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The Atelierhaus Monbijoupark, with its front wall ripped off for Mandla Reuter’s Nothing to See, Nothing to Hide, plus the platform made for the show above the building
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by Kimberly Bradley

Berlin -- so hyped, so hot, so new. Yet it seems to have lost its art-world cachet. "I’m heading to Brussels," a trend-aware New York artist recently told me, after living in Berlin for more than five years. "Berlin’s over," I heard from many others, in town and elsewhere.