Waiting in line as art: Roman Ondak, Good Feelings in Good Times, 2003, performance (from the Tate collection) as part of "Ostalgia" at the New Museum, photo by Emily Nathan
1. The Clock, Christian Marclay Imagine Darren Aronofsky onstage at the Academy Awards next February, announcing, “And the winner for Best Picture is . . . Christian Marclay’s The Clock.” Movie stars would be dumbstruck; the art world would cheer. Marclay’s film, painstakingly assembled out of time-specific clips from classic movies, was a 24-hour odyssey of chronology.
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