Christopher Wool

CONTROLLED BELLIGERENCE
by Elizabeth Kley

Christopher Wool’s decorously aggressive exhibition at the Musée d’Art Moderne de La Ville de Paris spreads out across a curved main-floor gallery that’s been divided into three sections. Comprised mostly of large white canvases covered with silkscreened marks, the paintings are distanced reproductions of sprawling painterly gestures recycled and recombined in a variety of sizes and layers.

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