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Gosia Koscielak’s projection on the façade of the Chapel Gallery, Center of Polish Sculpture, in Oronsko, 2004
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CHICAGO OPEN HOUSE
by Victor M. Cassidy


It’s a familiar story. Artists want workspace. They move into rundown buildings and fix them up, only to see the neighborhood become fashionable and expensive. They move elsewhere and the cycle soon repeats itself. This has happened over and over again in most major U.S. cities.

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