Otto Dix was first and foremost a critic of capitalism -- a fact obscured by the bullshitizing of his art by Hollywood, that is, the dumbing of it down into entertainment in such films as Cabaret, more pointedly, the neutralizing and kitschifying of its critical content by its assimilation into the society of the spectacle we culturally inhabit. It is the trivializing fate that Hollywood reserves especially for artists who are critical of everything it stands for: the military-industrial complex it serves. The military-industrial-entertainment complex controls consciousness, and it is determined to control -- by treating as comic farce, ridiculing as absurd mischief -- any consciousness that threatens it by reminding it of its tragic flaws and its own absurdity.
