Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown’s gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability and barbaric sculptural power. It’s set expectations for his full-building retrospective at the New Museum incredibly high, and he’s working hard to meet them. Fischer has lowered ceilings, added lights, and closed off doors, trying to get the effects he wants in this cold, almost soulless exhibition space. So much so that the curator Massimiliano Gioni mused to one writer, "I have thought a couple of times of killing him."