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Kara Walker, Slavery! Slavery!, 1997, installation view, courtesy of Ruth Fremson for the New York Times
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THE MIDCAREER QUESTION
by Linda Yablonsky



Over dinner the other night, conversation drifted to retrospectives for mid-career artists in New York museums. It seemed to one of my companions, Whitney Museum curator Scott Rothkopf, that such shows used to occur more frequently at the Whitney, which in the 1980s and '90s seemed to specialize in monographic shows of hot younger artists.

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