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Graffiti on Wooster Street
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by Charlie Finch

I confess, unlike Peter Schjeldahl who adores them, to hating every abstract work Gerhard Richter has ever attempted, including the deeply dull color charts. Of course, I worship all his other stuff, finding it superior to even Warhol, who in his subjective cynicism and pictorial ambiguity, is Richter's esthetic secret sharer.


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