Vile Affections," paintings of bloodied film stars, at the Team gallery booth at the Frieze Art Fair
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LONDON DISPATCH
by Laura K. Jones



Now that the seventh edition of the Frieze Art Fair, Oct. 15-18, 2009, is over, I don’t know what to do with myself. The mini-world-in-a-tent in Regent’s Park, and its myriad ancillary events that made up what I’d call "Frieze fortnight," have come to an end. The real world truly doth seem stale, flat and just a little unprofitable.

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