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John Cederquist’s Wavemaster (1999) in "One of a Kind: The Studio Craft Movement" at the Metropolitan Museum of Art
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by N.F. Karlins

At Boston’s Museum of Fine Arts, the fall art season opened with steam shovels and backhoes snorting in the rear of the building, a huge extension in mid-progress. Inside, despite a few bare galleries near the construction zone, the MFA is humming with a new exhibition celebrating its intended leadership role in collecting contemporary craft.


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