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The entryway to "Altermodern," the 2009 Tate Triennial, with Matthew Darbyshire’s Palac (2009), foreground, and Subodh Gupta’s Line of Control (2008)
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THE AGE OF SEMI- POST- POSTMODERNISM
by Ben Davis



Maybe not. Well, I see that the blog "Film School Rejects" recently published a text on the "postmodern dialectics" of Hot Tub Time Machine. But the conviction that the notion means anything serious is gone.

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