In the End, It Was All About You
by Jerry Saltz
Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art. For the past two months, Marina Abramovic
ís large-scale 40-year retrospective at the Museum of Modern Art, "The Artist Is Present" -- featuring Abramovic herself, seated in queenly fashion in the museumís atrium, nude performers re-creating her past work, and lots of audience participation -- has turned the usually introspective institutional sphere into an existential circus of bizarre self-help.