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Installation view of Neil Campbell’s "faultline" at Marianne Boesky
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by Jerry Saltz

More than 80 exhibitions opened in Chelsea on the first big night of the art season, a couple of weeks ago. Most are mediocre, as usual, and this many so-so shows early on makes one suspect that a pattern is forming. But amid mediocrity, the needle does seesaw, and three shows (one good, one bad, one terrible) stood out as I made the rounds.


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