In the early 1990s, Anselm Kiefer, the celebrated German Neo-Expressionist and connoisseur of apocalyptic doom, left his wife, children and home near Frankfurt and moved to France. Around the same time, he put together an exhibition for Marian Goodman Gallery in New York called "Flight from Egypt," somewhat hubristically implying that his departure from Germany was akin to the Biblical Exodus of Hebrew slaves.
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