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Philip Corner, The Identical Lunch: Performances of a Score by Alison Knowles (Nova Broadcast Press, 1973), in "Experimental Women in Flux: Selective Reading in the Silverman Reference Library" a the Museum of Modern Art, 2010
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by Jerry Saltz

Last week you wrote about MoMA’s Abstract Expressionist exhibition and mentioned the "sad lack of women." In years past you’ve written a lot about there not being many women on view in MoMA’s permanent collection of painting and sculpture. What’s the situation these days?
-- L. Darnor