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Dawn DeDeaux, installation detail from The Goddess Fortuna, based on Confederacy of Dunces, on view at the U.S. Mint Building as part of Prospect.2
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BLUES ON THE BAYOU
by Rachel Corbett



New Orleans, god love it, is a city of hard luck. And so it goes for the nearly 40 artists whose invitations to participate in the second-annual New Orleans biennial, Prospect.2, Oct. 22, 2011-Jan. 29, 2012, were revoked after a series of fundraising defeats stripped the hotly anticipated exhibition down to the marrow.

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