But the real action is around the corner at MC, the West Coast venture of New York dealers Michele Maccarone and Christian Haye, where the New York-based artist and curator Coco Fusco is making her Los Angeles debut with an exhibition called "Operation Atropos." In the hour-long video, Fusco and six of her friends undergo "interrogation training" with Team Delta, a group of former U.S. military operatives. Ambushed, captured and subjected to harsh treatment, four of the seven women break down and surrender their "secret codes."

Even though the interrogators have rather hysterical and slightly off-putting Armenian accents, the video hits a nerve, and is particularly interesting in light of recent events in Iraq, including the kidnapping of freelance journalist Jill Carroll. It also relates to hot topics like government outsourcing, women in warfare and the ongoing popularity of reality TV. Fusco’s video cleverly touches on all of it.

On the other side of town, two shows opened last week that couldn’t be more different. "Dennis Hopper: A Survey" at Ace Gallery brought out celebs by the coachload, as well as star artists like Ed Ruscha. Hopper’s period photographs of his crew, Robert Rauschenberg, Walter Hopps, David Hockney et al. captured the feeling of an era, but they were overshadowed by billboard-sized black-and-white paintings of the photos, executed by a crew of painters from the old school, whose billboard company Hopper is said to have kept in business.

Hopper is so nice, who wants to mention that these paintings are instantly forgettable, as are the pseudo-Ab Ex paintings of photos of textured details of graffiti that are also in the show? Between the celebrities like Lisa Bonet, Stephen Dorff and Darryl Hannah barging through Ace’s chamber-like galleries and the over-the-top ‘80s boom atmosphere, the experience was . . . gnarly.

In distinct contrast to the velvet rope and guest list at Ace, the opening at Kantor/Feuer Gallery on Melrose at La Brea was all but empty -- save for a group of the most intriguing and solid paintings I have seen in 2006. The artist, Håvard Homstvedt, was born in Norway and seems to belong to Northern Europe’s new school of figurative painting, but he was educated at Yale and lives in New York City. Perhaps the sparse attendance is due to the gallery’s location, catty-corner to Pink’s Hot Dogs. Everyone hates going to that neck of the woods. It makes us bristle.

Meanwhile, at Michael’s restaurant in Santa Monica, the Orange County Museum of Art -- which is located down the coast in Laguna Beach -- hosted a luncheon to announce the artists included in its forthcoming 2006 California Biennial, Oct. 1-Dec. 31, 2006. Busy artist about town Malik Gaines is in the show with his collaborative performance troupe, My Barbarian (also including Alex Segade and Jade Gordon), which appears at Redcat on Apr. 20, 21 and 22, 2006, for those who can't wait. The museum also announced the appointment of Aimee Chang as contemporary art curator. She had been on the staff at the Hammer Museum, where she co-organized the acclaimed "Thing: New Sculpture from Los Angeles."

A little further afield, hypothetically, is the first "Space Art Track" -- a panel discussion and exhibition of "space art" -- slated for the International Space Development Conference, which takes place May 4-7, 2006, at the Sheraton Gateway Hotel out at LAX. A project of Lowry Burgess and Frank Pietronigro of the Studio for Creative Inquiry at Carnegie Mellon University in Pittsburgh, the event includes a stop of the traveling "The Artists’ Universe" exhibition of space art. These guys even plan some kind of daredevil flight later this summer, in which artists would be able to do their thing in a gravity-free environment. For details, see the Zero Gravity Arts Consortium website at www.zgac.org.

In other local news, former Gagosian Gallery staffer Honor Fraser opened a small space at the Jaxon House on Abbot Kinney in Venice and is now David Salle’s new West Coast dealer. And in another example of the East Coast looking to the West, Visionaire magazine directors are sniffing around the who’s who of L.A. with an eye to setting up an art fair here.

Two more galleries opened in Chinatown, Chung King Project and High Energy Constructs on Hill Street. Speaking of Chinatown, even though the show went down on April 8, L.A. artist Henry Taylor’s "Get Black" exhibition of rough and sweet figurative paintings at Sister gave me everything I expect and more from new art in California.

For further details of art and art fairs, check out the West Coast issue of the estimable ArtReview magazine, due on May 1.

EMMA GRAY is based in Los Angeles and contributes to ArtReview magazine.