I had the good fortune to tour the comprehensive survey of works by textile master Serizawa Keisuke at the Japan Society, curated with admirable rigor by the society's gallery director Joe Earle, with two formidable blondes, Alexandra Peers of the Wall Street Journal and Alice Judelson of I-20 Gallery. As Peers commented, using an old journalistic term, "They buried the lede," by putting the jewels of the exhibition, Serizawa's incomparable kimonos from the 1960s, in a back room of the gallery, where you might miss them.
