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Mika Tajima
The Extras
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by Jerry Saltz

The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst on us all because we’re not pure enough, good omens appear. The same weekend I saw so many dealers braving the odds at art fairs, I attended the debut of not one but two new art spaces. The energy in both venues was about feeling for the outlines of a changing configuration, looking for paths between the difficult and the iffy, and using the extraordinary human and architectural infrastructure already here.