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Kehinde Wiley, Kalkidan Mashasha (The World Stage: Israel), 2011, private collection
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Kehinde Wiley

UNPLANNED OBSOLESCENCE
by Charlie Finch

As I check the dizzying amount of fine art information available at GalleristNY.com and various blogs, changing by the minute during the day (along with Twitter or Facebook, which I don't do), the nullifying effect of this cultural tsunami is instantaneous, eliminating any future considerations of just about anything exhibition-wise.

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